If I don't know how to write without a clue, I will write some methods taught by the teacher.
1, animation lens is divided into fixed lens and moving lens.
Fixed lens is beneficial to show large and different scenes and truly record the movement speed and rhythm changes of the subject. Generally, the length is 7-8 seconds for panoramic view, 4-5 seconds for medium view, 2.5-3 seconds for close view and 0/~1.5 seconds for close view.
Motion shots are beneficial, including pushing, pulling, shaking, moving, following, rotating and synthesizing.
2. Pay attention to composition, perspective and scenery.
Note: the sub-lens should draw the angle and posture, the posture should be representative, the expression should be there, and the movement, position, angle and direction of entry and exit should be there. Draw the background map, the position of the character combination, white, night, foreground, ceiling and the structure of each object.
Comic picture composition should have the theme consciousness of observation, and three-quarters shot is a common form.
Symmetry and ensuring the unity of characters' orientation are the basic principles of film and television animation picture composition.
3. Montage: the combination of lens and lens.
The jump and connection modes of the lens include action connection, line-of-sight connection, sound connection, special effect connection (overlapping, flashing, fading in and out), drawing connection and empty mirror connection.
There is also a basic law of dynamic connection and static connection.
There are still some words that have not been typed. To sum up, all the important words have been written ~ With the change of lens and position, if the connection is reasonable, the split lens will look comfortable. By the way, the lens number, action tips, special effects, dialogue, sound effects, time and lighting should also be written on the split lens ~ usually watch more classic movies and cartoons and watch them several times, which will greatly improve. Draw hard ~