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What expressions did the three monks learn from Chinese painting?
The three monks absorbed the freehand brushwork of Chinese painting.

The freehand brushwork style in the modeling of Three Monks;

Whether it is scene modeling or character modeling, the three monks have achieved vivid and freehand artistic effects in artistic expression and animation technology, and obtained the style characteristics of "likeness" and "writing spirit with form" in ink freehand brushwork.

Ink freehand brushwork painting takes "beauty is alike and dissimilarity" as the core, takes conveying the expressions and emotions of objects and the subjective feelings of painters as the main purpose, and deals with natural objects through bold artistic techniques such as material selection, generalization, exaggeration and display, emphasizing the essence of verve.

In terms of scene modeling, Italian painting is famous for its rough similarity of minerals. Motion mainly relies on lines to sketch the image of color and the picture depicted by dynamic single line. The quality of lines is directly related to the quality of animation, so animation requires high accuracy, straightness and uniformity of lines, which is also the requirement of freehand brushwork.

Brief introduction of three monks;

Three Monks is a two-dimensional animated short film directed by Mark Xuan and produced by Shanghai Animation Film Studio. 1980. This is the first China film to win an award at the Berlin International Film Festival.

Based on the folk proverb of China, "One monk carries water to eat, two monks carry water to eat, and three monks have no water to eat", the film tells the story of three monks who experienced no water to eat. After the temple caught fire, Qi Xin worked together to put out the fire and hung water together.

The expression of Chinese painting;

1, pen and ink:

Pen and ink are the means of expression of Chinese painting, not just painting skills. Liu Xizai, a Qing man, said: "High rhyme, deep affection, firmness and heroism are indispensable to books." A person who writes a book paints with his heart. If you don't know pen and ink, how can you talk about writing and expressing Tao? What is the connotation of Chinese painting?

2. Charm:

China's art, China's literature, China's martial arts and China's medicine are all indispensable. "Vivid spirit" is not only a literary concept, but also a survival concept of China people.

Therefore, Chinese painting is humanistic and scientific. Hao Jing in the Five Dynasties proposed that the pen has four potentials: muscle, qi, bone and flesh. "Charm" comes from pen and ink, which comes from knowledge, personality and romantic feelings of the author. Therefore, there is a saying that "the personality is not high and it is difficult to find its height".