Qian？

Juglans regia

Brush painting 15

Wuxingshui

Reproductive potential

Five IFWJ strokes

Basic explanation and detailed explanation

1. Hide underwater: ~ water. ~ swimming. ~ dam. ~ ok (a a. action below the water surface; B. working in the dark).

2. hide, secretly: ~ hide. ~ volts. ~ escape. ~ escape. ~ force. ~ heart. ~ teacher. ~ yes. ~ lines. ~ imperceptibly.

3. Last name.

Related words

Sneaking, diving, diving, diving, diving, diving, diving, diving, diving, diving, anti-submarine

Tao Yuanming (352 or 365-427 [1]? ), bright words, also known as latent and private "refined precepts" [2]? Mr. Jing Jie, born in Chaisang, Xunyang (now Jiujiang City, Jiangxi Province). A great poet and poet at the end of Eastern Jin Dynasty and the beginning of Southern Song Dynasty. He served as Jiangzhou Wine Sacrifice, Jianwei Army, Zhenjun, and Pengze County Order, and the last official position was Pengze County Order. He left his post for more than 80 days and retired to the countryside. He is the first pastoral poet in China, and is called "the Sect of Hermit Poets in Ancient and Modern Times [3]?" , there is "Tao Yuanming Collection".

Yuan Ming's great-grandfather or Tao Kan (there is still controversy, but the genetic relationship between them is certain [4]? )。 Grandfather Meng Jia was a celebrity in Jin Dynasty and married Tao Kan's tenth daughter. Grandfather is a satrap (Grandfather has two names, Dai or Mao [5])? ), my father is a person who "walks through the storm and is happy". The specific deeds can no longer be checked. There is also an ordinary sister, Obuchi Ming is three years old, and later married to the Cheng family, so Tao called her Cheng's sister. As far as his father still has a concubine, Yuan Ming's original family background is not too bad. At the age of eight, Yuan Ming's father died and his family fortune gradually declined. Mother died at the age of twelve, and Yuan Ming later wrote in an article recalling this past: "Kindness is early, fashion is naive. I'm twenty-six years old, and I'm only nine years old. At the age of twenty, my family was particularly poor, as evidenced by a poem: "When I was weak, my family was poor" ("Meeting Work").

Yuan Ming "studied Confucian classics since childhood, loved leisure, read good deeds, cherished solitary thoughts, loved Qiushan, had lofty aspirations and different customs". [6]? Murong Xu said: "The general angle hears the Tao", and drinking sixteen parts: "Young people are poor, but they can swim well in the Six Classics". He was educated by Confucianism in his early years and had the ambition of "traveling around the world and thinking far away" (miscellaneous poems). In that era when Laozi and Zhuangzi prevailed, he was also influenced by Taoist thought. He likes nature very early: "Less is not suitable for vulgar rhyme, and nature loves autumn mountains" (the first part of Return to the Garden). He also loves piano books: "Learn piano books less, I love leisure, and when I open the books, I forget to eat happily. In the shade, the birds changed their voices and they were happy again. As the saying goes, in mid-May and June, I was lying under the north window, and when the cool breeze came, I called myself Master Xidi. If you know what it means, you can keep your words "("Yan Zi et al. "). In him, there is both Taoist cultivation and Confucian cultivation.

Tao Yuanming was a great thinker in the Middle Ages. His literary thought is an important part of the literary thought in Wei, Jin, Southern and Northern Dynasties. His understanding of truth not only pays attention to the truth of history and life, but also pays attention to the truth of thoughts, feelings and ambitions, which is a perfect artistic truth. At the same time, his understanding of nature also shows the uniqueness of his literary thought. He doesn't talk about enlightenment, he doesn't carve things, he pays attention to the free expression of emotions and the naturalness of poetry, which is a very high realm. However, both advocating artistic truth and advocating literary essence are for the free expression of life. This is the soul of Tao Yuanming's literary thought.

Tao Yuanming has a very clear understanding of the hypocrisy and darkness of social personnel, so his seclusion is not a passive escape from reality, but has a profound positive significance in criticizing social reality. When he was caught in the predicament of hunger and cold in his long seclusion, although he hesitated and wavered, he did not give in to the reality in the end, preferring poverty and sticking to chastity all his life. It is said that the county magistrate sent Du You to see him, and the county official told him to get dressed to see him. He sighed and said, "How can I bow down to the children in the village?" From then on, it is better to talk about not bending over for five buckets of rice. Tao Yuanming likes drinking, and "sending wine as a trace" expresses his desire not to collude with the decadent ruling group, and shows the poet's indifferent and broad-minded mind and aloof and noble character. It is precisely because of this that his works are plain but poetic.

Tao's poems are over 140, and the allusions in Liezi and Zhuangzi are quoted as many as 70 times. It must be said that he has a deep acceptance of Laozi and Zhuangzi's thoughts. Tao Yuanming advocates the natural aesthetics of Laozi and Zhuangzi, while living and working in the countryside. Naturally, rural life became his aesthetic objectification, which made China's pastoral poems brilliant. Tao Yuanming's poetic beauty thought of taking nature as beauty and truth as beauty shines on poetry, illuminates the personality of the characters, and makes readers strongly feel the poet's arrogant and unyielding personality charm of pursuing freedom. Reflected in the content, it is to introduce rural life into the world of poetry and open up a new world for the development of China's poetry; Infiltrating into art is to produce a true and simple artistic realm and an aesthetic style that dilutes nature. This is the great poet Tao Yuanming. For thousands of years, his personality, his poems, his pastoral poems, together with his leisure, have become the objects of worship and research by later poets and readers, which is enough to show that his aesthetic thoughts have infinite vitality.