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Brief introduction of Wang Ming's art
Painter Wang Ming: He Nanfeng, born in 1942, 1965 graduated from Henan Arts and Crafts School, majoring in Chinese painting, and graduated from the Academy of Fine Arts of Henan University in 67. Engaged in art education for nearly 40 years. Member of China Artists Association, Member of Henan Artists Association, Member of Kaifeng Artists Association, Director of China Painting and Calligraphy Artists Creation Center, Director of Painting and Calligraphy Research Institute of Henan Provincial People's Congress, Vice President of Painting and Calligraphy Institute of Kaifeng Arts and Crafts Factory, Special Painter of Yudong New Fine Painting Research Institute and Special Painter of Zhuangzhou Painting and Calligraphy Institute.

Long-term study of China ink figure painting, painting style is quite individual, magnificent and unrestrained. His painting style emphasizes learning from nature, combines meticulous painting with splash-ink freehand brushwork, and uses meticulous painting techniques to depict the faces of characters delicately, while splash-ink parts are free and unrestrained, creating a spiritual image realm beyond things. "Handwriting" means "heart trace", which proves the inner truth of his human nature. Most of his works are mature in ordinary life, while painting is intuitive and unconscious.

Wang Ming's paintings are deeply influenced by China's traditional philosophy, among which Taoism and Zen are the most profound, which contains the essence of China's traditional culture. The implication of splash-ink freehand brushwork is the mysterious change of the universe and human nature, which embodies the essential understanding of the universe and life in the philosophical thoughts of Taoism, Zen and Confucianism in China. In terms of expression techniques and materials used, China's traditional ink and wash are infiltrated and blended with each other, and cinnabar and gamboge are embellished, which makes his works highlight the elegant and solemn style of traditional China painting in content and form.

His main works include Enlightenment of Dharma, Crossing the River with a Reed by Dharma, Face of Dharma, Drunk Fairy Map, Seven Sages of Bamboo Forest, Zhong Kui, poets Li Bai, Du Fu, Du Mu, Tao Yuanming and other historical figures.

His works were selected into the National Art Exhibition on the 25th anniversary of the founding of People's Republic of China (PRC), the Yellow River Art Exhibition 1992, the China National Art Exhibition commemorating the 60th anniversary of the victory of the anti-fascist war, the 5th Third National Art Exhibition, the Yaxiang Cup China Art Exhibition, the calligraphy and painting exhibition commemorating the 2550th birthday of Confucius, the joint exhibition of national poets and painters, the 1st China Fine Arts Gold Award National Art Exhibition, and the China Art Exhibition of Century Chinese Style, which won the 4th Dunhuang Literature and Art Award in 2003. His works were selected for pictorial: Special Collection of Contemporary China Ink Painting, Collection of the 13th Invitational Exhibition of Contemporary Flower-and-Bird Portrait Painting, Collection of Contemporary Fan Painting and Calligraphy, Contemporary Painting Style, Contemporary Chinese Painting, Cui Ying in the Garden, Selected Sketches of Contemporary Chinese Painting (Landscape Book), and Collection of Yaheng Cup.

His main works include Enlightenment of Dharma, Crossing the River with a Reed by Dharma, Face of Dharma, Drunk Fairy Map, Seven Sages of Bamboo Forest, Zhong Kui, poets Li Bai, Du Fu, Du Mu, Tao Yuanming and other historical figures.

Appreciation of painter Wang Ming's works

However, thousands of sounds are silent, and the Zen flavor is empty (70cmx70cm)

This Zen Listening Picture created by Mr. Wang Ming in 2003 contains the essence of China traditional culture in the form of freehand brushwork in ink and wash. His pen and ink naturally permeated, revealing the whole meaning as a mysterious change of the universe and human nature, reflecting China's philosophical idea of understanding the essence of the universe and life, and expounding the purpose of Zen, that is, sitting quietly, gathering one's heart and thinking carefully, and reaching the realm of wisdom equivalence.

Enjoy a glass of wine while you are alive! Don't care if your reputation will be passed down! (70cmx70cm) Li Bai did not achieve fame in his life, but he had high expectations, and he was not afraid of and despised powerful people. Unscrupulously mocked the hierarchical order centered on political power, criticized the corrupt political phenomenon at that time, and carried forward the heroic spirit in the prosperous Tang culture with a bold rebellious attitude. The painter Wang Ming created this picture "Li Bai Drunk", which is full of ink and vivid characters. "Enjoy the poetic and artistic realm of a glass of wine when you are alive! Never mind whether your reputation will disappear! All of them are completely integrated, which shows that only a dynamic painter can show such an artistic conception. It shows the painter's positive spirit of not being afraid of loneliness, resisting the shackles of tradition and pursuing freedom and ideals.

Drunk ink map (70cmx70cm)

Liang Kai, a famous painter in the Southern Song Dynasty, belongs to the rough school, which is informal and degenerate. He used to be a painter in Song Ningzong. He likes drinking, and his behavior after drinking is informal. He is called "Liang Feng (Crazy)". Kai Liang's painting style is free and easy, and he follows his own feelings. It seems that no one can limit him. Wang Ming, a painter, just made a few strokes in a hurry, but he can outline an intoxicating appearance and a lovely figure. The five senses are tangled in a pile, with wide robes and big sleeves, revealing a big belly, which is very funny. Body parts are rendered with a wet pen, and the weight and speed of the pen can be clearly seen. This painting vividly captures the dynamic expressions of the characters, but doesn't pay much attention to the details. This free and chic painting method is the self-expression of the painter Wang Ming all his life.

Zheng Banqiao (50 cm x 100 cm)

Steal for a long time

Ms. (50cmx 100cm)

There are some plums in the corner.

Lin Han drives alone.

Distant knowledge is not snow,

Because of the faint fragrance.

The founder of Dharma described by the painter (50cmx 100cm)

Wang Mingxi, a painter, is good at painting Bodhi. He visited Shaolin in Songshan Mountain for many times, visited the ancient times to explore the secluded places, learned from nature, and experienced the beautiful mountains and rivers that had given infinite inspiration and reverie to the founders of Buddhism and eminent monks in previous dynasties, and created many beautiful and profound paintings and poems. Looking at his excellent works of Dharma series, I am absorbed in thinking, green and green, full moon and rough waves, revealing a thought-provoking and exquisite Zen machine. The natural image of the founder of Dharma and the broad spiritual purport complement each other.

Wang Ming, a painter, also tried to seek inspiration from the stories and legends of the founder of Dharma handed down from Shaolin. For example, the enlightenment under the bodhi tree, the magic and detachment of crossing the river with a reed, the silence and outline of the nine-year wall, and the free and easy meditation of returning to the west were all accurately, vividly and vividly described by the painter, giving people a meditation that shocked the soul from time to time.

His works have profound Chinese painting skills and superb expression techniques, and draw a vivid image of Dharma's life with symbolism, exaggerated and peculiar images, simple and bold pen and ink, and detached and magnificent style, which has been recognized by the art world.

Wang Ming's Zen paintings are not idolatry in the past, but have profound ideological and artistic connotations. There is Zen in the painting, realm in Zen and dharma in realm. On the basis of inheriting the tradition, it achieves the aesthetic realm of the integration of art and Zen philosophy. How did you come from the west? There are dozens of images of Buddhism in the painter's works, such as praying for heaven, riding the wind and waves, or sitting still, which are true and false, and virtual and real, all of which describe the outstanding and compassionate images of Buddhism in the painter's mind. Ceng Yun, the master of forbearance, said: "All laws are without stagnation, everything is true, and everything is at ease. As a heart, it is true. " It can be said that the way of Zen painting realized by Mr. Zhi Li, the master of Zen painting in Shaolin Temple, has been or is pointing directly at the Bodhi realm of truth, goodness and beauty secretly transmitted by the founder of Buddhism.