The language of Li Sao is quite beautiful. First, metaphors and symbols are widely used. For example, picking herbs is a metaphor for strengthening self-cultivation, and wearing herbs is a metaphor for keeping clean. But the poet's means of expression is much better than the general metaphor. Like what? Making lotus is making clothes, and picking hibiscus is making clothes. I don't know. It's embarrassing. I feel like I believe it. ? What about the fourth sentence? Fang? Natural causes? Hey? 、? Furong? Come on, take care of the first two sentences. What do you mean? Love? Yes So it's useless? Like what? 、? Like what? 、? What if? Such words are self-evident without explanation. Secondly, many names of fragrant flowers and herbs are used to symbolically express abstract concepts in politics and ideology, which not only makes the works subtle and longer than the charm, but also intuitively increases the color beauty of the works. Since qu yuan? Vanilla beauty? It has become a symbol of noble personality. (Do you have Liu Zongyuan? The hibiscus flowers beside the moat are swaying in the sudden wind, and the oblique rain is beating the vines on the wall. ? )
Third, the whole poem is divided into four sections, each with two? Hey? The disjunction between the upper and lower sentences, coupled with the fixed even rhyme, makes the whole poem always proceed in a cyclical rhythm with a strong sense of rhythm. Finally, use double rhetorical devices, such as? For the poor stone, night is second, it is a slap in the face. ; ? Su Dun is full of sorrow, saying that Shen Jiao is not fragrant? ; ? However, what is valuable is that we admire it. It is beautiful and beautiful. Wait, will. Hey? If this word is removed, there is no difference between dual works and Tang and Song poems.
Li Sao is not only a treasure of China literature, but also a treasure of world literature. (Zhao Kuifu)
Judging from Qu Yuan's position in the society at that time, he was a politician, not in a general sense? Poet? ; But as far as his great creative achievements are concerned, he is also the first great poet in the history of China literature. There are also many beautiful and moving works in The Book of Songs, but they are basically mass and collective creations, and rarely show individuality. On the other hand, Qu Yuan's creation is branded with his ideals, experiences and pains, as well as his lifelong enthusiasm. This marks a new era of China's classical literature creation.
Qu Yuan is a poet with lofty personality. He cares about the country and the people, and is still respected as a staunch patriot. Although his patriotism is linked with his loyalty to the monarch, he can't deviate from the basic moral principles of his time and society, but at the same time, he should also see that Qu Yuan has a strong sense of self. He doesn't consider himself a servant of the monarch, but a monarch, so he is the guide of the country. He has a firm belief in his political ideal and life ideal. In order to pursue his ideal, he would not hesitate to confront most people in his social group and would rather die. This reserves the right to think independently and be loyal to one's own understanding under the recognized moral premise of loyalty to the monarch and patriotism. As an ideal martyr, later generations have greatly inspired him; His way of establishing the world was also cited as an example by upright literati in later generations.
Qu Yuan's works express strong and tragic feelings with unrestrained writing style. Han Confucianism once said that Li Sao is the same as Xiaoya in The Book of Songs. No harm? Yuan Hongdao, a poet of Ming Dynasty, refutes Li Sao in Xiao Xushi's show? Extremely angry? , right? Party member? And the king of Chu? Clear and painful? ,? What about complaints that don't hurt? And pointed out:? Strong and rich, steep and exposed? , in the end? Chu Feng? The characteristics of. His opinion is obviously correct. Moreover, Qu Yuan's praise of his personality is spontaneous and true. Sing the love of the gods, passionate and incisive; Is it passionate, generous and tragic to celebrate the sacrifice of martyrs? . In a word, compared with the restrained and gentle emotional expression in The Book of Songs, Qu Yuan's creation shows emotional liberation to a certain extent, thus creating a brand-new poetic style full of vitality and strong appeal. Due to the need of this kind of emotional expression, Qu Yuan can't be satisfied with plain writing techniques, but borrows a lot of mythological materials from Chu and uses absurd fantasies to greatly expand the realm of poetry and show magnificent features. This opened up a new path for the creation of China's classical poetry. Poets with strong personality and emotion in later generations, such as Li Bai and Li He, were greatly inspired.
Qu Yuan is a poet who loves beauty. He does not deny the beauty of all kinds of art with a narrow utilitarian view. In "Nine Songs" and "Evocation of Soul", there are warm scenes of music, songs and dances and the feelings caused by them everywhere. ? Strong wine and color entertain people, and the viewer forgets to return? In Qu Yuan's pen, it is a beautiful scenery. Similarly, his poems also like a lot of colorful words. He also developed the figurative techniques in The Book of Songs, endowing plants, fish, insects, birds and animals, Yun Ni and other natural things with human will and life, so as to pin their thoughts and feelings and increase the aesthetic feeling of poetry. Generally speaking, the schools of literary beauty in China ancient literature can be traced back to Qu Yuan.
In the form of poetry, Qu Yuan broke the short and pithy system of The Book of Songs, and created a novel with long or short sentence patterns, grand length and rich and complex connotations. Sao poetry? This is also very meaningful.
20 12 in the 1980s, Professor Han Jiaao, a famous calligrapher, writer and educator in Tsinghua University, spent half a year writing the book "Han Jiaao [2] cursive script" Li Sao, and wrote? I haven't heard the prose for a long time, and the emperor is the first person to bow his head; The elegy is fragrant and far away, and the sacred writing evokes the soul? This poem. Published by People's Fine Arts Publishing House, it has won unanimous praise from all walks of life such as literature, art and education.
Influence of later generations: Li Sao had an important influence on the development of China literature. After the Han Dynasty, later scholars worshipped Qu Yuan. The reason seems to be attributed to Qu Yuan's persistent and maverick integrity and his spirit of daring to uphold the truth and resist the dark rule in adversity. What happened to Qu Yuan was generally experienced by upright literati in feudal China. Therefore, Qu Yuan's spirit can be widely recognized. Jia Yi of the Western Han Dynasty was jealous of his talent, so he moved to Changsha and wrote Qu Yuan Fu, which was written by Qu Yuan himself. Sima Qian moved to Israel? Lide, meritorious service, and statement? Self-motivated? Devoted to work, begging relatives to kiss up to the master? ("Bao Ren An Shu"), but was brutally executed, followed by Sima Qian? Qu Yuan was exiled to write Li Sao? He drew great spiritual strength from his own deeds and completed the compilation of Historical Records. Zhong Rong of Liang Dynasty said Li Ling's poems in Shi Pin? Its source is Chu Ci. How sad is the grumbler? . Tao Yuanming's Fu for the Unexperienced: Is it available on the 1st? An Gui? Sigh, San Lv's hair? Already? Mourn. ? Although I hold the orchid of Joan of Arc in my arms, it is pure and elegant, but anyone who feels the absence of the philosopher will have tears in his eyes. ? I have always regarded Qu Yuan's purport as my code of conduct. Li Bai, a poet in the Tang Dynasty, declared heroically:? Qu Yuan's poems are still with the sun and the moon. The king of Chu built a hill on the top of the hill, and now the hill is empty. ? Many of Li Bai's works, such as Qu Yuan's Li Sao, often weave many myths and legends, the sun, the moon, the stars and historical figures, forming magnificent pictures with symbolic significance. Du fu? Worried about Li Yuan in poor years, sighing for the heat in the intestines? The spirit of worrying about the country and the people is also related to Qu Yuan, who said in "Playing for Six Poems". You should learn to love the ancients, but you can't despise people like Yu Xin and Si Jie, and ask them to be consistent in love and words. If you want to catch up with Qu Yuan and Song Yu in your heart, you must have the spirit and ability to keep pace with them, otherwise, they will follow in the footsteps of the lost source and frivolous in the Qi and Liang Dynasties. ? It is advocated that we should not only learn the literary talent of Qu Yuan's works, but also learn the ideological content of Qu Yuan's works. Especially at the critical juncture of foreign invasion and national demise, patriots often encourage themselves with Qu Yuan's integrity. Liu Kezhuang, a poet in the Southern Song Dynasty, wrote poems to praise Qu Yuan's patriotic spirit and expressed his firm belief that he would never surrender to the enemy. He said in the poem Qu Yuan:? Mi Zhu was captured by Lu and tired to escape. You can't say Li Sao with a ritual vessel. ?
In the history of modern literature, there are more writers influenced by Qu Yuan's spirit. Warring States period? In the rhyme, Qu Yuan originated in Chu and was demoted, which is Li Sao. Escape is a great speech and an outstanding life. Later generations were surprised by his literary talent and followed suit, so they made it from the original Chu, so they called it? Chu ci? . Compared with poetry, it is long, its thought is wonderful, its writing is beautiful, its purpose is clear, it comes from the heart, and it doesn't follow the rules. Therefore, the post-Confucianism's obedience to poets was either embarrassing or embarrassing, but it even influenced more than 300 articles in later generations. ? May 4th Movement? Back and forth, Lu Xun is trying to explore the direction of the Chinese nation. When he published Wandering on 1926, he quoted the poem Li Sao as an inscription before the book. The dynasty began in Cangwu Xi and ended in Huxian Garden in the evening. If you want to stay less energetic, it will be dusk. I told xi that he should be cautious and look forward to it, but don't push it. There is a long way to go in Xiu Yuan, and I will go up and down. ? It shows that Qu Yuan's tireless pursuit of truth has a great influence on Lu Xun. It can be said that where there is the misfortune of literati, there is the persistence of moral integrity, and there is Qu Yuan's heroism. Qu Yuan's spirit is not only a home to precipitate the painful hearts of literati in past dynasties, but also a stone to sharpen the loyalty and integrity of people with lofty ideals.
Qu Yuan's artistic creation opened the source of romanticism in China's literature and had a far-reaching influence on the creation of later literati. Represented by The Book of Songs? Wind? And what about Chu Ci? Sao? , forming the cornerstone of China's ancient literature and the two highest standards of classical poetry. After the Han and Wei Dynasties, Qu Yuan's masterpiece Li Sao was generally called Chu Ci, and Guo Pu's Shan Hai Jing quoted Tian Wen and Yuan You, both of which were called Li Sao. Liu Xie's "Wen Xin Diao Long" has an article "Distinguishing Sao", which contains all the works of Chu Ci. Xiao Tong's Selected Works of Liang Chao Zhao Ming? Sao? Category, including Li Sao, Nine Songs, Nine Poems in One Chapter, Buju, Nine Arguments, Evocation of Soul and Solicitation of Hermit. The first to fifth volumes of Zhu's Notes on Songs of the South are called Li Sao, including Li Sao, Jiu Ge, Tian Wen, Jiu Zhang, Yuan You, Buju and Fisherman. The sequel to Lisao includes Nine Arguments, Evocation, Great Ideas, Poems of Xi, Ode to Diaoqu Yuan, Ode to Pengniao, Mourning for Time and Ode to Seclusion. Other books, such as Li Sao cursive script by Wu in Ming Dynasty, Li Sao Yuan by Zeng in Ming Dynasty, Adventures of Chu Sao in Ming Dynasty, and Yin Sao by He Kuan in Qing Dynasty, are all about Chu Ci, and Li Sao has become synonymous with Chu Ci. Poet? It has also become synonymous with poets. Wang Yi's "Songs of the South:? Qu Yuan's words are sincere and far-reaching. Since the end of the 20th century, famous Confucian and Boda writers have written ci and fu, all of which are based on appearances, taking ancestors as models, taking their essence and stealing their flowers. The so-called Jin Xiangyu, chinese odyssey, whose name is extremely unknown, will never be published. ? Liu Xie's Wen Xin Diao Long: Can you be coquettish in Li See without Qu Yuan? If you take it by surprise, you can escape the wind and aim high. The mountains and rivers are endless, and the truth is practical. The gold phase is jade-like, gorgeous and overflowing. ? I have been stalking since Jiuhuai. However, Qu Song can't catch up. Therefore, when he complains about his feelings, he will be depressed and easily influenced; If you leave home, it will be soon and it will be difficult to get pregnant; On the landscape, you can get its appearance by following the sound; Speaking of seasons and climate, you can see it in the text. It's amazing that Jin and Jia make people beautiful with the wind, and horses and teenagers drift with the tide. His clothing is a poet, not a generation. Therefore, those who are talented get their praise, those who are clever hunt for their colorful words, those who satirize their mountains and rivers get their interest, and those who are still childlike pick up their grass. If you can praise elegance according to poetry, control Chu articles, think strangely without losing its truth, play showily without falling into reality, you can look forward to it, cough and vomit, stop begging for the anger of Changqing and spoil Zi Yuan. ? Pu Songling talked about ghosts and flowers, which was greatly influenced by Qu Yuan. In "The Story of Lonely Studio", he said: Pilo takes Li and feels coquettish; Ghosts and ghosts, Long Claw Lang is addicted to singing. There is a reason for boasting of nature and not choosing a good voice. The fire of autumn fireflies is exhausted, and charm wins glory; Drive away the dust of wild horses and you will laugh at each other. Not Gan Bao, but Ya Ai Sou Shen; Love is like Huangzhou, talking about ghosts. ? His firm embrace, unyielding resentment and romantic expression are somewhat similar to Qu Yuan's.
The brilliant achievements of Qu Yuan's works in thought and art have provided valuable cultural heritage for all mankind, and he has won the glorious title of world cultural giant. 1953, Qu Yuan joined the ranks of Polish astronomer Copernicus, French writer rabelais, Cuban writer and national movement leader and became a poet. Marty, together, became the world's four cultural celebrities called by the World Peace Council. His works spread to Japan in the 7th century BC, and began to spread to Europe in the19th century. Now, there are many translators from English, French, German, Russian and other languages.