1. First remember the first line "ぁぃぅぇぉ" in the pentatonic scale.
2. Then write "row, row, row, row, row, row, row, row" in the first column.
3. It is to substitute the first row into the first column one by one.
This process is a repetitive process, training the brain's reaction speed. Of course, when we finally remember 50 tones, the next Japanese tone is another big difficulty. Of course, we will find numbers such as ① and ② in textbooks or dictionaries. There must be a lot of people who still don't understand. Today, Japan Murakami will explain this to you, hoping to help you.
No matter how many syllables there are, at least one syllable starts from the bass, and the second beat doesn't fall until the end.
Type (1) means that no matter how many syllables there are in a word, at least one syllable starts from the high note, and the second beat begins to fall until it finally rises.
Type 2 means that in at least two syllables of a word, the second beat rises from the lowest pitch, the third beat falls, and it doesn't rise until the end.
Type 3 is at least three syllables, starting from the lowest sound, rising in the second beat, keeping in the third beat and falling in the fourth beat until the end.
Type (4) indicates at least four syllables, starting from the bass, rising in the second beat, keeping it until the fourth beat, and descending from the fifth beat to the last beat.
Type ⑤ has at least five syllables, rising from the lowest beat of the second beat to the fifth beat and falling from the sixth beat to the end.
Type ⑥ refers to at least six syllables, starting from the bass, the second beat rises and remains until the sixth beat, and the seventh beat falls until it is known.
By analogy, everyone should understand this law.
Xiao Murakami reminded that Japanese pronunciation has two characteristics: ① single peak, relatively light; ② The tones of the first two pseudonyms are opposite: if the first one is high, the second one is low; If the first one is low, the second one is high.
We should be able to find a pattern, from the second place in the I-type high-pitched exam to the end, and the rest are bass. The second beat rises to the beat of the voice core and then falls to the end, so it can be understood that the digital beat of the voice core is followed by a pseudonym, which is the position where the pronunciation drops.