Li Li, male, born in 1958, is a native of shenqiu county, Henan Province, with a bachelor's degree, a calligrapher in Henan Province, a member of China Senior Calligraphy Research Association, a member of China Hard Pen Calligraphy Association, a national first-class calligrapher, a famous calligrapher in China, a contemporary calligrapher, and a signing artist of Xizhi Daily.
I like calligraphy since I was a child. During my college study, I used my spare time to study calligraphy theory and learn calligraphy skills. After joining the work, he served as secretary and deputy director of the county government office and worked as a writer for a long time. After retirement, I studied Sun's Book Score, Wang Xizhi's Theory of Calligraphy, Mrs. Wei's Diagram of Calligraphy, and Zhao Mengfu's Method of 92 Regular Calligraphy. He mainly focused on running script and list book, and worked tirelessly. He has written and published theoretical articles such as Song of Regular Script, Study of Regular Script and Calligraphy 360, and his works have been included in the Dictionary of World Artists.
Random talk about learning books
? There are two trends in the history of contemporary calligraphy. One is a traditional school. One is an innovator. The development direction of calligraphy has left and right, which makes the development of calligraphy take many detours.
? Let's talk about the traditional school first. The phenomenon of dying, dying and dying leads to the slow development and progress of calligraphy. The main reason is the research and application of ancient mature calligraphy theory. Focus only on death. There is no research and application from the aspects of knot principle, stippling rules, gestures, lines, demeanor and style. Therefore, Zhang Yizhi, Li Yizhi and Liu Yizhi. Appear, this seems to be the "same" work. It is difficult to achieve "both form and spirit" and there are few new ideas. Lack of their own distinctive style. Even if there is, it can't meet the standard of You Yan's calligraphy works. Learning is time-consuming and laborious, and it can't be practiced for more than ten years or even decades. The usual saying is "understanding". Or word external work. In fact, it is a question of cultural background and learning methods.
? Besides, innovators. Inheritance and innovation are the cornerstones of China's calligraphy development. Without tradition, there is no foundation. Without innovation, there will be no development. This is a dialectical problem of inheritance and development, and it is "sublation". The previous paragraph advocated innovation, and the colorful style of the book came as a result! All kinds of ugly books and Jianghu schools make people dizzy. It is beyond the scope of China's calligraphy, and there is no degree of "Fa". Although there is a certain writing origin, it can't be called calligraphy by unilaterally using the pictographic principle to create several artistic figures. Because, in addition to pictographs, there are tacit understanding, borrowing, pictophonetic characters and so on. , it is impossible to form a book.