Sand painting is an ancient and traditional artistic expression, which can be traced back to a special picture symbol that was born for communication and notes before the appearance of human language. From the historical origin, this kind of image symbol develops in two directions: one is the direction of writing language, which forms our language and writing system today; The first is the direction of painting art, forming a variety of painting art forms. There were allusions of "Sha Shu changed into characters" and "Sha Shu changed into paintings" in the Song Dynasty in China, but in the Republic of Wanadu, which is located in Melanesia Islands in the southwest Pacific Ocean, this artistic heritage with multiple functions such as ceremony, meditation and communication is still preserved.
What is the future of sand painting? If you don't have your own creativity, sand painting has no future for you, which is a temporary trend.
But your love for sand painting has brought new creation and constant inspiration.
You will find that sand painting is actually very promising.
Art sand painting? Qin Hong Square is recommended. Their sand paintings are quite good. I hope I can help you.
What are the artistic features of Ni Pu's landscape paintings? The artistic features of Ni Zan's landscape paintings are: clean and moist painting style in early years, and simple and naive reform in later years. The bank of the sparse forest is beautiful and spacious, concise and far-reaching, and cherishes ink as gold. It's called a "folding belt" with a dry pen on the side. Mozhu has a gesture and a few tricks, which is to escape.
Second, expand packaging knowledge:
1. Profile: Ni Zan was a painter and poet in the late Yuan and early Ming Dynasties. The first name was Shen Zi, and later the word Town, named Yunlinzi, Jingmanmin, Fantasy and so on. People from Wuxi, Jiangsu. Ni Zan is rich and knowledgeable, which has existed since ancient times. Celebrities from all directions often come to you. At the beginning of Yuan Shundi's reign, he suddenly spent money like water, wandering around Taihu Lake.
2. Painting achievements: Ni Zan is good at landscapes, bamboo stones and dead wood. Among them, he used a typical technique-folding in landscape painting. He is a representative painter of landscape painting of Nanzong in Yuan Dynasty, and his works are mainly paper-based ink and wash. His landscape teachers Dong Yuan, Hao Jing, Guan Tong and Li Cheng developed them. Their paintings are unpretentious and their styles are naive and quiet. Most of the works draw mountains and rivers around Taihu Lake, with plain composition and simple scenery, mostly sparse slopes and shallow water. Use a pen to change the center into a flank and draw the rocks in a zigzag shape. The pen is dry and the ink is sparse, and the artistic conception is desolate and ethereal. Simple and elegant style, simple and complex, small and big, solitary and connotative. He is also good at painting ink bamboo, and his painting style is elegant and sparse. There are many poems in this painting. Because of his simplicity, his paintings have been faked for many years, but it is not easy to imitate their depressed and indifferent temperament. In Ni Zan's painting theory, he advocates expressing subjective feelings, and thinks that painting should show the author's "escape from the chest" and not seek the shape ("the so-called servant painter just has no intention, does not seek the shape, and talks to entertain himself"). In the history of painting, he was called Huang, Zhenwu and Wang Meng. In the Ming and Qing Dynasties, Dong Qichang and others held him in high esteem and often put him above the other three. He Ming Liang Jun said: "Yunlin Shu Da ordered no dust." Wang Mian's "Send Lady Yang to the Yunlin" said that Ni Zan "has a room full of toothpicks and books, and colored pens all over Cigarette Cards".
Ni Zan was the most influential painter in Yuan Dynasty. His unpretentious landscape painting style was sought after by masters in Ming and Qing Dynasties, such as Dong Qichang and Shi Tao, who all cited him as the originator. Shi Tao's calligraphy and painting are based on Ni Zan in spirit and style. Ni Zan is also a calligrapher who takes retro as the banner and pursues artistic individualization. Like Zhang Yu and Yang Weiting, he belongs to this era and does not belong to this era. This is the transcendental value of art to the times.
In the Ming Dynasty, Jiangnan people divided elegance and vulgarity according to whether they collected his paintings. His painting practice and theoretical viewpoints had a great influence on the painting circles in Ming and Qing Dynasties, and he was still rated as "Top Ten Painters in Ancient China" and listed as a world cultural celebrity by Encyclopedia Britannica.
His paintings include: river bank mountain scenery, bamboo tree wild stone map, hill map, six-man map, water bamboo residence map, pine pavilion map, lion forest map, Xilin meditation room map, quiet creek cold pine map, Qiu Linshan color map, spring rain crescent map, small mangosteen tree map and so on. There are water bamboo residence map, knee rongzhai map, fish village Qiu Ji map, Yushan forest valley map, Song tour map, family letter map, strange stone cluster map, bamboo branch map, Xishan Fairy Hall, frost forest and rocks, etc.
The artistic features of Ni Zan's landscape painting are: clean and moist painting style in early years, and simple and naive reform in later years. The bank of the sparse forest is beautiful and spacious, concise and far-reaching, and cherishes ink as gold. It's called a "folding belt" with a dry pen on the side. Mozhu has a gesture and a few tricks, which is to escape.
Second, expand packaging knowledge:
1. Profile: Ni Zan was a painter and poet in the late Yuan and early Ming Dynasties. The first name was Shen Zi, and later the word Town, named Yunlinzi, Jingmanmin, Fantasy and so on. People from Wuxi, Jiangsu. Ni Zan is rich and knowledgeable, which has existed since ancient times. Celebrities from all directions often come to you. At the beginning of Yuan Shundi's reign, he suddenly spent money like water, wandering around Taihu Lake.
2. Painting achievements: Ni Zan is good at landscapes, bamboo stones and dead wood. Among them, he used a typical technique-folding in landscape painting. He is a representative painter of landscape painting of Nanzong in Yuan Dynasty, and his works are mainly paper-based ink and wash. His landscape teachers Dong Yuan, Hao Jing, Guan Tong and Li Cheng developed them. Their paintings are unpretentious and their styles are naive and quiet. Most of the works draw mountains and rivers around Taihu Lake, with plain composition and simple scenery, mostly sparse slopes and shallow water. Use a pen to change the center into a flank and draw the rocks in a zigzag shape. The pen is dry and the ink is sparse, and the artistic conception is desolate and ethereal. Simple and elegant style, simple and complex, small and big, solitary and connotative. He is also good at painting ink bamboo, and his painting style is elegant and sparse. There are many poems in this painting. Because of his simplicity, his paintings have been faked for many years, but it is not easy to imitate their depressed and indifferent temperament. In Ni Zan's painting theory, he advocates expressing subjective feelings, and thinks that painting should show the author's "escape from the chest" and not seek the shape ("the so-called servant painter just has no intention, does not seek the shape, and talks to entertain himself"). In the history of painting, he was called Huang, Zhenwu and Wang Meng. In the Ming and Qing Dynasties, Dong Qichang and others held him in high esteem and often put him above the other three. He Ming Liang Jun said: "Yunlin Shu Da ordered no dust." Wang Mian's "Send Lady Yang to the Yunlin" said that Ni Zan "has a room full of toothpicks and books, and colored pens all over Cigarette Cards".
Ni Zan was the most influential painter in Yuan Dynasty. His unpretentious landscape painting style was sought after by masters in Ming and Qing Dynasties, such as Dong Qichang and Shi Tao, who all cited him as the originator. Shi Tao's calligraphy and painting are based on Ni Zan in spirit and style. Ni Zan is also a calligrapher who takes retro as the banner and pursues artistic individualization. Like Zhang Yu and Yang Weiting, he belongs to this era and does not belong to this era. This is the transcendental value of art to the times.
In the Ming Dynasty, Jiangnan people divided elegance and vulgarity according to whether they collected his paintings. His painting practice and theoretical viewpoints had a great influence on the painting circles in Ming and Qing Dynasties, and he was still rated as "Top Ten Painters in Ancient China" and listed as a world cultural celebrity by Encyclopedia Britannica.
His paintings include: river bank mountain scenery, bamboo tree wild stone map, hill map, six-man map, water bamboo residence map, pine pavilion map, lion forest map, Xilin meditation room map, quiet creek cold pine map, Qiu Linshan color map, spring rain crescent map, small mangosteen tree map and so on. There are water bamboo residence map, knee rongzhai map, fish village Qiu Ji map, Yushan forest valley map, Song tour map, family letter map, strange stone cluster map, bamboo branch map, Xishan Fairy Hall, frost forest and rocks, etc.
What are the artistic features of Zhou Fang's paintings? Zhou Fang studied under Zhang Xuan in his early years, but he was also good at portrait and painting. His painting style is "simple clothes, soft colors and richness."
What are the requirements for learning sand painting? Introduction to sand painting does not need art foundation, but depends on sand sense and understanding.
But after getting started, you need to have enough art foundation to support your growth. ..
There are so many basic techniques in sand painting. It takes a short time to master those basic technologies.
It will be fine in a few days.
But how to compose a composition is the most important part of your sand painting career.
You can't grow up just by copying others, you have to create it yourself.
Creating by yourself requires you to have a certain artistic foundation and basic composition skills.
Because sand painting is the neutralization of various arts, you need to learn from many aspects.
For example, design, photography, traditional Chinese painting, sketch, illustration, animation, segmentation and so on will all be helpful to your sand painting.
So I can't tell you whether you are learning well or not. I can only tell you that it only takes half a month to master the basics.
When you grow up and feel satisfied with your job, you will start.
What are the artistic features of sketch? All monochrome paintings are sketches. As one of the forms of plastic arts, sketch has been paid attention to by people from its birth, development to maturity, and its influence on other plastic arts is obvious to all. According to the different purposes and tasks, it can be divided into two categories: sketch foundation and sketch art, and sketch foundation is the most basic thing in sketch teaching. Among them, proportion and structure are the center of its research performance. The proportion and structure in perspective state have more practical significance and are the essential characteristics of sketch foundation. Sketch art pays attention to creation and forms a perfect picture to communicate with readers. Among them, feeling and composition are its most essential features. A good sketch should be the perfect combination of "emotion" and "reason" in sketch foundation and sketch art. In learning practice, we should grasp the most essential characteristics of "emotion" and "reason" and deepen them, so that sketch can play its due role and serve creation more effectively.
Renaissance master Michelangelo said: "Sketch is the source and essence of oil painting, sculpture, architecture and other kinds of paintings". Sketch, starting from the earliest "self-tying rope", is a way of recording or entertainment. With the progress of human beings, it gradually changed from simple to complex, and was used as "sketch" and "chalk book". It was not until the Renaissance that it really became mature and independent.
What are Schumann's artistic features? This paper discusses the main features of German romantic composer Schumann's artistic songs. This is another master of artistic song creation after Schubert, the "King of Songs". It has a unique creative style and characteristics in word selection, melody, beat, harmony, form and piano accompaniment. Key words: Schumann's Romantic Art Song Creation Schumann (181856) was a German romantic composer and music critic in the first half of the19th century, and he was the first person to make great contributions to German art song creation after Schubert. Schumann, like Schubert, creates artistic songs with romantic inspiration. But Schumann has a very rich literary accomplishment, and his music is more elaborate and profound than the latter. Unlike Schubert's easily exposed feelings, Schumann's works conform to his introverted personality. Most of his works are inspired by poetry. Romantic poetic imagination and musician's sensitivity and delicacy are perfectly combined in Schumann, who is a romantic poet in music. This paper mainly expounds the main characteristics of Schumann's artistic songs in creation. 1. Vocal music works are full of true feelings, fantasies and rich romantic temperament with the help of clear semantics of poetry. Schumann also showed genius in literature, poetry and music, full of poetic temperament and spirituality. The works of Goethe and Heine had a great influence on him. Most of Schumann's artistic songs are composed by the poems of these romantic poets. Art songs are rigorous in choosing words, and usually choose the most valuable poems of poets as lyrics, paying great attention to the artistry of poems themselves. He hopes that through the essence of music, poetry will glow with more touching poetry. For example, the famous vocal suite "Poet's Love" is based on a long poem by Heine. It describes a poet's longing for sincere love and the pain after lovelorn. The author tries hard to dig out the deep feelings of this poem through music, which shows the poetry of the original more delicately and makes the divertimento have deep appeal. There are 13 poems about poets' love. Schumann wrote complex and changeable artistic images with simple strokes, in which delicate emotional changes and poetic meanings were expressed through notes, which were fascinating and moving. The first song of this suite, Brilliant May, describes that spring has come, flowers are in full bloom, and the poet's desire for love has sprouted in his heart. The tune of this song is not gorgeous, but it expresses heartfelt sincerity. At the end of the song, the tune deliberately stops on an unstable tone, giving people a feeling of endless aftertaste and vividly expressing the poet's yearning for love life. Secondly, Schumann's artistic songs take love as the main theme, and there are also some lyric songs with landscape descriptions and some narrative songs. Among Schumann's more than 500 art songs, love songs account for the highest proportion, and many of them are very artistic. The song collection Myrtle was a wedding gift from Schumann to Clara on 1840. There are 26 songs in this collection, and each capital is extremely touching. Among them, the first song "Dedication" is the most popular and widely sung. Among Schumann's songs, there are many songs with the theme of lyrical scenery description. For example, Moonlit Night is a typical Schumann romantic song. It is based on the original poem of German romantic poet eichendorff. This is a segmented song. The piano brings out the natural beauty of tranquility and serenity in the moonlit night sky. The song unfolds in a broad and serene melody, and strengthens the emotion in the third quarter, pushing it to * * *, expressing the author's feelings of missing and loving his hometown. In the weakened harmony, the whole song ends. Schumann also wrote many ballads, the most outstanding of which is Two Grenadiers. This is Schumann's masterpiece of narrative songs with outstanding ideological and artistic qualities, and the lyrics are also Heine's poems. Through the dialogue between two French soldiers defeated from Russia in 18 12, the thoughts and feelings of people recalling Napoleon and yearning for bourgeois democratic revolution after the restoration of feudalism in Europe were expressed. The whole song adopts popular techniques and has a strong timbre. It quoted La Marseillaise, which marked the spirit of the French Revolution, and showed the heroism of dying soldiers. Thirdly, Schumann's artistic songs are obscure in connection with German folk songs, with short melody, and most of them are not complete phrases. German folk songs have different characteristics from other nationalities. They are neither as expressive as Italian folk songs nor as bold as Spanish folk songs. They always maintain the characteristics of simplicity, introversion, conciseness and neatness. Schumann is very loyal to the characteristics of German folk songs, although he rarely quotes the tunes of German folk songs directly in his song creation. Schumann's rhythm is the most original. He likes to use complicated rhythms. We often see syncopation and polyrhythm across bars in high and low voices, but sometimes he insists on using a rhythmic pattern in a long paragraph to show his unique style. In harmony, Schubert created a new field of romantic expression in creative techniques, but he did not jump out of the classical harmony mode. Schumann, on the other hand, opened up a new field of romantic harmony techniques. He tried to weaken the "functional" intensity of harmony, used dissonance and boldly deviated from the tune. He often uses the method of alternating big and small tones and vague tonality to create a poetic and hazy atmosphere and an artistic conception full of fantasy. Therefore, when singing Schumann's lyric art songs, we must dilute the high-pitched area and use the technique of light tone. Only in this way can we show this ethereal, transcendental daydream and charming artistic conception. For example, "Lotus" written by Schumann with Heine's poems has a natural and simple tone, and the tone of the whole song is F major. When "the moon is her lover, wake her up with brilliance", the tonality is incompatible with ba, which makes the song enter an emotional * * *. Then, the accompaniment caused an out-of-tune effect. Schumann used this changeable tonality to describe the characters' hearts in detail and the lotus's modality vividly. In the form of music, he broke away from the classical style, was not bound, followed the freedom of emotion and expressed his inner feelings. The form is free and relaxed, thus forming another major feature of his creation. Fourth, Schumann's piano accompaniment writing has a very unique effect. The melody of the song is perfectly combined with piano accompaniment, and the music image is vivid. Schumann also designed the accompaniment of art songs accurately and consistently, and seamlessly combined the melody of art songs with piano accompaniment, making piano accompaniment more considerate and showing endless possibilities. In Schumann's songs, piano and human voice are inseparable. Sometimes the piano part even exceeds the singing part. He often adds a long piano epilogue to the end of songs, such as epilogue and expansion. In these parts, new musical ideas often appear, making the artistic conception of songs by going up one flight of stairs. If Schubert's piano accompaniment writing is still a classical technique, Schumann's accompaniment has created a new world of romantic piano playing skills, and his modulation technique has liberated music from classical harmony and modulation methods, thus enriching the harmony color and change and enriching the playing techniques and skills. In addition, he also absorbed the texture writing style of polyphonic music, strengthened the activity of the internal melody of piano accompaniment, and enriched the expressive force and scope of piano. Russian music critic Stasov said that Schumann is the most talented successor after Beethoven, beaufort Franz and Schubert. His artistic songs pay more attention to depicting the beautiful scenery of nature through appropriate emotional and psychological state, making the musical image more vivid and vivid, showing a unique "artistic beauty." For example, "Walnut Tree" is a prominent vocal work with the characteristics of "piano accompaniment is as important as singing" in Schumann's songs. The melody of the song is not very broad and smooth, but mostly short-breathing sentences, which play a leading role in music. The beautiful piano arpeggio pattern and the recurring theme motivation make the poetry of the spring breeze ripple, the leaves rustle, and the young people's desire for happiness in love is extremely vivid. In the middle of the three changes, it further shows the artistic conception that leaves are whispering and girls are talking. Then, with a low melody line, it depicts the image of a girl looking forward to the happiness of love and falling asleep with a smile. The whole song has reached the realm of * * * in rich poetry, which sounds memorable and gives people an immersive aesthetic enjoyment. For example, at the end of Dedication, Schumann borrows the melody of Schubert's Praise for the Virgin and compares Clara to the Virgin to express her praise and admiration. The main content of many Schumann songs is expressed by accompaniment. Therefore, in order to deeply understand Schumann's artistic songs, we must carefully understand every detail of his accompaniment. Schumann's artistic songs can profoundly and accurately express the artistic conception of poetry from a unique angle. He closely combines melody with language syllables and intonation, so that his songs will be eclipsed if they are not sung in German. Schumann, a great composer, showed extraordinary romantic talent in the creation of artistic songs, and his song creation had a far-reaching impact on the development of German artistic songs.
What are the artistic characteristics of Shanghai painters in the late Qing Dynasty? They combined folk art with traditional literati painting, especially in Shanghai painting in the late Qing Dynasty. Shanghai painters, with a wide range of themes and artistic expressions that appeal to both refined and popular tastes, turned paintings that originally belonged to literati into art loved by citizens at that time.
Shanghai-style painters not only adhere to tradition, but also are close to real life, which is an important link in the transition from classical painting to modern painting in China.
The works of Shanghai painters have the following characteristics: first, there are many flowers and birds; second, there are figures; third, there are landscape paintings; and third, there are miscellaneous themes. In the application of pen and ink method, it emphasizes simplicity and lightness, only seeking artistic conception and omitting form. Secondly, it is quite symbolic. Whether it is flowers and birds or figures, wealth lives in peony, loyalty lives in Taoyuan ... It is symbolic and pays attention to the richness of connotation. Once again, colorful, pay attention to the smooth shape and rich colors, and are more loved by ordinary people. Fourthly, the emphasis on the origin of painting in Qing Dynasty had a great relationship with textual research, so similar paintings often appeared in the form of imitation or simulation, but there were still an endless stream of painters.
In addition, Shanghai painters show a trend of high production.
Among them, folk painters are Zhu Xiong, Zhang Xiong, Wang Li, Ren Xiong, Ren Xun, Ren Yi, Qian and so on. The chapter is simple, the pen and ink are dripping, the color is bright and not vulgar, and its painting style is closer to the spirit of folk reality. The style of this school mainly exists in the upper and middle classes. In addition to the humanistic spirit, the aesthetic concept inherited by this school has also added popular and plain themes, which has the significance of borrowing scenery and freehand brushwork. Western-style sketch is also reflected, which has influenced China's painting style for nearly 50 years.
The school of epigraphy, represented by Xu Gu, Zhao, Pu Hua and Wu Changshuo, emphasized the homology of calligraphy and painting, applied the brushwork of calligraphy to the form and quality of painting, and urged the pen and ink to be old and simple. Shanghai painters attach importance to learning from the North School, which is exclusive. Emphasizing the combination with society and adapting to the needs of social development, besides Qi Baishi and others who can criticize real life, there are quite a few people who make a living by painting and calligraphy. Most of the paintings are conservative and have no innovative artistic conception, but Qi Baishi is no longer a pure Shanghai school.