Before this exam, Peisi Chen trained the comedians in the group. He talked about the concept and source of comedy, and always talked about the techniques and performances of comedy. Apart from the ten-minute break, he trained for six hours in a row.
During these six hours, Peisi Chen Kan Kan on the stage talked with great interest, while the comedians under the stage listened with great interest. During this period, many people began to yawn and doze off, and they couldn't persist.
Is it because Peisi Chen's lectures are too old-fashioned to attract young people, or is it because young comedians don't know how to cherish this old comic bone?
There are many wrinkles in the corner of my eyes and my beard is white. This kind of Peisi Chen gives a serious lecture on comedy on the stage, and writes down various concepts on the whiteboard while speaking, so that students can understand.
In recent years, Peisi Chen not only performed comedies such as stage plays, but also set up training courses to teach and tell his own comedy theory and knowledge. This time, he turned the class to the procedure. Peisi Chen took pains to start from the source of comedy.
Let's talk about what comedy is first, and then how comedy comes from. He quoted classics to explain the origin of China's comedy. After a long chat, I also talked about various comedy techniques, such as challenging authority, such as misunderstanding and so on.
Due to the limited program time, Peisi Chen's six-hour narration cannot be presented one by one. However, judging from the clips released by the program, although it is worth listening to, it is not particularly novel.
Especially for these comedians who have worked for many years, some concepts and skills cannot be fully understood. In fact, what they want to hear more is practice, such as how Peisi Chen created and played classic works. In this regard, Peisi Chen rarely speaks.
Because of this dislocation, many students gradually lost interest in Peisi Chen's narrative process. At the same time, many people began to doze off and fight with their eyelids because of overwork and lack of sleep, which seems to be a great disrespect for Peisi Chen's teaching.
It was not until Peisi Chen realized that there were some problems in his way that he began to organize everyone to play games, and the classroom atmosphere became active. In the interaction and laughter, Peisi Chen combined his comedy theory with the practice just now, and the students all felt that they benefited a lot.
Of the three tutors, Peisi Chen is the least experienced. He commented on the performance of the new actor on the stage. Good is good, and bad is bad. He can't talk about scenes like Degang Guo and Ying Da, and he won't be in a daze. Most of the time, he just pointed out the other party's problems in script and performance and put forward suggestions for improvement.
Some people have collected Peisi Chen's commentary videos on the Internet, which is a rare and valuable experience and insight for comedians. Although there is no objective view, Peisi Chen's attitude towards comedy and artistic life is awesome.
Of course, besides being earnest, you can also see Peisi Chen's childlike innocence. When he smiled bitterly, it seemed that Chen Xiaoer, who had always opposed Zhu Shimao, was back.