The second is that the force should be appropriate and not crushed to death. Crushing will "harden", dull and lack tension, which is not conducive to finger movement. If it is too loose, the sound may not be suppressed, or the sound may be unreal. It takes more practice to find the feeling.
The third point is "rhythm", not the rhythm of music, but the rhythm of the sliding track. At present, there are a lot of Meian's sliding sounds in the university. The sliding track is
Start → slightly faster in the middle
Moderate deceleration
Approaching the finish line: get up quickly
The sound of the whole process is similar to a U-shaped curve, which sounds better without losing its charm.
Slippery sounds like Guangling School are "rigid", mostly straight and straight, and the speed is basically the same when sliding.
This is the difference between different schools of techniques. No one is right or wrong. Personally, I prefer Meian.