Practice first. Second, it depends on skill. Keep your voice down when you sing high notes, instead of "lifting your voice" (raising your voice) like ordinary people. Imagine you are singing bass instead of treble. Singing bass is the opposite. This technique is very effective. Thirdly, it is the overall voice mode. Most people's voices are very high, that is, the position of "singing with your voice" and "shouting at the top of your lungs" should be set back, and you can deliberately stretch your neck back. Just try it. Third, breathing and posture If we also have the opportunity to scream when we encounter a very unexpected thing, we must remember the shouting posture and use it to sing high notes. That's right. Singing high notes is different from singing low notes. It is to press the air into thin lines and impact the vocal cords. When the diaphragm strength has been used to the apex and can not be pressurized, the waist strength must be used. As mentioned earlier, the lung lobe is larger than the lung apex, that is, the lower part is larger than the upper part, and the upper part of the lung apex expands outward from the ribs. With waist strength, put your hands on your hips first (you don't need to pay attention to abdominal muscles at this time, it will naturally work when inhaling), suck in the air around your waist, feel the front and back waist swell up, then put the air in (open your mouth), and pull your waist and ribs in hard, so that your chest will stand up and you will feel the pressure on your upper jaw. This is how waist strength is used. As mentioned earlier, F2-# G2, we use the contraction of abdominal muscles to increase the pressure. When we reach a2, we use waist strength. In b2, because only a small amount of gas is needed (but high pressure gas is needed), you only need to open your upper lip like yawning, revealing a little upper teeth. When the tip of the tongue is flat on the lower teeth, we can sing b2. The method of lowering the sound from above b2 to above hi ghC is the same as that below b2. Here's another example to illustrate singing high notes with the power of waist production. Singing high notes with the strength of the waist is equivalent to inflating a long balloon. If you pinch the lower part with your hand, the upper part of the training will swell up, as if the diaphragm has risen to the top and can't rise any more. We inflated the waist, and then the whole waist and the open ribs below contracted inward, and the chest protruded, just like holding a balloon with our hands, creating a strong upward airflow, which is exactly what we need to sing high notes. Fourth, close and cover before learning to sing, close when singing high notes! At that time, it was really "like falling in the clouds and fog." And this word is still used in China. Because I don't know the true meaning of closeness, I don't know how many tenors have been hurt and how many good voices have been ruined. My view on closing is: close the lower resonance box and open the upper resonance box. When we sing high notes, we need to resonate with our heads, so we should raise the soft cover. We open the upper lip to improve the soft cover, and at the same time we need to push the soft cover away with the strength of the waist. As for the word "Gai" used by some people in China today, I think it is better. It means that the treble should not be too white, but should be covered, just like a bowl covered with treble. I have asked many teachers to explain the approach problem, but I can't get the result. Then I went to Italy and asked a teacher. The answer is: we have never heard of this word in Italy. How to sing when "off" As for today, it is very wise for us to explain proximity by "covering up" instead of "approaching". When we sing high notes, the upper jaw is lifted, the flexible flap is lifted (yawned), and the air pressure is pushed up and gathered on it, forming a dome-shaped space like a church, which is to let the gas fill this space, so as to make a beautiful high note. If the top doesn't open and the air can't get up, where is the treble? So "covering up" also means that the sound is concentrated upwards. We can do another experiment to find this feeling: when we yawn, we will feel a chill feeling in the upper jaw (which we can't feel at ordinary times), that is, there is a space above, and the breath has entered. ■ If you want to be a real tenor, you must be able to sing at least a male tenor C (a female tenor A) at the first sound of getting up in the morning, and at least a male tenor F (a female tenor B) after the afternoon until you go to bed at night ... and it is best to be under 35 years old. Congratulations, you are ready to eat this bowl of rice. You can hold a cotton guitar in the corner of a bar or subway ... ■ If you don't have high notes, you can't eat the bowl of singing any more. Maybe you have a good psychological quality, think it's good to imitate pop songs, and make a living in bars ... I advise you to give up, because self-deception will never change the essence of strength, and circles are really difficult to mix. I advise you to make a living by strength. ■ Never practice throat sounds. You may have to practice your throat to achieve high notes. It's no use. Maybe you should refute it, but don't mislead others. You can find a man in China to practice his throat to achieve a high A, and I will reward you with 65,438+10,000 yuan-in fact, there is no such thing. Your throat practice is definitely not suitable for Asians. If you don't want to destroy your vocal cords, you will. ..... practice guttural sounds. As far as I can see, many people practice singing with illness-even losing their voices. But not many people practice high notes. The reason is that the method is incorrect. Many people take the initiative to practice it just by hearsay on the forum ... what is the result? ■ There is no difference between bel canto, nationality and popular singing. There is only one singing method, or vocal method: the sound vibrates and resonates at the hard cover, and the treble resonates between the hard cover and the nasal cavity. As for how you interpret your range, that's another story. You have to find your "four octaves" first. Some words for all friends who sing: ◆ Tenors are not born, as long as they are not born with serious vocal cord disability, anyone can sing tenors. ◆ If you use a method to practice high notes for more than one year, there is still no obvious effect, which proves that your practice method is wrong. No matter how you listen, the sound should resonate from the position of the hard skin. ◆ The high note of the fourth octave must be the effect of the resonance between the hard flap and the nasal cavity. You can't practice the high notes you want by shouting. ◆ The process of high-pitched practice is low-key and gentle. You should learn to practice softly and hum below F. These are the most effective auxiliary exercises. ◆ The main exercise is vocal music training for about 45 minutes after getting up every morning for 3-6 months. When singing high notes, diet often plays a key role. If you want to practice high notes that will never rebound in a short time, you must pay attention to your diet. Many foods can be absolutely effective, quickly cooperate with your short-term training and improve your range. Carbonated drinks are a stumbling block to your vocal range, and water is your best friend to practice high notes. Smoking and drinking have little or no effect on practicing high notes. If you think it has a great influence, it means that you are speaking in the wrong way. The skull structure of Asians and Europeans is different from other physiological conditions, so don't blindly learn their vocal methods, such as pharynx sound. But the natural conditions for Asians to sing high notes are definitely superior to them. The most obvious thing is that the nasal cavity can easily resonate with the hard cover (the so-called head cavity)-this is the only correct way to sing high notes. It's best not to practice high notes according to your own understanding, but to learn from the teacher. You know, what a good teacher teaches you is the synthesis of many previous experiences. You don't have to rely on your own understanding ability to ponder slowly, so as to avoid failure or even losing your voice. Singers' common danger signs: ◆ When the voice is high, it goes back and down. (It feels like imitation? Wait till you lose your voice! ) ◆ The vocal cords are not completely closed. I feel that I have closed my singing skills, but I am also complacent. (Let's wait until my voice is hoarse in a few years) ◆ Vocal nodules of different degrees. (Surgery can still be cured) ◆ Emphasize the role of the chest. (National singer? The stupidest baritone. ) The sound is low in the morning and high at night. (It is not a normal phenomenon, but a manifestation of incorrect pronunciation) ◆ Chronic pharyngitis. (The recording is OK, but not on the spot, which is why many singers lip-synch) ◆ Skip the teacher. Does your teacher have a high note? Can you set an example? ) Learn from each other. What are you discussing? There are only two ways to treble: pity the eunuch and falsetto male tenor.) The correct treble of a singer should be: ◆ The head cavity resonates and the pharynx controls the breath. (The nasal cavity resonates with the hard flap, such as Tom Chang and Wang Hongwei) ◆ It has little effect on alcohol and tobacco. ◆ Never rebound for life. ◆ The male voice is at least above the treble A, and the female voice is at least above the treble B. You can easily sing opera. (Not to mention the popularity) ◆ There is no difference between true and false sounds. (It all sounds real, such as Sun Nan) ◆ The high notes are powerful, penetrating and lasting. ◆ Male voice is closed at least in the treble part. C. Method of practicing treble: ◆ Practice naturally in the morning (mid-bass) ◆ Three auxiliary exercises are indispensable (softly, lip-synching, humming) ◆ Practice from bass first, and it is best not to practice treble from vowels. ◆ Practice the natural range, and then practice the unnatural range. ◆ Don't shout hard.