Brief introduction of Lu Xun
Architectural attraction Luxun's ancestral home
Three-dimensional Wu Shu
Lu Xun's former residence
Baicao garden
Style garden
lu xun memorial hall
Other attractions Tugu Temple
Changqing temple
Hengjidang
Jingxiu nunnery
Luxun cultural square
Xianheng hotel
preservation of cultural relics
Lu Xun's footprint
Patriotism education base
Geographical location of atlas
Former residence environment
Brief introduction of Lu Xun
Architectural attraction Luxun's ancestral home
Three-dimensional Wu Shu
Lu Xun's former residence
Baicao garden
Style garden
lu xun memorial hall
Other attractions Tugu Temple
Changqing temple
Hengjidang
Jingxiu nunnery
Luxun cultural square
Xianheng hotel
preservation of cultural relics
Lu Xun's footprint
Patriotism education base
Expand the atlas and edit the geographical location of this section.
Shaoxing, located in the southeast coast of China, borders Ningbo in the east and Hangzhou in the west, only about 200 kilometers away from Shanghai. The total area of the city is 790 1 km2, of which the urban area is 1 0 1 km2. Shaoxing has been a tourist attraction since ancient times because of its beautiful natural scenery and rich cultural landscape. It is famous for its water town, bridge town, wine town and celebrity town. It is a famous cultural city with a history of more than 2,400 years. Lu Xun's hometown scenic spot, located in the center of Shaoxing (the intersection of Lu Xun Road and Yan 'an Road), is the best preserved historical scenic spot in the city. As the main window of Shaoxing's foreign cultural propaganda, Lu Xun's hometown attracts tourists from all over the world with its unique cultural connotation and foundation. The traffic to Lu Xun's hometown scenic spot is very convenient. There are several buses from all over the country to Shaoxing every day. Express buses in Hangzhou, Ningbo and Shanghai run for 20 minutes, 40 minutes and 50 minutes respectively; Taxis and human tricycles are the main means of transportation in urban areas; In addition, in the scenic area, you can also visit various scenic spots by Wu Peng boat, which is unique to Shaoxing.
Edit this section of the former residence settings.
Lu Xun's former residence was announced at Zhoujiaxintaimen, Dongchangfangkou 19 (now No.2 Lu Xun Road), Shaoxing City, Zhejiang Province, in June 1988+ 10/3. The brand-new platform door where Lu Xun's former residence is located was built at the beginning of19th century. The former residence used to have two entrances, but the front entrance is not what it used to be. The three bungalows of the Zhou family have been demolished. Behind, there are five two-story buildings. In front of the small hall downstairs in the east, it is a place to eat and receive guests. The second half is Lu Xun's mother's room, and the first half downstairs in the west is Lu Xun's grandmother's bedroom. Xici is the room where Lu Xun was born. There is a patio behind the building, which is a kitchen and three bungalows, where sundries are piled up. Lu Xun spent his childhood and adolescence here until 1899 when he went out to study. From 19 10 to 19 12, Lu Xun returned to his hometown to teach. From 19 12 to 19 19, Lu Xun also returned to his hometown several times to live here. The back garden of Lu Xun's former residence is a hundred herbs garden, which was originally a vegetable garden shared by Zhou family and nearby houses, covering an area of nearly 2000 square meters. Lu Xun used to shoot birds here when he was a child. Shaoxing Dongchangfangkou 1 1 (now Luxun Road 198) was the private school of Santan Yingyue, where Luxun studied from 12 to 17. Lu Xun's former residence has been restored after several repairs.
Edit this brief introduction of Lu Xun
Lu Xun (1881.9.25 ~1936.10.19), a native of Shaoxing, Zhejiang Province, was originally named Zhou Shuren, and later renamed Yucai. He often wears a simple Chinese robe, his hair stands upright like a brush, and his thick beard forms the word "one" in an official script. Chairman Mao commented that he was a great proletarian writer, thinker and revolutionary, and the main commander of China's cultural revolution. Also known as "soul of china" by the people.
Edit the architectural attractions in this section.
Luxun ancestral home
At the east end of the exhibition hall of the newly-built Lu Xun Memorial Hall is the ancestral home of Lu Xun-Zhoujia Laotaimen, which faces south, facing the east Changfangkou in front, then the Xianhuan River, the Daijiataimen in the west, and facing the three pools across the river to reflect the moon. Luxun ancestral home
Laotaimen, covering an area of 3,087 square meters, is a typical feudal scholar-bureaucrat residence with blue tiles and white walls and brick-wood structure. Its main building is divided into four entrances. The first entrance is commonly known as "Taiwan Doors", and a plaque of "Hanlin" with gold on a blue background is hung above the instrument door. Zhou Fuqing, Lu Xun's grandfather, was appointed as an academician during the Tongzhi period, which was a great honor for the Zhou family. Therefore, the Hanlin plaque hung on the instrument door of Zhou's three tables, as if it were three huge business cards, showing the identity of the owner. On both sides of the plaque, there is a line of mud characters: "The governor of Zhejiang and other places is also in charge of military affairs, land and water towns, Yang Changjun is also in charge of salt affairs in Zhejiang" and "Zhou Fuqing in imperial academy, Jishi Shu". The second entrance is the hall, commonly known as the "front of the hall", which is a public activity place for Zhou clan people to celebrate, pray and entertain guests. There is a large plaque "Deshoutang" hanging directly above the main hall, and there is a pair of black couplets on each side of the column: the festival is clear and clear, and the virtue is firm; Be rational and peaceful. The third entrance is in front of the incense hall, where ancestors are sacrificed and funerals are handled. Confucianism is based on filial piety. On holidays, the ancestral statues of ancestors and ancestors are hung in the hall, and memorial tablets and five objects (candles, incense burners, etc.) are placed. ) It's all set and the sacrifices are offered. The Zhou family, old and young, will kowtow, offer incense, give gifts and show filial piety within five generations. The fourth entrance is a building, also called a building, which is used for living. From the first entrance to the fourth entrance, there are symmetrical side rooms and buildings, and there are corridors between the rooms, which can shelter from the sun and rain. The patios on both sides are decorated with rockeries, stone pools and other small scenes, which are elegant but not vulgar. The layout of the old platform doors in Zhou Jia is meticulous and rigorous, with Shaoxing local characteristics. From a distance, white walls and tiles are black and white and full of charm. In the 19th year of Qing Qianlong, Zhou, the seventh ancestor of Zhou family, bought Zhao Zhai of Shaoxing Banpen Bridge. After a large-scale renovation, it became a large-scale platform door building, which is the old platform door in Zhou Jia. From then on, the Zhou family of Banpenqiao lived in groups in Laotaimen. The obscure Lu Xun Family History records: "When Banpenqiao House was the richest, there were more than 3,000 mu of fields in three rows of doors, and several people died." In fact, the fields of the old terraced gates and houses are more than this figure, and despite the influence of the Taiping Heavenly Kingdom revolutionary movement, the houses are still very rich. But in the 10 generation, there were no sons, so according to the family rule of "small but long", I asked Zhifang for one and inherited it. This is the younger brother of Lu Xun's great-grandfather, and later he was collectively called "the fifteenth grandfather". Among the Zhou family in Banpenqiao, Fang is the only one who passed it alone, so his assets are relatively concentrated and he is the richest. That room is specially called "Hutchison Whampoa" because where used to run business. Although Lu Xun's family is far from Laotaimen's family, they are very close in origin. After Lu Xun's grandfather Zhou was released from prison, he often went to Laotaimen to chat with his uncle. For a long time, the old platform door of Zhou's family lived in Zhou's house and was well preserved. After the founding of New China, the old platform doors were purchased by the state and repaired at the expense of the state. It has been used by Shaoxing Library, Folk Museum and Cultural Relics Management Office. Now, the old stage gate has been restored to its old appearance. The exhibition inside is based on the architectural pattern of Zhoujia Laotaimen, with the face of Zhoujiahe Day as the background, and the real-life layout is made by combining the sexual scenes of representatives of other big families, so as to fully show the life scenes of Shaoxing big families in Qing Dynasty to tourists.
Three-dimensional Wu Shu
Shoujiataimen is the residence of Mr. Shou Jason Wu, Mr. Lu Xun's teacher. Shou (1849- 1930) is a learned man. He has a good character and is honest and frank. He hated fame all his life. He stopped taking the exam after he was admitted as a scholar. His occupation is to sit in the library and teach students all his life. Lu Xun praised him as "a founder, simple and knowledgeable person in this city". Shoujiataimen was purchased by Shou's grandfather Feng Langong during Jiaqing period, with a total construction area of 795 square meters. It faces a small river, connected by a stone bridge, and there is a bamboo garden in the west. The whole building faces Zhoujiataimen across the river, and the world-famous three pools reflecting the moon are in the east wing of Shoujiataimen. At the first entrance, the entrance of Taiwan Province Gate, a plaque of "Wen Kui" hangs above the hidden door. This plaque was hung by Shouzi, a scholar in the second year of Guangxu (1876) and the younger brother of Lu Xun's teacher Shou. This plaque is used to brighten the lintel, indicating that the Shoujia family is a juren and a scholarly family. On the west side of the first entrance door, opposite the patio, there is a small bamboo garden. The north wing of the bamboo garden is now decorated as "Sanyu Bookstore", which is the original name of Sanyu Bookstore, and the layout of Sanyu Bookstore is modeled after "Sanyan Yinyue". Visitors can sit in this simulated bookstore and experience the life of private schools or take photos. The second entrance is called the gathering place in front of the lobby. Every ancestor died, and the distinguished guests came here. There is a plaque of "Sirentang" hanging on his forehead. On the pillar of the hall, there is a couplet carved with light green wood, which reads: "Celebrate Mount Tai and Qiao Yue, let your heart flow". On the golden pillar behind, there is a praise for Lu Xun's schoolmate Shou's virtue and speech: "Virtue sees virtue, and proverbs are virtuous." Through the patio, that is, the third floor, here is the original exhibition hall, study and Mr. Shou's bedroom. In front of the small hall is a place to receive friends and relatives. On the forehead of the retreat screen, there is a plaque of "revisiting the dish water". This plaque was given by Shoushou's nephew Shoushou to celebrate his 60th birthday, that is, 1928, the year before his death. Mr. Lu Xun is full of sincere love and respect for Mr. Shou and has been writing to Mr. Shou since he left Shaoxing. 1906, Lu Xun returned to Shaoxing to meet his teacher and tell him what he saw and heard outside. At that time, Mr. Shou Jason Wu received him here. Mr. Shou's study is a typical study layout of a teacher's home, equipped with special bookcases, ordinary bookcases and stationery for the study of Twenty-four History. The plaque of "Sanyuzhai" is hung on the forehead of the room. The meaning of "Sanyuzhai" is taken from Pei Songzhi's note in "The History of the Three Kingdoms", that is, Dong Yu said that "Sanyuzhai should be used when reading, and winter will come at night, and rain will clear up." This means that people should study hard in all their spare time. In Mr. Shou's bedroom, there are shelf beds, wardrobes, boxes, wooden recliners, clothes hangers, washstands and other items. Because Mr. Shou Jason Wu's teaching is very strict, he only accepts eight students every year, and thinks that he is not teaching enough, so his teaching income is very limited. Therefore, the bedroom decoration we see now exceeds the actual living conditions of Mr. Shou Jason Wu at that time, but he actually leads a more frugal and simple life. From the third entrance to the east, it is the east wing of Shoujiataimen, which is divided into south and north parts. The South Wing now displays the ancient educational history of Shaoxing, a famous historical and cultural city, which is divided into three parts: Yuezhongfu School, Yue Zhong Academy and Yue Zhong School. The northern wing is San Tan Ying Yue, which is Mr. Lu Xun's reading room. Lu Xun wrote in his famous essay "From Baicao Garden to San Tan Yin Yue": "My husband's home is a little more than half a mile east from the door, separated by a stone bridge. Go through a black bamboo door, and the third room is the study. There is a flat road hanging in the middle: three pools reflecting the moon; "San Tan Yin Yue was a prestigious private school in Shaoxing at that time. Mr. Lu Xun/KLOC-started studying here at the age of 0/2, which lasted about five years. Covering an area of about 35 square meters, there is a plaque inscribed by Liang, a famous calligrapher in Qing Dynasty. "Three flavors" are: reading classics tastes like rice, reading history tastes like vegetables, and a hundred schools of thought contend like sugar. There is a photo of a deer song hanging under the plaque. Before reading, students should pay tribute to the plaque and Luming Literature's photo. On the pillars on both sides, there are a pair of hugs: "I silently honor my younger brother, and Taitang is a poetry book." The wooden square table and high-backed chair in the center of the library are the teacher's platform. The chairs on both sides are for tourists to rest, and the seats next to them are for students. Lu Xun's seat used to be under the south wall of the library. Because others often walk in and out of the backyard, which affects his study, he asked the teacher to change his position and move his seat to the northeast corner. Lu Xun used a hardwood desk with two drawers. On the right side of the desk is the word "made" one inch square, which was carved by Lu Xun that year. Once, Lu Xun was severely criticized by his teacher for being late for some reason, so he carved the word "early" to encourage himself. Lu Xun has a strong thirst for knowledge. In addition to studying the Four Books, Five Classics, Tang Poetry, Ci of the Han, Wei and Six Dynasties, he also found many extra-curricular books to read, such as Erya Yintu, Qiuci Draft, Academy of Poetry and Painting, A Dream of Red Mansions, Water Margin and Scholars. Lu Xun benefited a lot from his schooling career. Lu Xun accumulated rich cultural knowledge here, which laid a very solid foundation for his later literary creation. There is a small garden behind Santan reflecting the moon, which is only two feet from north to south and more than a foot from east to west. On the back wall, there is a "Ziyi" plaque signed by Zhao Mengfu, and on the powder wall outside the pavilion, there is a four-character poem written by Shou Yunchao, the father of Shou: "Plant flowers for one year, and see you for ten days. Pearl is full of spring, how can it not be lost? Peter is a teacher and has a strong sense of presence. I would like to go to the green chapter and sift in the forest. " There are osmanthus trees and wintersweet tree in the park. When Lu Xun was studying in San Tan Yin Yue, he often came to the small garden to play with his classmates. They are catching crickets, looking for cicadas and watching ants catch flies in this field in Xiaotian. Mr. Lu Xun once said: "I read the book of Confucius and Mencius the earliest and the most familiar, but it seems to have nothing to do with me." However, in spite of this, Lu Xun still left a very deep memory of the three pools printing the moon, and gave a vivid and detailed description of it in the article "From Baicaoyuan to the Three Pools Printing the Moon". It has a history of more than a century, but it is well preserved. Houses, tables and chairs, plaques, couplets, etc. Most of them are original works of that year. After the founding of People's Republic of China (PRC), Sun Shoujiming, the descendant of the owner of Santan Yinyue, gave it to the country. As a national key cultural relic, Santan Yinyue has been properly protected and has become an important opening place for Lu Xun Memorial Hall.
Lu Xun's former residence
Due to the continuous reproduction of the Zhou family in Banpenqiao, the number of teeth has increased dramatically, and the house in Laotaimen is no longer enough. During the Jiaqing period of Qing Dynasty, the Zhou family bought and built a house in the south and west of the old platform gate, which was called the abutment gate and the new platform gate. The new platform door is located on the west side of Dongchangfangkou, which is a large platform door building with the same scale and structure as the old platform door. It is divided into six parts, with blue tiles and white walls, brick and wood structures, and more than 80 large and small houses with a total area of more than 4,000 square meters, including the white grass garden at the back. At that time, there were six Zhous living in the Banpen Bridge of Xintaimen, and Lu Xun's former residence was in the west of Xintaimen. Lu Xun spent his childhood and adolescence in Zhoujiaxintaimen, leaving many intriguing traces for people. Lu Xun's former residence
The two Blackstone storefronts facing the street in Lu Xun's former residence used to be the side doors of Zhoujia Xintaimen, where Lu Xun's family went in and out. Entering from the black platform door and passing through the small courtyard, it is a muddy platform concierge. It used to be the place where Lu Xun's family put their cars. Sedan chairs and paddles were displayed here, among which the sedan chair poles were the original objects of Lu Xun's family. Entering from the side door of Taimendou, there is a well, which is also a relic of that year. Go through this corridor, and you'll arrive at Guihua Tang Ming. Tang Ming, commonly known as patio, was originally planted with two lush Jingui plants, hence the name osmanthus Tang Ming. When Lu Xun was a child, he used to lie on a small board table under a laurel tree in summer to enjoy the cool, and listen to his stepUbagae give him puzzles and tell stories. After the osmanthus hall, I came to Lu Xun's bedroom. 1in the summer of 909, Lu Xun returned from studying in Japan and taught in Hangzhou and Zhejiang Normal School successively. During the Revolution of 1911, he returned to his hometown and taught in Shaoxing Middle School and Shanhui Primary Normal School. This is his bedroom and study when he was teaching in Shao. Lu Xun often prepares lessons and writes late into the night here. His first China classic novel Homesickness was written here. An iron pear wooden bed displayed in the bedroom is an original work that Lu Xun slept in that year. Through the patio, the well-preserved former residence of Lu Xun has two floors and two floors. The first half of the east end is the living room, commonly known as "the front of the small hall", which is the place where Lu Xun's family eats and receives guests. During his teaching in Shao, Lu Xun often received visiting friends and students here. In addition to tables and chairs, there is also a leather lounge chair in the front room of the small hall, which was the original thing that Lu Xun's father Zhou Boyi used to rest when he was ill. Zhou Boyi (1861-1896), whose real name is Feng Yi, was born as a scholar, and has been living at home because of his repeated failures. He is open-minded and a sympathizer of the Westernization Movement. After Zhou Fuqing, Lu Xun's grandfather, cheated in the imperial examination, Zhou Boyi was deprived of his scholar status and was very sad. He used to drown his sorrows by drinking, but later he was plagued by illness and mistaken by quacks. He died at the age of 36. The bedroom of Lu Rui, Lu Xun's mother, is separated by boards in front of and behind the small hall. Lu Xun's mother Lu Rui (1858— 1943) was born in Qiaotou, Shaoxing. She is kind and determined, and she couldn't read before, but "she learned to read by herself." There is a big bed in the south of the bedroom, which is what Lu Rui used to sleep in. Lu Rui's birthday cards, scissors, rulers, powder bags, irons, thread boards and other embroidery items are displayed on the table near the north window. One of the socks was sewed by her own hands for the worker Wang. The western half is the bedroom of Lu Xun's stepdaughter Jiang. After her grandmother Jiang (1842— 19 10), she was born in Luxi, Shaoxing. Jiang is very humorous, and my grandnephew likes to chat with her. Jiang often tells young Lu Xun folk stories and legends such as "the cat is the master of the tiger" and "the water overflows the golden mountain", which left a deep impression on Lu Xun. Later, Lu Xun had vivid memories in articles such as Dog, Cat and Mouse and On the Collapse of Leifeng Tower. Behind Jiang's bedroom is an aisle with stairs to go up. The first room upstairs is the bedroom of Lu Xun's original wife, Zhu An. Zhu An, Ding Shi, Shaoxing (1878— 1947). She is an old-fashioned woman, foot-binding and feudal, which is far from Lu Xun's thoughts, tastes and cultural hobbies. 1in the summer of 906, Lu Xun, who was studying in Japan, was ordered by his mother to return to Shao to get married. Lu Xun had no love for Zhu An. He said, "This is a gift from my mother. I can only support her well. Love is something I don't know. " A few days after his marriage, he returned to Tokyo, Japan. From then on, Lu Xun and Zhu An became nominal husband and wife all their lives and became victims of the feudal marriage system. Since Zhu An married Zhou Jia, she has been living with Lu Xun's mother and serving her mother-in-law all her life. Through the long alley on the west side of the former residence, I came to the kitchen. There is a big three-eye cooker for a big family in the kitchen, and cooking utensils such as square tables are also on display. There is a big bamboo dish cover hanging on the wall, which was made by Zhang Fuqing for the Zhou family in the "busy farming month" of that year. Zhang Fuqing, a native of Du Pu Village, Shangyu, Zhejiang Province, is not only a farmer, but also a bamboo craftsman. He often comes to Zhou's house for several months, such as farming, drying grain, repairing bamboo furniture and so on. He once made some bamboo toys for young Lu Xun, and Lu Xun liked them very much. When the work is too busy, I bring my son Zhang to help. Zhang and Lu Xun are about the same age. He has a purple round face, a small felt hat and a bright silver collar around his neck. It was in this kitchen that Lu Xun met him for the first time and became good friends. Carrying water taught Lu Xun how to catch birds, and told the story of taking care of watermelons and stabbing them in the sand by the sea with a fork. It was carrying water that made Lu Xun know a strange world that could not be seen in books. 192 1 year, when Lu Xun wrote the famous novel Hometown, he took Shuiyun as the prototype and created a vivid artistic image of "moistening the soil". There are three small rooms in the north end of the kitchen, which were restored after careful textual research when 198 1 commemorated Lu Xun's centenary birthday. At that time, Zhang Fuqing worked and lived here, and the East Room was his residence. There is a storage room in the west, where rice, tractors, windmills, bamboo poles, hoes and other agricultural tools are stored. The middle room is an aisle with a door leading to the herb garden. At the end of 19 18, it was decided to sell the whole new platform door together with the back garden to Zhu, the neighbor in the east. After buying a new platform door, Zhu made great efforts to build the new platform door together with his original residence, changed the original structure, demolished it and rebuilt it. Therefore, most of the houses in Xintaimen are beyond recognition. Fortunately, the main building of Lu Xun's former residence, located to the west of the original Taimen, has not been rebuilt, but has been well preserved. From June 5438 to 10, 2003, the reconstruction part of the new platform door was restored and displayed, and the quaint deep house compound of Zhoujiaxin platform door was displayed in front of people. The restored Zhoujiaxin platform door is divided into three entrances, which are composed of platform door bucket, hall, incense hall, side compartment and miscellaneous house. A plaque of "Hanlin" written by Lu Xun's grandfather Zhou Fuqing hangs directly above the hidden door of the platform door. The second entrance of "Deshoutang" is the three-room hall, which is the place where all the clansmen of Xintaimen hold celebrations, prayers, banquets and other public activities. Just above the hall, a large plaque of "Deshoutang" was hung as high as the gate of Zhoujia. Under the plaque, there is a lobby map of "Song He Tu", and a couplet is attached: "The goods are detailed, the virtue is firm, the affairs are clear and the mood is peaceful." On the pillars on both sides, there are two couplets: "Virtual energy leads to stillness and gives birth to enlightenment, looking up at the past and overlooking the present." "Be determined but not violent, be sensitive and cautious." There are mahogany inlaid marble "hanging screens" on the east and west sides. The third entrance of "Xiangtang" is an auxiliary exhibition, which is divided into three parts. The first part is "The Rise and Fall of Zhou Family". Through a large number of objects and photos, the exhibition shows the family history of the Zhou family in Shaoxing (Lu Xun), reveals the development, growth, evolution and decline of the Zhou family in Shaoxing, and focuses on the life stories of Lu Xun's grandfather Zhou Fuqing, Ubagae, father, mother and wife Zhu An, and their profound influence on Lu Xun's life. The second part "Lu Xun and Zhou Zuoren" and the third part "Lu Xun and Zhou" also show the relationship between Lu Xun and Zhou Zuoren and Zhou with pictures as the main display mode, supplemented by physical objects. Zhou Zuoren partly highlighted his relationship with Lu Xun during his study in Japan and his achievements in the May 4th New Literature Movement. The week focuses on Lu Xun's care and cultivation, and the process of his becoming a democratic revolutionary.
Baicao garden
Mr. Lu Xun once recalled: "There is a big garden behind my house, which is called Herb Garden according to legend. ..... It seems that there are only some weeds; But it was my paradise at that time. " Although the name of the garden is elegant, it is actually just an ordinary vegetable garden, shared by the Zhou clan in Xintaimen, covering an area of nearly 2,000 square meters. Plant some melons and vegetables at ordinary times and use them to dry rice after autumn. When he was a child, Lu Xun often came to the Herb Garden to play with his friends, catching crickets, playing with Mylabris, picking mulberries, raspberries and Polygonum multiflorum Thunb. Enjoy the cool in summer and catch birds in the snow in winter. Lu Xun vividly described the details of the Herbal Garden in the article "From Herbal Garden to San Tan Yin Yue": "Needless to say, there are green vegetable fields, smooth stone well fences, tall acacia trees and purple mulberries; Needless to say, cicadas are singing in the leaves, fat wasps are squatting on cauliflower, and the swift call to the son of heaven (lark) suddenly rushes to the sky from the grass. Just around the short mud wall, it has unlimited interest. Oil flies sing here and crickets play the piano here. ..... "Lu Xun was sent to San Tan Ying Yue by his family when he was 12 years old, and he was very attached to this paradise of his own. He said: "I don't know why my family sent me to the bookstore. It is called the strictest bookstore in the city." Maybe it's Polygonum multiflorum Thunb. The mud wall that has been destroyed may be because the brick was thrown on the partition wall of Liang's house, or because he jumped off the wall of Shijing, and ... there is no way to know. All in all: I won't go to the Herb Garden often. Ed, my cricket! Ed, my raspberries and Manglietia! ……"
Style garden
There is a Zhujiataimen in the northwest of Shaoxing Lu Xun Memorial Hall, also known as "Old Pan Lu", which is connected to Zhoujiataimen in the west, Zhoujiataimen in the east and Xianhuan River in the north. Zhujiataimen is the most complete and typical garden terrace building in Shaoxing, an ancient city with elegant environment and rich historical sites. The owner of Zhujiataimen is Zhu Langxian, that is, the "descendant of Zhu Wengong" who bought a new platform door next week. Zhujiataimen was originally the former site of Wanghua Palace, which was a part of the official residence of Hu Dahai, a famous soldier in the early Ming Dynasty. There are hundreds of rare flowers and trees such as Podocarpus, Sophora japonica, red plum and green sepal plum, and there is a 400-square-meter pool, which will not dry up after years of drought. In the year of Xuantongyuan in Qing Dynasty, Cheng Baitang, a famous scholar in Shaoxing, wrote "Here is the former site of Wanghua Palace, which is connected with Longquan in Chitong", and the stone was placed in Chi Pan, hence the name "Pan Lu". This stone has an unusual story. This stone belongs to Zhu Geng, an important minister of the Ming Dynasty. At this time, Zhu went back to his hometown and passed by Shandong. When he saw the stone, he missed it for a long time His protege was suitable for being a local official, so he gave up his love and gave it to the teacher. The land temple in Qing Dynasty is a land temple, and "land" refers to the land god, the valley god and the valley god. There is also a Tugu Temple in the south of Taziqiao, which is diagonally opposite to Changqing Temple, and there is a street pavilion in front of the temple. There are many plaques and colorful cornices on the street kiosks, and one of them has the words "Life of Payne Oriental Taoren, Huaijian and Jing Li". Shou Huaijian was the teacher of Mr. Shou Jason Wu and Mr. Lu Xun when he was studying in San Tan Yin Yue. This exhibition hall will stage at least two plays every year, one in the first month and the other in May. In addition, the workshop encountered natural and man-made disasters and also acted temporarily. Lu Xun came here to see the play when he was young. There are three temples side by side, Tugu Temple in the north, Mu Temple in the middle and Caishen Temple in the south. Generally speaking, the scale of land temples is relatively small, and this land temple is only the width of a facade, because Lu Xun's works describe it more and attract people's attention. In addition to the main entrance, there is a wooden door painted ochre at the entrance of Tugu Temple. There is a wide cornice above the door and a low stone threshold below. The first entrance is the gatehouse, and there are a pair of hugs on the colonnade: "Good weather, abundant crops, peaceful country and people." There is a patio in the middle and a veranda on both sides. The second entrance is the main hall. In the room, there are two sitting statues of father-in-law and mother-in-law of land. They look amiable, just like the words "the father-in-law is fair and the mother-in-law has good intentions" written on both sides, which are deeply loved by the people. Above the statue, there is a big plaque with gold on a red background, and the words "on the ground" are written in the calligraphy of "Wei Bei" written by Shaoxing township sage Tao Junxuan. In front of the main hall, a pair of hooks and buckles are hung on the golden pillar: happiness comes from heaven, and there must be justice if there is virtue and righteousness. It is the font of Zhi Yong, a great calligrapher in Sui Dynasty. Tugu Temple on weekdays is not as lively and deserted as Changqing Temple. However, on the birthday of the Tibetan Bodhisattva, that is, the 14th day of the fourth lunar month, people come to worship Buddha and burn incense. It is more lively to light candles on the solstice in winter. At the end of Guangxu, Tugu Temple was managed by a temple named A Qiu. Because the Tugu Temple was cold, there were some homeless beggars and tramps living in the temple at that time, and the person in charge did not interfere, so it became their refuge. Speaking of Tugu Temple, people will think of Lu Xun's masterpiece The True Story of Ah Q, saying that Ah Q lived in Tugu Temple. In fact, there is no Ah Q here, but Lu Xun draws materials from it: there is a man named Xie Agui who lives alone in Tugu Temple. He mainly makes a living by cooking for others. He once worked as an hourly worker for the Zhou family, but he has the habit of stealing and has a bad reputation. Lu Xun knew him well and regarded him as a "model". In The True Story of Ah Q, he created the immortal artistic image of Ah Q. Tugu Temple was abandoned for many years, and now it is restored in 198 1. In 2003, Shaoxing implemented the protection project of Lu Xun's hometown, and the relevant departments funded the reconstruction of Tugu Temple to restore its old appearance. Chinese and foreign tourists often recall the life scenes of Ah Q written by Lu Xun. Xu Guangping, Lu Xun's wife, said that in Tugu Temple, you can "find Ah Q's place more affectionately, as if there are acquaintances in it, ready to come out at any time".
Changqing temple
Changqing Temple is located in the south of Tazi Bridge in the south of Shaoxing city, less than 200 meters away from Lu Xun's former residence. It is one of the eight temples in Shaoxing. Built in the second year of Tang Yonghui (65 1), abandoned in 84 1-846 and rebuilt in 958, it is a thousand-year-old temple. The temple faces east from west, with black tiles on the wall. There is a gold-plated "Evergreen Temple" plaque on the red mountain gate. The entrance is the first hall, in which there is a primitive Maitreya Buddha, naked in the chest and smiling. The main hall is divided into a front hall and a back hall. There is a Tathagata and eighteen arhats in the front hall. Two couplets are engraved on the stone pillars in the hall: "Nine-level lotus lions roar like lions, and three golden dragons and tigers roar out of the rooftop"; "Binghui shines on the Western Heaven to teach Han, and Yin Ciling shines on the ten sides of China." The back hall is a wooden statue of Guanyin with a thousand hands. Lu Xun also said: "I did see a giant Buddha of more than ten feet and a small bodhisattva of several inches." There are more than 50 large and small plaques in the hall. There is an interesting story about the relationship between Lu Xun and Changqing Temple. Lu Xun is the eldest son and grandson of the Zhou family. The year he was born was a leap year, and his birthday was on the third day of the eighth lunar month, which happened to be the same Amanome as the legendary Zaosi Bodhisattva. According to the old folk saying, such children are noble and will certainly achieve something in the future, but with more stars, it is difficult to raise them, because ghosts and gods are specially used to play tricks on children with "promise". Lu Xun's parents also believe in this folk superstition legend. First, they "signed up" Lu Xun as a baby to Bodhisattva, indicating that he has become a monk. Then they worshipped the monk as a teacher, indicating that he has become a monk and is no longer the darling of the people. With the protection of the gods, he can be protected from evil spirits. Mr. Lu Xun once said: "I was born in Zhou family, and I am an elder" and "hope is the most important". My father was afraid that I would be successful, so I couldn't afford to support him. Less than one year old, I went to Changqing Temple to worship a monk as my teacher. The monk master was the abbot of Changqing Temple at that time, and Lu Xun called him "Dragon Master". Master Long named Lu Xun "Long Gen", and Lu Xun called it "Chang Geng" in My First Master. According to Shaoxing pronunciation, "root" and "Geng" are homonyms, both of which mean to pray for a long life. Master Long also gave Lu Xun a piece of silver gossip with the words "Sambo disciple's dharma name takes root", a piece of "hundred clothes" sewn with various olive-shaped small silk pieces, and something called "cow rope" with scattered small objects such as calendars, mirrors and screens hanging on it. It is said that hanging or wearing these things can ward off evil spirits and children can avoid accidents and live a long life. You can also see these items in the exhibition hall of Luxun Memorial Hall in Shaoxing. Changqing temple
Master Long has a slender figure, a thin face, high cheekbones and thin eyes. He is quite rebellious. A monk shouldn't have a beard, but he has two drooping beards. Besides, Master Long has a wife. The process of his wedding was very dramatic: one of them was a social drama in his hometown, and Master Long went to the theatre. Because he knows actors well, he went on stage to knock gongs for them. Although Master Long is beautiful and capable, the audience under the stage all think that he is not doing his duty and does not like to scold him. Not to be outdone, Master Long contradicted a few words, flying onto the stage like sugar cane under the stage, and several even rushed forward to teach the monk a lesson. After all, there are many people in the audience. Although Master Long has a skill in boxing, it is hard to resist, so he has to be defeated and flee, and everyone is in hot pursuit, forcing him to escape into a family. There is only one young widow in this family, but the widow bravely saved him ... and then Master Lailong married the widow. At that time, the Buddhist precepts were strict, and only "blowing and knocking monks" could be punished.