The composer was impressed by the female lovers' personality charm, and specially created a batch of national instrumental music accompanied by western bands for the female lovers, including Pipa Xing, which was based on Tang poetry, and Lu Mulian, which was based on Dunhuang murals and was mainly composed of percussion music, accompanied by piano, flute and chord bands. On May 1993, the orchestra held a special concert for Mo Fan, thanking him for his warm support and cooperation. Nearly half of the content of this piece, "Suiting Chinese and Western Elegances and Popular Styles", has become a reserved program in the group and spread in the society. It's been 20 years. At that time, most of the "Philharmonic Female" backbones have now retired, and some members have gone overseas for development. However, after hearing the call of the "helmsman", in order to relive the "Philharmonic Female Spirit" of popularizing elegant music for free, the "Philharmonic Female", including respected old artists and composers who had sincere cooperation with the "Philharmonic Female", was invited to Xiamen to talk about the burning years of passion.
On July 13, 2009, the "Lover Girls" who came to Xiamen from Beijing, New Zealand and Australia will join hands with the new generation of "Lover Girls" of Xiamen Philharmonic Orchestra, and perform erhu solos "Empty Mountain Birds" and "Waves on the Sand" and duet "Introduction and Violin" written with the sound of Henan pendant. Pipa drama based on the creation of Tang poetry, mainly percussion, accompanied by soprano chord band "Deer Mother Lotus" and other world famous songs. They once again sent a message to the younger generation with selfless dedication music, and continued to write a new movement to promote the spiritual civilization construction of the motherland. 1performed for 19 international insect congress in June, 1993; Performed in August to commemorate the 20th anniversary of the normalization of diplomatic relations between China and Japan. In June, the orchestra held a special concert for the opening ceremony of China's classical music works in the 20th century. In July, he also participated in the concert "Soul of the Olympics" held in the Great Hall of the People in support of the Olympic bid. Their performances have been welcomed by more and more audiences, and their influence is increasing day by day, almost becoming a well-known music group in Beijing and Tianjin.
1In the autumn of 1995, more than 50,000 women, sisters and friends from five continents 180 countries and regions with different colors and languages came to Beijing to participate in the' 95 Beijing NGO Women's Forum, an unprecedented global event in the 20th century.
On March 3 1996 and March 3 1 Sunday, the "Philharmonic Woman" Orchestra held a concert "China Organ Rhyme" for the centenary birthday of Liu Tianhua, an innovator of national music and a master of modern erhu school. At the meeting, after watching five excellent tracks played by Song Fei, a famous young erhu player at home and abroad, President Jiang Zemin spoke highly of the orchestra's exploration of the road of "combining Chinese and Western styles to suit both refined and popular tastes" and praised the orchestra: "Your efforts to promote our national art are in the right direction and have achieved good results."
1On August 5th, 996, the "Philharmonic Woman" Symphony Orchestra held its second symphony concert in Beijing. Zheng Xiaoying conducted and played the violin concerto Mang Harmony by Zhang Lida, a young female composer in China, Xu Zhenmin's symphonic fantasy Snow Plum Garden and Shostakovich's Ninth Symphony, which was very difficult. The wind part of this concert can be performed by mainland female musicians, which proves the progress of China female wind musicians.
1in March, 1997, Girls in Love held a concert for the publication of Friends of Women15th anniversary. In May, he performed for China Human Rights Development Foundation; Next, in the fund-raising activities for the Philharmonic Hope Primary School, I participated in the "Calling for Poets' Music Recitation", and successfully held voluntary performances with famous China performing artists such as Sun Daolin, Xu Songzi, Pu Cunxin, Qiao Zhen, Ding Jianhua and Yao Xijuan, which were warmly welcomed by the audience.
1In February, 1998, Women of China published Zheng Xiaoying's concluding introduction article, "A Review of Six Years' Cultivation of Philharmonic Women". 1At the beginning of 993, the Chamber Orchestra of the Philharmonic Women's Troupe accepted the task of the exchange project of the Ministry of Culture and toured Western Europe on behalf of China. Zheng Xiaoying carefully selected and rehearsed three sets of famous songs with national characteristics, which originated from China folk and ancient culture and were re-created. All of them are played by traditional Chinese instruments and accompanied by western bands, which can be said to absorb and integrate the advantages of ancient and modern Chinese and foreign music and eastern and western music. When performing in China, these tracks have a strong artistic appeal among the audience.
The first stop of the orchestra's visit is Germany, which is the hometown of symphony and chamber music and is known as the "hometown of music". Many musicians were born here. As the first touring music group in China, it has been eagerly concerned and welcomed by peers and audiences. German people generally have a high level of music literacy and appreciation, but most of the audience are still very unfamiliar with Chinese folk music. Therefore, whether the programs performed by western orchestras for Chinese musical instruments such as pipa, erhu and sanxian can be loved by German audiences has become a concern for everyone.
The orchestra's first performance was arranged at the World Cultural Center in Berlin. When Zhou Guangren, a famous pianist and professor of the Central Conservatory of Music, appeared unhurriedly and introduced the repertoire to the audience in fluent German, the audience immediately burst into exclamations, and people were attracted by her moving narrative. Then, Song Fei, a young erhu player in cheongsam, took the stage. Her repertoire is Liu Tianhua's Empty Mountain Birds. During the break, the chirping birds sounded over the theater, which immediately brought the audience into the dense forest and valley where birds were contending. Seinfeld, with his exquisite artistic skills and the sound played by erhu with only two strings, showed the colorful bird world in a superb way and brought the audience into the artistic realm full of oriental charm. At the end of the song, there was a flood of applause from the audience. When she returned, the music atmosphere created by her Russian music "Wild Bees Flying" also surprised the audience.
The China Chamber Music Concert premiered by "Philharmonic Woman" at the World Cultural Center in Berlin surprised the organizers. They didn't expect China to have such high-level music works, and these female musicians are so excellent. So the owners who accepted only one China music program asked them to play China's works in the next issue, "Don't miss a capital". The orchestra then performed in Holland, Paris and other places. Wherever the orchestra went, the audience was emotional, applauded for a long time, and repeatedly demanded to return, and refused to leave for a long time. When the actor left, the applause from the audience continued. He often waits patiently for the actor to take off his makeup, clap again and ask for an autograph to take a group photo. Everywhere I go, I am praised by my peers.
The chamber orchestra "Philharmonic Girl" spent 18 days and nights in three western European countries. Although the journey is more than 20 thousand miles, they feel that language barrier does not affect artistic exchange and friendship at all. With the perfect art form of combining Chinese and Western arts, they showed the elegant demeanour of China female musicians to the audience in eight cities in Germany, Holland and France, and also brought friendship to the people of China. It is wonderful music that transcends national boundaries and builds a bridge of friendship.