Lu Xun not only exposed the persecution of Xianglinsao by feudal forces, but also excavated the resistance factors in Xianglinsao. But her rebellious consciousness is hazy. For a long time, she was poisoned by feudal reactionary cultural thoughts, so Sister Xianglin instinctively regarded the code of conduct regulated by feudal culture as the basis and standard of her life, so her resistance was dominated by feudal thoughts. For the first time, she fled to Luzhen to make a living. This resistance to clan rights and husband rights is justified. But she doesn't understand that this is her right to live. The only purpose of her escape was to escape the abuse of her mother-in-law. Finally, it was robbed by her mother-in-law and sold. When she was forced to remarry, she also tried to resist, but this was a kind of persistence in "lifelong loyalty" and a foolish loyalty to the feudal concept of chastity. Finally, when she died, she bowed to whether there was a soul hell, which showed that she had doubts about feudal theocracy, but her thoughts were superstitious. Xianglinsao's series of struggles and resistance are unconscious, and her strength is weak and pale. She was finally killed by the deep-rooted feudal network. Although Xianglinsao's final death is not unrelated to her ignorance and weakness, it is rooted in the cannibalism system under the feudal system.

Compared with Shan Sisao and Xianglinsao, the love aunt in Divorce is the most rebellious rural female image in Lu Xun's female novels. Iago married Shi Jia when she was fifteen. After marriage, her husband had another lover and wanted to leave her. In order not to be abandoned by her husband, she made a scene, not divorce, but not divorce. She denounced her husband as a "little beast" and her father-in-law as an "old beast" in front of everyone. This bold, provocative and indomitable character and the struggle for the right to use are fierce and full of gunpowder. "How many times, said how many times, always don't fall in the wind. Finally, under the "mediation" of seven people, menstruation's unwilling divorce finally ended.

Faced with the huge and solid feudal forces, the restless Fish Love Valley can only splash a few splashes in the pool, and finally it can't get rid of the fate of being eaten. She wants to break through the powerful feudal network woven for thousands of years by herself, which can only be wishful thinking. When she realized this, she sadly pinned her hopes on those seven people, thinking that he would uphold justice for her. The maintenance of feudal order and interests was manipulated by seven people. This naive idea and behavior of loving menstruation can only swallow the bitter fruit of failure in the end. Subconsciously, Aigu thinks that being divorced by her husband is a "disgraceful" event. In feudal society, there was only divorce, which was considered the most shameful thing by people, especially women. The status of divorced people is even worse than that of widows. To this end, Aigu resisted and wanted to get back a "statement." Ai Gu's behavior shows that her soul is still firmly ruled by the concept of "one-sided" in feudal ethics. From this point of view, although her resistance is fierce, its significance is limited.

Four sisters-in-law, Xianglin sister-in-law and Aigu, the typical images of rural women in feudal society, have been deeply poisoned by feudal thoughts, burdened with heavier mental pressure and their souls have been enslaved and distorted more seriously in the long and dark course of thousands of years. The author Lu Xun showed more concern and sympathy for them, but also showed infinite sadness and anger.