The cover of the first volume of eighth grade Chinese in People's Education Press, the first volume of eighth grade Chinese, was revised and published by People's Education Press in 20 17. Organized by the Ministry of Education and edited by Wen Rumin. This book is also equipped with three tapes (or three CDs) for text reading, including text, writing, activity inquiry, comprehensive study, ancient poetry reading, famous works reading and so on. For the second semester of Grade Two.
The top and bottom symmetrical layout constitutes the cover of the first volume of the eighth grade Chinese book, which contains rich China culture. There are two characters "China" in the middle of the cover, with a white background and a black border. The font is generous, calm and unobtrusive, which embodies the simple and humble quality of the Chinese nation. The yellow box in the upper left corner of the word indicates the date of the first trial of the textbook.
Below the word is the Chinese phonetic alphabet of "Chinese" and the compiling unit of the book. The background of the first half of the cover is light gray cursive calligraphy, and the font is flowing, smart and elegant, which emphasizes freehand brushwork rather than form, fully demonstrating the infinite charm of China's calligraphy art, while the second half of the cover is China traditional ink and wash landscape painting.
In the painting, the mountains are vast and undulating, and the Great Wall twists and turns like Wolong. The ancient trees in the mountains are green and dripping, hanging from springs and waterfalls, flying down, and the misty clouds in the mountains can't help but make people feel that they are "the fairy capital of desire".
The cover is a figure painting by Ren Bonian, a painter in the Qing Dynasty, and an ink painting of the bamboo grove by Ren Bonian in the Qing Dynasty.
The Painting of Ren Bonian Bamboo Forest and Inkstone Appreciation in Qing Dynasty is a painting created by Ren Bonian in Qing Dynasty. Stone man's small works are rich in layers, skillfully using complementary colors and black-and-white relations to deal with the front and back space, and are also very elegant in the care and distribution of color blocks. He discovers business from micro-dots, captures the exciting and imaginative interest in nature, and expresses his childlike innocence of loving life.
The most striking feature of Ren Bonian's flower-and-bird works is the small freehand brushwork, which is outlined by dots and boneless with ink and pen. It can not only grasp the real instantaneous dynamic of the image, but also create a spatial atmosphere and convey vivid interest. This silk-screen ten thousand fans is a masterpiece of its sketch which combines boneless and small freehand brushwork.