Du Fu, a poet in the first year of Shangyuan (AD 760) in Tang Suzong, lived in Chengdu, Sichuan, and built a thatched cottage beside Huanhuaxi in the western suburbs. He found a place to live for the time being and felt much more comfortable. In the spring season, he walked alone by the river to enjoy the flowers and wrote a set of seven-line quatrains, the sixth of which. The theme of "Looking for Flowers Alone by the River":

The path around Huang Si's maiden is full of colorful flowers, and thousands of flowers bend the branches very low. The frolicking butterflies don't want to fly around, and the free little orioles crow harmoniously.

The first sentence "Huang Siniang's home is full of flowers" points out the place to find flowers. A "path" is a path. "Flowers are all over the path" means that many flowers cover the path and connect it. The second sentence is "a thousand flowers are low." "A hundred flowers blossom" describes a large number. The words "pressure" and "low" in "Pressing branches low" are used very aptly and vividly, vividly depicting the dense, large and numerous flowers in spring, which bend the branches. This sentence is the embodiment of the word "full" in the previous sentence The third sentence, "There is a butterfly dance". "Linglian" describes butterflies flying around and reluctant to leave. Write the bright fragrance of spring flowers from the side. In fact, the poet was also attracted by colorful spring flowers and stayed. The fourth sentence is "Jiao Ying chirps". "Jiao" is a description of Ying Ge's softness and roundness. "Chen Wenjing Ti" means that when the poet came to enjoy the flowers, the oriole was singing. Just because the poet was happy, he took it for granted that oriole sang for himself. This is the same as the previous sentence, saying that butterflies are attached to spring flowers, which is empathy. Because the poet successfully used this technique to integrate things with me and create a scene, this little poem is more intimate and interesting to read.

In the first year of Shangyuan (760), Du Fu lived in Xiguo Caotang, Chengdu. After the troubled times, he began to have a place to live, which made the poet feel gratified. In spring, he walked alone along the river, and his feelings were born with the scenery, which became seven poems. This is the sixth group of poems.

The first sentence points out that the place to look for flowers is on the path of "Huangsiniangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "a thousand flowers" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly. In the third sentence, colorful butterflies on the flower branches wander around, and they "linger" because they love flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered. Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also a pleasant and relaxing psychological feeling. The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. Reading this quatrain, I seem to be walking on the road to "Huang Si's maiden" in the suburbs of Chengdu thousands of years ago, enjoying the infinite beauty endowed by spring with the poet.

This poem is about appreciating the scenery, which is common in the quatrains of the prosperous Tang Dynasty. However, it is rare to see such a poem with exquisite description and unusually beautiful colors. For example, "So people are at the peach blossom bank until the stream flows in front of the door" (Chang Jian's "Looking for Li Jiuzhuang in Three Days"), "Last night, the wind opened the peach well, and the moon was high in the front hall of Weiyang" (Wang Changling's "Spring Palace Complaint"), these scenes all appear "beautiful"; After Du Fu's Flowers Blooming, a Thousand Flowers, butterflies and songs were added, and the scenery was beautiful. This kind of writing is unprecedented.

Secondly, people in the prosperous Tang Dynasty paid great attention to the harmony of poetic tone. Their quatrains can often be strung together, so they are very harmonious. Du Fu's quatrains are not written for singing, but purely poetry, so there are often awkward sentences. According to the law, the sentence "flowers are pressing branches" in this poem should be flat. But this "contradiction" is by no means an arbitrary destruction of the melody, and the overlap of "letting a hundred flowers blossom" has a taste of beauty. Although the word "duo" of "Qianhua" and the word "four" in the same position in the previous sentence belong to the same tone, the rising tone and falling tone are different from each other, and the tone still changes. It's not that poets don't pay attention to the musical beauty of poetry. This is manifested in the use of disyllabic words, onomatopoeic words and reduplicated words in three or four sentences. "Liulian" and "Freedom" are disyllabic words, such as the connection between beads and melody. "Chen Wenjing" is an onomatopoeic word, which describes a baby's voice and gives people an immersive auditory image. "Yes" and "Chen Wenjing" are overlapping words. Even if the upper and lower sentences form antithesis, the meaning is stronger and more vivid, which can better express the poet's sudden joy when he is infatuated with Hua Hudie and suddenly awakened by the sound of warblers. Except for the words "dance" and "warbler", these two sentences are all tongue-toothed.

The use of this series of tongue-and-teeth sounds creates a sense of language, which vividly shows the feeling that flower lovers are intoxicated and surprised by the beautiful scenery. The utility of sound is very helpful to the expression of emotions.

Syntactically, most of the poems in the prosperous Tang Dynasty were naturally mixed, but Du Fu was different from them. For example, "antithesis" (later couplets) is the style of quatrains in the early Tang Dynasty, and there are few quatrains in the prosperous Tang Dynasty, because it is difficult to achieve a perfect ending. Du Fu, however, is hard to see, and such a poem couplet is both steady and memorable, which makes people feel that it is used properly: when it is pleasing to the eye, isn't it more fascinating to listen to Ying Ge's "Cha Cha"? Besides, according to customary grammar, these two sentences should be written like this: butterflies dance while playing, and Yinger crows freely. Put "lingering" and "freedom" at the beginning of the sentence.