Ouyang Zhongshi 1928 was born in Feicheng City, Tai 'an City, Shandong Province. , is a famous scholar, educator, calligrapher and calligraphy educator in China. Professor and doctoral supervisor of Capital Normal University. I studied in Jinan in my early years, and 1948 taught in primary school after graduating from middle school. 1950 was admitted to the Philosophy Department of Fu Jen Catholic University in Beijing. 195 1 year transferred to the logic major of philosophy department of Peking University, majoring in the history of China logic. 1954 After graduation, he taught Chinese in Tongxian Normal School, Tongxian No.2 Middle School and Beijing 17 1 Middle School. In the long-term teaching practice, he has actively and deeply thought about some long-standing problems in Chinese teaching. With his unique and profound understanding of the characteristics of China's language and writing, he put forward a set of scientific Chinese education reform scheme, which was piloted in middle schools and won unanimous praise from all walks of life, and was included in Fifty Years of Chinese Teaching in Beijing. Ouyang Zhongshi was transferred to Beijing Normal University (now Capital Normal University) on 198 1 to teach pedagogy and logic, and embarked on the road of calligraphy education. 65438-0985 presided over the establishment of calligraphy major. He first opened an adult calligraphy college class, and the first batch recruited nearly 100 students from all over the country. Later, undergraduate and master education in calligraphy was developed. 1993 the State Council Academic Degree Office set up a doctor's authorization point for fine arts (calligraphy art education) in Capital Normal University. 1998, the Ministry of Personnel approved the calligraphy direction project of Capital Normal University to recruit postdoctoral researchers. Ouyang Zhongshi became a tutor for master students and doctoral students in 1990 and 1993 respectively. Therefore, the first complete calligraphy education system from junior college, undergraduate course, master's degree, doctor's degree to postdoctoral degree has been established in Chinese universities, and a large number of senior professionals in calligraphy education have been trained, which has made important contributions to the development and perfection of Chinese calligraphy discipline and the all-round development of cultural education. On his initiative, in June 2005, China Calligraphy Culture Research Institute and the first China University Calligraphy Culture Museum were established in Capital Normal University. Ouyang Zhongshi also edited and wrote important academic works such as Introduction to Calligraphy, Introduction to Calligraphy, Miscellaneous Knowledge of Calligraphy, Calligraphy of China, Calligraphy Course, Calligraphy and China Culture. Ouyang Zhongshi's calligraphy is fresh and elegant, calm and dignified, delicate and elegant, simple and gorgeous. Looking at his works, such as "Appreciating Mountains and Waters" or "Looking at Wan", all show his profound skill and innovative spirit. He has published many collections of works, such as Selected Poems of Ouyang Zhongshi and Shen Peng, Zhong Shishi's Reading Ci Notes at Night, Family Instructions of Zhuzi Contemporary Masters, Zhong Shi's Reading Zhao Qing's Ci Notes and Laozi's Tao Te Ching. His calligraphy enjoys a high reputation at home and abroad. Ouyang Zhongshi is knowledgeable and has comprehensive and profound attainments in China's traditional culture and art. He has written more than 40 kinds of works, involving Chinese studies, logic, drama, poetry, phonology and so on. Ouyang Zhongshi used to be a member of the art discipline appraisal group of the State Council Academic Degrees Committee and a member of the art series senior title jury of the Ministry of Culture. He is currently honorary president of China Calligraphy and Culture Research Institute of Capital Normal University. Member of the Eighth to Tenth China People's Political Consultative Conference. On August 2, 2003, he was appointed as a librarian in central research institute of culture and history. Later, he was hired as a professor of logic and a lecturer in calligraphy art in Beijing Normal University. He studied under Mr. Yanwu and then under Mr. Wu Yuru. Starting from the Tang tablet, I immediately turned to the epitaph of the Northern Wei Dynasty. Later, he dabbled in seal script, official script, Oracle Bone Inscriptions and bronze inscriptions, especially in Linchi, Ou Yangxun. He often made running scripts, followed the two kings of France and took advantage of the kings. The cursive script is based on Wang Xizhi and Sun Zi, and influenced by Huang and Zhu Dian. The book is graceful and elegant in style. At present, he is a member of Chinese People's Political Consultative Conference, a member of the art discipline evaluation group of the State Council Academic Degrees Committee, a member of the evaluation committee of senior titles of art series of the Ministry of Culture, a professor, doctoral student and postdoctoral tutor of Capital Normal University, and the president of China Calligraphy and Culture Research Institute. He is knowledgeable and has profound attainments in logic, Chinese studies, phonology, painting, drama, literature, calligraphy and other disciplines. I have been teaching for many years, and have in-depth research and practice in basic education and higher education, and I am full of peaches and plums. 65438-0985 presided over the establishment of calligraphy art education major in Capital Normal University. After more than ten years of construction, a complete higher education system of calligraphy art has been formed, from junior college and undergraduate course to master's degree, doctor's degree and postdoctoral degree, making the Calligraphy Research Institute of Capital Normal University a base for cultivating high-level calligraphy talents and scientific research in China. In the study of calligraphy theory, he has compiled more than 40 monographs and textbooks. There are mainly China Calligraphy History, China Calligraphy, Calligraphy Tutorial (editor-in-chief), Cao Zhang's Notes, Calligraphy and China Culture (editor-in-chief) and series of calligraphy textbooks of China Calligraphy and Painting Correspondence University (editor-in-chief, an important part of self-editing). Among them, "Calligraphy Course" won the second prize 1995, which is an excellent textbook for colleges and universities of the State Education Commission. In 2002, he won the first Lanting Award for Calligraphy and the Special Contribution Award for Education in China. In terms of calligraphy, he dabbled in Zhou Jinhan, Jin Tiebei, Tang and even Ming and Qing Dynasties, learned from others and became the second king, forming a unique elegant and fresh style, which has a wide influence at home and abroad. His published works include Zhong Shi's Reading Ci Notes at Night, Zhong Shi's Reading Zhao Qing's Ci Notes, and Xiao Kai Tao Te Ching. In his early years, he specialized in logic and sought advice from predecessors such as Jin, and achieved fruitful results. Participated in the compilation of five volumes of the national "Sixth Five-Year Plan" project "History of China Logic", and served as the part from Sui and Tang Dynasties to Ming Dynasty. Other works include Selected Materials of China's Logical History, Pre-Qin Volume (co-author), Logic (editor-in-chief) and A Course of China's Logical Thought History (co-author). He is also an artist and researcher of Peking Opera. He is a direct disciple of Mr. Xi Xiaobo, the founder of Xi School. Long-term assistance to Mr. Xi Xiaobo has made important contributions to the improvement of "Xi School" art. At the same time, he also took Peking Opera as a subject, and made a special study on its historical origin, phonology, artistic characteristics of various schools and performance practice, which was quite fruitful. His views are published in various newspapers and collections.