Russian ecological literature is multi-angle and multi-level ecological literature. The word "nature" (природа) in Russian not only represents the "nature" that exists objectively, but also represents the "nature" in human nature. The word "nature" is defined by the preposition "dang" (па "nature" in the Russian mind not only refers to all natural things, rivers and mountains, forests and grasslands, desert rainforests, streams and waterfalls, but also includes people's own natural conduct and nature recognized by human beings. The multiple meanings of "nature" determine the multiple dimensions of articles about nature in Russian ecological literature. The relationship between man and nature in Russian eco-writers' works generally combines human spirit, humanity, human ethics and natural themes, so that Russian eco-literature can be embodied in many cultural fields, such as sociology, ethics, religion, philosophy and natural science. , resulting in the intersection and infiltration of many disciplines. Therefore, it is difficult for us to find "pure" and narrow ecological literature works in Russian literature, and ecological literature presents us with many fields. Russian "pure" and narrow ecological literature works began with the creation of Russian writer Prishvin (1873- 1954). Therefore, Russian ecological literature has never been integrated into the western ecological literature system, mainly because Russian ecological literature is all-encompassing, and the style of material selection covers a wide range of fields. Russian ecological literature belongs to "comprehensive" ecological literature, mainly because the ecological problems they encounter are not very serious, and the attitude of Russian people to care for and protect nature is inseparable from their ecological stance and national feelings. This is different from the deliberate care of nature by environmental protection organizations, animal protection organizations and green organizations. In Russia, literature with the theme of nature or nature and man-made creation is more developed than other European countries, with outstanding achievements and the number of creations is also in the leading position in the world. In addition to the above institutional reasons, on the other hand, the reasons come from the natural geographical environment. The area ratio of Russian mountains and plateaus is not particularly large, but the plains are intertwined with endless hills and low-lying swamps, rivers pass through mountains, there are many lakes, and the sea area is vast, which is a high-quality natural resource for creating Russian natural literature works. Russian eco-writers in the 20th century regarded the relationship between man and nature as an eternal national and human problem. They believe that nature not only provides people with material life, but also brings people with spiritual life. They not only inherited the excellent traditional culture of their ancestors, but also praised the natural beauty of Russia in a picturesque and true way. They also called on human beings to care for and protect nature, pay attention to the fate of human beings and nature, and expose and condemn human acts of destroying the ecological environment and killing living things. Russian literature has always described people's emotional observation in detail. In order to win readers' attention, the author is constantly understanding the life gap between people of different classes and constantly exploring and pursuing how to get closer to his readers' talents.

It can be said that Russian literature in the 20th century is an exploration of the relationship between man and nature and the pursuit of the whole human and national feelings. In the early 1990s, Russian ecological literature did not attract much attention, but only laid a solid foundation for ecological literature. However, in the mid-20th century, because of the rapid development of science and technology, the great progress of society and the disorderly development of economy, most writers called on human beings to deal with the relationship between man and nature, live in harmony with nature and protect the ecology. The eco-literature writers and poets in this period include Pustov, Rytkheu, Kazakov, Vasiliev, Semenoff, rasputin, Kozhuhova, Aitmatov, Astafyev, Solokhin, leonov, Chivilishin and Prishwin. These writers admit that man and nature are one, and they also believe that nature is not only the object of people's labor, but also the main body of human, animal and plant life, which naturally forms people's aesthetic consciousness and ethics. Postovski thinks: "A writer who doesn't understand, love or understand nature ... is not a qualified eco-writer." Solokhin's poems such as Spring in the City, Wild Flowers, Eagle and Bread describe in detail the harmonious and unified relationship between man and nature. He believes that man is born of nature, and man will always be a part of nature, which is an unchangeable law of society. People's hearts are connected with the beauty of nature, so many artists, musicians, sculptors and architects benefit from the grace of nature, thus creating many famous artistic images, letting people know how to feel, observe and appreciate beauty and love, and enriching people's spiritual world, so eulogizing and praising nature becomes eternal.