Not only jumped the rhythm of the movie, but also lost no time to appease the audience's emotions.
In less than 90 minutes, dark gray tones outline a full outline. A light sci-fi movie about the resurrection of dogs, which revolves around many narrative lines. What I saw in it were interrelated and different parallel stories.
This is a feature film about foresight and prejudice. The combination of a different little boy and a strange science teacher symbolizes another possibility in traditional life-a breakthrough in prejudice and a challenge to the unknown. Life is always on the old road of path dependence at different levels. The first skeptic to stand up is like a wizard in a bright robe. He is regarded as a heresy, dispelled and hated by a self-observer who has long been addicted to conservative atmosphere. A few grand speeches by the science teacher still can't reverse his fate of packing up and leaving. This moment reminds me of the "Captain" in Dead Poets Society. Navigators do have extraordinary vision, but they also need to bear the burden of being cast aside, endure humiliation and persevere. However, whether it is a paranoid quitter or a truth seeker, they can judge which is stronger or weaker, and the perfect light will eventually burn out the decaying ashes, which is what the film finally wants to convey.
This is an educational film about understanding and tolerance. Although the little boy's "crossing the border" behavior caused a little commotion at home, his parents showed a generous attitude in the face of such abnormality. My father's sincere persuasion and my mother's instant tolerance have dispelled the myth of the generation gap with equal dialogue, and also enabled the protagonist boy to "survive" successfully in the film, making Burton's story narrative smooth. The view of "son preference" often stifles children's play in reality and threatens their own inner voice. Generations of moral classes like to create a culture of obedience and absolute authority, which is not only common in families, but also in society and politics (China, you know).
This is an emotional film about people and animals. When people are most lonely, animals actually support lonely people's hearts with actions rather than words. That indomitable persistence is the quality that proud human beings need to copy most, but it is also the most easily overlooked. You know, animals are not only playmates, but also the objects we worship and learn sometimes. Therefore, emotions are not only for students and teachers, for children and adults, but also for us and animals.
This is also a sci-fi film about imagination, which is manifested in Burton's cool humor of combining cats and bats, the short-lived horror of turning turtles into monsters, and his black hair dyed lightning white for VIPs. It also stems from the curiosity of little boys and the pursuit of freshness. They fly on the eaves with carbonated drinks, conduct electricity on the roof with kites on their backs, draw their own scientific fantasies on the blackboard in the cubicle at home and put them into practice. This persistence in creation pushes us to give ourselves and the world different meanings and colors.
As for the end of the film, I don't care much about the flaw of the so-called "puppy is not dead", but two dogs rub their noses and finally fall in love, which makes me think it is a good ending.
Turn around. /review/57 16246/