As a "memoir of memories", this anthology reflects the author Lu Xun's teenage life in many ways and vividly reflects the formation of his character and interest.
It exposes all kinds of ugly and unreasonable phenomena in semi-feudal and semi-colonial society, reflects the difficult course of young intellectuals with aspirations in the darkness of old China, and expresses the author's nostalgia for his former relatives, friends and teachers.
Extended data:
Ten essays, Flowers in the Morning and Flowers in the Evening, outline a variety of social lifestyles from the late Qing Dynasty to the Revolution of 1911, namely, the world picture and genre painting. Although it is a retrospective essay, it is realistic and thoughtful, which contains the author's deep thinking about history and persistent attitude towards reality.
From "Hundred Herbs Garden" to "San Tan Yin Yue", Wu Canghui lashed out at the feudal educational system, educational content and educational methods that bound, suppressed and destroyed children's lively and lovely nature.
The article Impermanence uses the satirical brushwork of Strange Tales from a Lonely Studio to expose that there is no fair referee in the world and ridicule those "gentlemen" who are under the banner of "justice" and "justice".