In fact, this craft is of great value and significance to both the inheritors and the audience. First of all, for Liu Jie, an old man from Huludao, the inheritor, this is what he and his father want to accomplish together. Because his father died of sudden illness in the process of creation, as a son, he should bear this responsibility and fulfill his father's wish, so he can complete this long-term thing without seeing any actual material benefits. I think it should be because of his father. After the old man finished this work, I think he can finally sigh. When I face my father's portrait again, I think he will feel relieved.

For our audience, first of all, we must have enjoyed a very beautiful work. In fact, we can understand that a painting can be painted by a painter or cut by a paper-cutting master, but it is difficult for us to understand how a painting is torn out by hand, so we can see this artistic creation once, which is a very valuable experience in our life.

Although everyone is talking about why we should inherit traditional art and what its value is, it can't bring us some material benefits. In fact, it is difficult for us modern people to understand its connotation. We can't seem to say anything but marvel at his beauty and the ingenuity of craftsmen.

But I want to say that a craft can be circulated for so long, so what is behind it is far more than the time and energy spent behind the craft, and it must have a deeper spiritual connotation. For example, The Riverside Scene at Qingming Festival was first painted by Zhang Zeduan, a writer in the Song Dynasty, and later experienced a re-creation by Liu Jie, so the connotation of this painting is definitely improved, and these improved things reflect some spiritual things in our modern society, which we modern people lack.