1. The Position of Suzhou Gardens in Yunlin Art
2. Harmonious collocation of architectural colors and flowers and plants
1. Pay attention to the layout of pavilions-don't pay attention to symmetry.
2. Pay attention to the coordination between rockery and pond-ingenious description of nature.
3. Pay attention to the foil of flowers and trees-focus on painting
4. Pay attention to the level of close-range perspective-there are many deep scenes.
Three. Summarize the full text; Explain that there are many gardens in Suzhou.
First of all, the old man wrote down the general impression of more than ten Suzhou gardens he visited, and thought that these were "specimens of gardens all over China", which proved the architectural value and artistic value of Suzhou gardens. Then he directly pointed out that Suzhou gardens have one thing in common among all gardens. It seems that designers and craftsmen are pursuing the same thing: "Make sure that no matter where tourists stand, there is always a perfect picture in front of them". Ye Lao's paintings can be seen.
Firstly, it introduces four forms of the beauty of the picture: paying attention to the layout of pavilions, the coordination of rockery ponds, the foil of flowers and trees, and the level of close-up prospects. In short, everything must exist to form a perfect picture. Starting from the lack of symmetry in Suzhou gardens, this paper expounds in detail the natural interest shown by asymmetry in artistic painting communication. Obviously, what the author wants to say is that the lack of symmetry in Suzhou gardens is also to show the interest of nature.
Then there are rockeries and ponds. The piling of rockeries is also very particular: it can be said that it is not art, but technology. Or the mountains overlap, or several hills with bamboo flowers and trees. As for ponds, most of them use running water, and some of them serve as the center of the whole garden, and other scenery is also coordinated. If a river forms on the water surface, different bridges are usually arranged. There are few neat stone dikes beside the pond. Always let nature take its course. Reminiscent of Liu Zongyuan's descriptions of "for a mountain, for an island, for a mountain, for a rock" and "fighting a snake, showing that its shore potential is different", it can be described as miraculous. This shows that the designers of Suzhou gardens are pursuing such a natural interest. What's more, goldfish or carp of various colors are kept in the pond, and lotus flowers or water lilies are planted. When tourists watch the picture of "Fish Playing with Lotus Leaves", it is easy to think of the folk song in The Book of Songs: "Fish Playing with Lotus Leaves East, Fish Playing with Lotus Leaves South, Fish Playing with Lotus Leaves ..." Naturally, it is infected with what Liu Zongyuan feels.
Overall grasp of Suzhou garden articles
Description object: Suzhou gardens
Description order: the logical order is from the whole to the minute, from the main to the secondary, from the summary to the concrete.
General features: Ensure that no matter where tourists stand, there is always a perfect picture in front of them. One word: the picture is beautiful and rich.
Overall impression: I think Suzhou Gardens are specimens of gardens in China, and gardens all over the country are more or less influenced by Suzhou Gardens.
Appreciation of Suzhou Garden Works
Ye is the earliest and most accomplished "educational novelist" in the history of new literature.
It is the keynote of Ye's "educational novels" to expose the dark inside story of the education circle in old China and point the criticism at the whole old society through the education circle. He reflected the poverty and miserable living conditions of the lower intellectuals with his feelings and sympathy. At the same time, he also made a rigorous anatomy and examination of teachers belonging to the intellectual class.
The outstanding artistic achievement of Ye's novels lies in his calm observation and objective description of "gray life", which shows distinct realistic characteristics. The writer's calm and objective style does not exclude his inner enthusiasm and subjective opinions. Calm observation and objective description are the most prominent factors in Ye's novel style. With sharp eyes, he calmly looked at the insulted and injured people huddled in a corner of old China. His heart is full of compassion, but he hides it when he writes, and he is indifferent and reserved. His meaning is often hidden in words, but his feelings are not exposed in words.
Compassion and satire are the basic characteristics of ordinary intellectuals in Ye's works. Under the heavy pressure of life, the author doesn't like their cowardice, emptiness, dereliction of duty and selfishness, so stop stabbing them and expect them to change. But he also knows their hardships. The reasons for their poor performance are complicated, and sometimes they can't control their own destiny. Therefore, while mocking, he unambiguously put his pen through these people and pointed to the dark reality system behind them, thus making his critical realism reach a certain depth.
There are two types of intellectual images in Ye's novels:
First, humble and vulgar. Its representative figures are Mr. Wu in Rice and Mr. Pan in Trouble.
The second is integrity and idealism. Its representative figures are Ding Yusheng in City, Guo in Struggle, and the most typical one is Ni Huanzhi in Ni Huanzhi. Among them, Ni Huanzhi was called a masterpiece by Mao Dun.
The changeable structure, ingenious layout and endless aftertaste are another aspect of Ye's novel style.
Ye borrowed foreign novels without trace. His novels are orderly, rigorous, plain and pure. They are neither Europeanized nor semi-illiterate, and pay great attention to norms. Ye's literary language is not as Europeanized as the May 4th writers. With profound classical literature accomplishment and earnest and down-to-earth writing attitude, Ye's literary works have contributed to the standardization, purity and health of modern Chinese in China.