Step two:
The background is beige, with a shading brush (ochre+Garcinia+a little eosin).
The front leaves are painted grass green, the back leaves, petioles and fruit stalks are painted juice green, the sand fruits are painted white, and the branches are painted ochre. The whole bird is painted orange (vermilion+gamboge).
Step 3:
Light ink stained leaves and branches. Flower blue is dyed into positive leaves, leaving a waterline for the main reinforcement. Young branches and leaves are dyed with light ink from both sides to the middle.
Shaguo is dyed with light ink red (eosin+ink). The pedicel of Amomum villosum is painted with light grass green.
Birds are dyed ochre red (Zhu Qing+ink+a little eosin). The bird's eyes are dyed light dark blue from the edge to the middle, and its mouth and claws are painted light ochre.
Step 4:
Positive leaves are dyed with cyanine, with slightly thicker roots and shallower tips. Then continue to dye with ink blue. The reverse leaves are dyed dark green as a whole, and then brightened with thin green from the tip to the root.
Branches continue to be dyed with China ink from both sides to the middle. When dyeing, pay attention to the light and shade changes of scar parts, and rub some stripes on the thick old trunk to strengthen the texture of the old trunk. The thinner shoots are covered with ink as a whole.
Shaguo continued to be dyed deeper dark red, and the fruit pedicle was painted with a shallow dark red edge waterline.
Birds continue to be dyed with ochre, with heavy ink for flight feathers, medium ink for tail feathers, medium ink for mouth roots and medium ink for eyes.
Step five:
Brush the whole picture twice with bronze (Zhu Qing+ink+a little gamboge+a little eosin) to reduce the color purity of the whole picture.
Shaguo slightly covered with light white dyed glossy surface, lightly inked fruit pedicle, and lightly rouge restored contour line. Mottled with ochre ink. When the fruit handle is painted slightly thick green, pay attention to the color and don't press the ink line.
The positive leaves are dyed with medium ink after waking up, and the dark parts are drained with gray green (three green+a little ink). The reverse leaf is dyed with light ink again, and then the petiole is dyed with green, and the local tip can be dyed with Zhu Qing. Subsequently, the petiole part was re-tied with faint rouge. All insect bites are dyed with ochre color, then with ochre ink color, and then with ochre ink color, with tiny spots. The buds are painted with three colors, and then with rouge.
The branches were painted flat with ochre, and the blurred lines were redrawn with China ink. Restore the buds with heavy ink.
The bird's back, flight feathers and tail feathers are made of light ink, the chest and neck are made of light ochre ink, then the bright part is made of light pink yellow silk, and the bright part of the lower abdomen and the edge of the bird's leg is made of light white silk. The bird's paws were painted with ochre ink to dye the scales. Jiao Mo, the finishing touch. Thick ink produces nose hair.
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