Three mountains and a sea of clouds are thousands of miles away, and ten sails are hung with smoke and water.
Wuzhong Road crosses Mohist home, and Jiangnan painting is like a house.
Reed buds have just worn green sand, and carp at the bow is blowing waves.
Wu Ji paddled into the city, and the drizzle gave birth to green yarn.
Singing nonstop, the river blew purple bamboo last month.
"Spring Breeze" is a partridge song, and the flowers fall and the warblers fly all over the city.
In the first two sentences of this poem, a large sum of money was spent to draw a picture of the sea of clouds in Xia Wei, with three mountains, thousands of rocks and valleys. In this vast painting landscape thousands of miles apart, Yifan hangs high in the misty rain. The word "hanging smoke and hanging water" vividly describes the trend of sailing through the wind and waves. The beauty of this poem lies in the description and narration of the scenery. "Three Mountains" also refers to Fuzhou City, which indicates the course of the ship and is associated with the title of the poem. It can be seen that this poem was written by the author when he went to Jiaxing, Yuan Shundi, until the Yuan Dynasty. At the beginning of this year, Sadulla left Beijing, and went to Fujian Minhai Road to be the governor of the anti-government cheap visit department. After leaving Beijing, she took a big ship and sailed south along the canal. The first two sentences are about this journey. Although these two sentences are vaguely written, judging from the terms such as "sea of clouds" and "smoke and water", there is inevitably a sense of vastness with a long way to go.
When the ship sailed into Jiaxing Waterway, the extraordinary charm of the picturesque Jiangnan water town conquered him, and his faint sadness was replaced by excitement. Northern literati have long yearned for the beautiful scenery in the south of the Yangtze River. I am honored to pass by Jiaxing today. "Wuzhong is a passer-by, and Jiangnan is like a house", which is free and easy. The poet calls himself a passer-by in Wuzhong, which also implies the regret that he can't swim in a hurry. Li Bai said in his poem, "Only the master can get drunk, and I don't know where a foreign land is." Sadulla's poem "Jiangnan Paintings Like Houses" shows the same feeling.
In the following four sentences, the author describes the scenery of Jiangnan water town in detail with the brushwork of poets and painters. "Reed buds just wear green sand" is reminiscent of Dongpo's poem "Reed buds are short all over the ground, just as the puffer fish wants to go up", and reed buds are unique to the river. "Bisha" means "the spring breeze is green in Jiang Nanan". Reed buds wear Bisha, which makes people feel the fluffy vitality that spring brings to nature.
"Carp blowing waves at the bow" is also a unique landscape of Chunjiang River. Dai Shulun's "Lanxi Acura" says: "Lanxi peach blossoms rain for three days, and carp come to the beach in the middle of the night." The poet stood at the bow of the boat, looking at the spring water, and the fish poured new water, flapping their fins and wagging their tails. How happy it is! If a painting only has landscapes and plants, it will be monotonous and less interesting, so the clever author added a few strokes and drew the style of "black chicken paddling into the city" This is not only the sketch of Jiang Xing, a poet and painter, but also suitable for the unique situation of Jiangnan water town. In the water network area around Jiaxing, we should punt out a few steps. This sentence is quite lively and adds a lot of poetry to the whole poem. "Spring Rain with Apricot Flowers in the South of the Yangtze River" is always inseparable from writing rain when writing about spring scenery in the south of the Yangtze River. Saduz wrote: "The drizzle is slightly cold, making a blue yarn." The rain is very fine, the cold is very small (light cold), and the misty river is like a green veil, tender as water. This kind of scenery constitutes the unique soft and warm artistic conception of Jiangnan water town. These four lines cut the south of the Yangtze River, cut the river and cut the spring, showing a beautiful picture of a spring outing in a water town with implicit brushwork, which is rich in local elegance and lyrical charm.
As night falls, the surrounding scenery fades away, and the bright moon shines alone on the river. At this time, the poet may feel a little lonely. "I sang" Mink "and" No One Continues ",sighing that there are few bosom friends. Where did the flute sound come from on the river ... This reminds people of boating on the Red Cliff on the eastern slope, "there are flute-playing guests", "Its sound is whining, like resentment, like weeping, lingering, dancing in the valley, weeping over the lonely wife. "The flute has caused many regrets in Dongpo's life. Does Sadulla feel the same way at this time? " Last month, the river blew purple bamboo, and the deeper the month, the cooler it was. I'm afraid it was also the feeling of the flute. At the end, the sentence "The spring breeze is a partridge, the flowers are falling and the birds are singing all over the city" is similar to Li Bai's poem "The Yu Di blows on the Yellow Crane Tower, and the plum blossoms fall in May in Jiangcheng", both of which arouse the poet's spiritual feelings by writing music. In a lonely boat, the poet imagined that Jiaxing City was already a late spring scenery with fallen flowers and birds singing and trees shaded. In this association, there seems to be a poet's sadness about the old spring and the passing of the New Year. And the music of "Partridge Poem" seems to make the poet feel that the ear is full of the cries of partridges, and its cry of "don't go too far" seems to be struggling to retain pedestrians! Here, the poet reveals his infinite attachment to Wuzhong water town without trace.