1May, 997 19 Lishu was published in China Pictorial.
In June, 1998, cursive works were published in China Pictorial.
1March, 999, running script and cursive works were published in Friends of Calligraphy.
In September 2000, the running script was published in Calligraphy Newspaper.
In May of 200 1 year, regular script works were published in Calligraphy magazine.
The running script of 200 1 1 was published in calligraphy newspaper.
In March 2002, the running script was published in the calligraphy and painting edition of Popular Daily.
In June, 2004, several works were selected into the Collection of Chinese-Chinese Calligraphy Art and Cultural Exchange Works.
In July, 2005, regular script works were published in China Calligraphy and Painting Newspaper.
In April 2006, the running script was published in Art Newspaper.
In April 2007, regular script works were published in the third issue of Oriental Art (formerly Calligraphy Magazine) 1999 Friends of Calligraphy.
1May, 997 19 Chinese Book Pictorial.
Calligraphy 200 1 fifth issue.
Calligraphy World (formerly Friends of Calligraphy),No. 1, 2003.
200 1 10 calligraphy newspaper.
In March 2002, the painting and calligraphy edition of Volkswagen Daily.
In July 2005, China Calligraphy and Painting Newspaper.
April 2006, Art.
In April 2007, Oriental Art (formerly Calligraphy Magazine)199865438+February, Reflections on the Evolution Trend of Modern Calligraphy in China won the second prize in the third Shandong Provincial Art Achievement Appraisal sponsored by the Shandong Provincial Department of Culture.
In August, 2000, "Establishing the Calligraphy Teaching System and Mode of Visual Art Concept" won the excellent paper of the 5th National Calligraphy Education Seminar sponsored by the Calligraphy Education Committee of China Education Society.
In 2008, the paper "Lang Lang Ru Yu Xing-Jiang Weisong Bronze Calligraphy Art" won the "Shandong Liu Xie Literature Review Award" sponsored by the Propaganda Department of Shandong Provincial Party Committee.
In 2009, the thesis "Study on the Inscription of the Left Collection of Mountain in the Late Ming and Early Qing Dynasties" won the third prize of the Eighth National Calligraphy Seminar sponsored by China Calligraphers Association. 1In August, 994, A Brief Comment on China's Traditional Calligraphy Image Criticism was selected into the National Symposium on Calligraphy History Aesthetics organized by China Young Theorists Association.
September 1997 "Reflection on the Evolution Trend of Modern Calligraphy in China" was selected for the Sha Menghai Calligraphy Seminar held by Zhejiang Provincial Department of Culture.
1998165438+10 "Academic Calligraphy Creation and Its Modernity" was selected as the third national "Calligraphy" and calligraphy development strategy seminar sponsored by the Calligraphy Education Committee of China Education Society and China Young Theorists Association.
1999 In May, Traditional Calligraphy Criticism and Contemporary Calligraphy Creation Idea (signed by Meng Qingxing) and Discussion on Contemporary Calligraphy Creation (signed by Wang Lingyun) were selected into the collection of the seventh national calligraphy seal cutting exhibition sponsored by China Calligraphers Association. (second-class thesis)
In July 2000, "Calligraphy Creation in Exhibition Hall and Others" was selected as the first calligraphy theory Seminar in Shandong Province, sponsored by Shandong Calligraphers Association.
From June 5, 2007 to 10, The Visual Rationality of Modernity and the Transformation of Contemporary Calligraphy Criticism was selected for the 9th National Calligraphy Seal Cutting Exhibition sponsored by China Calligraphers Association.
20 1 1 July, "Deng, Bao and the Calligraphy Style of the Late Qing Dynasty" was selected into the Academic Seminar of Deng and the Qing Dynasty,1June, 995, "Several Handover Ways of Regular Script Stroke and Calligraphy Guidance". 1February, 996, calligraphy creation moves towards standardization-analysis of the reasons for the rise of academic calligraphy creation, Modern Calligraphers Daily.
1September, 1997, "Reflections on the Evolution Trend of Modern Calligraphy in China" was included in the Proceedings of the Sha Menghai Calligraphy Seminar of Hangzhou University Press.
1March, 997, Summary of Academic Calligraphy Creation Seminar, Calligraphy Newspaper.
1may, 998, new fulcrum-on academic calligraphy creation, calligraphy newspaper.
1998165438+10 "Academic Calligraphy Creation and Modernity" was included in the Proceedings of the Third National Symposium on Calligraphy and Calligraphy Development Strategy by Tianjin Fine Arts Publishing House.
1998165438+10 "exhibition should be legalized and democratized" (signed by Yu Hai), calligraphy newspaper.
1998 participated in the compilation of some items in "93-96 China Calligraphy and Seal Carving Yearbook" (Tianjin Fine Arts Publishing House) edited by the Calligraphy Education Committee of China Education Society.
1March, 999 About the calligraphy creation in the exhibition hall and others, Calligraphy Newspaper.
May, 1999, Impetuousness behind the exhibition, China Pictorial.
In September, 2000, a scholar in robes —— Comment on Wang's Huai Su Commentary and Calligraphy Guide.
In September 2000, Wang Duo wrote two works for Calligraphy Guide.
April 2000, Friends of Calligraphy.
From June 5, 2000 to 10, I had a dialogue with my doctor on higher calligraphy education, Art.
February 2004, 65438, hieroglyphics touch the general meaning by category, and calligraphy guidance.
In 2005,No. 10, Lang Lang Ru Yu Xing Shan —— Analysis of Jiang Weisong Bronze Calligraphy Art (co-authored with Yu Mingquan), Calligraphy.
On February 28th, 2005, 65438 Collection of Ancient Records, a guide to book spectrum, was written and the relationship between name and reality was studied.
In 2006, Shandong Young Calligraphers Association 1 issue, Youth Book Circle.
On the "Fa" and "Yi" of China's calligraphy, The Grand View of Fine Arts (the core periodical of China),No. 1 2006.
On April 29th, 2006, China Ink and Wash Spirit and Artistic Thought.
In the sixth issue of 2006, Ouyang Xiu's rational critical spirit and the formation of artistic style in the Northern Song Dynasty, Qilu Art Garden of Shandong University of Arts.
Textual research on the relationship between Zhang Zaixin Indian School and Qilu Indian School in the early Qing Dynasty,No. 1 2007, Oriental Art by China Academy of Fine Arts and Chinese Painting and Calligraphy Institute.
In 2007, the second issue of Cloud is the Hometown of Crane-Ma Shixiao's cursive art and contemporary calligraphy creation, China Calligraphy by China Calligraphers Association (the national core Chinese periodical).
In the second issue of 2007, Zhang Zaixin's seal cutting method, his printing thought and calligraphy.
At the end of 2007, Enlightenment of Modern Visual Reason published four issues: On the Transformation of Traditional Calligraphy Criticism and Journal of Hubei Academy of Fine Arts.
April 2007, 18, Visual Rationality and Modern Transformation of Contemporary Calligraphy Criticism.
2007124 October 65438, Visualization and the Dilemma of Contemporary Calligraphy Criticism, Calligraphy Guidance.
2007 1 1.7, the enlightenment of modern visual rationality: on the modern transformation of traditional calligraphy criticism (continued), calligraphy guidance.
May 4, 2008 14, on the reasons why xing dong returned to Li as an official, calligraphy newspaper.
On July 30, 2008, the ant's paw and calligraphy newspaper.
In the third issue of 2008, the relationship between Ouyang Xiupai's thought and the evolution of Shangyi calligraphy in the Northern Song Dynasty, calligraphy appreciation.
In 2008, the sixth issue of "Regional Cultural Identity in Late Ming Dynasty and" Prosperity in the East, South and North ",calligraphy.
In 2009, Inscriptors and Shanzuo Seal Carving in the Late Ming and Early Qing Dynasties, The First Series of Indian Studies, Shandong University Press, 2009.
July, 2009 1, Miao Peihong-Small pistol replaced by big pistol, Calligraphy Newspaper (one of the top ten series of contemporary five-body regular script criticism).
July 2009 10, Guo Wei's "Theory and Calligraphy of Regular Script" (one of the top ten series of contemporary criticism of five styles of regular script).
July 2009 10, Exquisite, Elegant, Simple and Charming, Calligraphy Newspaper (one of the top ten series of contemporary five-style regular script criticism).
On July 22nd, 2009, a new edition of Traveler and Calligraphy Newspaper (one of the top ten series of contemporary five-style regular script criticism) was published in Beifang.
On July 29, 2009, Jin's Qiantang Biefeng Calligraphy Newspaper (one of the top ten series of contemporary five-style regular script criticism).
On August 5, 2009, Moody-Talented, and on July 29, 2009, Calligraphy Newspaper (one of the top ten series of contemporary five-style regular script criticism).
20 10 first phase essay calligraphy, calligraphy.
April 20 10, 14, 2 1, textual research on the ancient tablet of Zuo Ji in Chushan in the late Ming and early Qing Dynasties, calligraphy guidance.
20 10, Chronicle of Zhang zhen, Zhang Zaixin, Zhang Zaiwu and Zhang Zaiyi (about 20,000 words), Second Series of Indian Studies, Shandong University Press, 20 10 edition.
20 10 published a textual research on the relationship between Zhang Zaixin Indian School in Shandong and Qilu Indian School in the early Qing Dynasty in Shandong Literature and Art Review Series and Calligraphy Review Volume edited by Lai Fei. Jinan: Tomorrow Publishing House, July 20 10, p. 132- 139.
20 10, "the setting of course content from three levels of college calligraphy examination course"
20 10 12, Research on Xing Dong's Calligraphy Thought, published in "Please Attach Books-Proceedings of 2009 Jinling International Calligraphy Creation Symposium", press, 20 10, p. 187-200.
201July 14, Research on the Connotation of Xing Dong's Calligraphy Thought, Calligraphy Newspaper.
20 10 12.8, on handwritten calligraphy (in response to a reporter's question), calligraphy newspaper.
20 1 1 year 1 month 19 "Talking about Higher Calligraphy Education" (calligraphy newspaper "Talking about Higher Calligraphy Education")
2065438+01On March 23rd, Talking about Higher Calligraphy Education (Calligraphy Newspaper Talking about Higher Calligraphy Education).
20 1 1, No.2, Calligrapher Professionalization and Regularization of Calligraphy Creation, 47 pages of calligraphy, six people talk about calligrapher Professionalization and Regularization of Calligraphy Creation.
20 1 1 No.3, Mifei Shu Hang, calligraphy, pp.60-6 1.
20 1 1 April Textual Research on the Ancient Monuments of Xingdong and Zuojishan in the Late Ming and Early Qing Dynasties (about 18000 words), Oriental Art by China Academy of Fine Arts and Chinese Painting and Calligraphy Institute.
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