1, a series of studies on "media culture" from 2002 to 2007: The article "Television Communication and National Security" in 2003 opened an earlier theoretical study on media soft power in China. This issue has 16 papers and monograph 1 paper.
2. During 20/200712, a series of studies on "symbol communication theory" were carried out, including borrowing communication mode, joint communication mode, partial communication whole mode, selective communication mode, systematic cooperation communication mode and isomorphic hegemonic communication mode. There are 29 papers in this issue. Works 1.
3. 2011-Today's series of research on "group communication": paying attention to the new communication phenomenon and new pattern caused by the diversification of communication subjects in the new media era, the research on new media has shifted from the tool angle to the subject angle. Seven papers have been published.
At present, the national scientific research projects in charge include the National Social Science Fund Art Project 20 13: Cultural Communication Theory (ProjectNo. 13BA009). The provincial and ministerial scientific research projects completed in recent years mainly include the Communication Mechanism of Symbol of China supported by the Ministry of Education in the new century (project number: 09JHQ039), the Theory of Symbol Communication (project number: 09JHQ039) funded by the Ministry of Education in the later period, and the key project of the State Administration of Radio, Film and Television (project number: GD09032) with the number: 2 165438.
In recent years (since 2002), he has published more than 50 papers in Journalism and Communication Research, Journalism University, Modern Communication, International Journalism, Social Science, Journal of Peking University, Journal of China Renmin University, Journal of Beijing Normal University, Journal of Tsinghua University, People's Daily and Guangming Daily. Repeatedly reprinted by Xinhua Digest and other full texts.
He has visited many foreign universities for meetings, participated in international forums and delivered speeches. In recent years, he has given lectures to many central media, central enterprises and dozens of local media and enterprises.
Papers and monographs have won many awards, among which "The Art of Media Change" won the first prize in 2009, the first prize in the theoretical category of TV papers in the Starlight Award, the first prize in the theoretical category of the fifth China Golden Eagle TV Art Festival in 2004, and the first prize in the school-level scientific research of China Communication University 20 12. International Crisis Communication, co-edited, won the first prize of applied theory in the 8th National Radio and Television Academic Works Award on 20 13.
★ Currently hosted national scientific research projects:
1.20 13 National Social Science Foundation Art Project: Cultural Communication Theory (ProjectNo.: 13BA009).
★ Provincial and ministerial scientific research projects completed in recent years:
1.In 2009, the Ministry of Education supported the project "National Symbol Dissemination Mechanism symbolizing China" (project number NCET-09-0706).
2. In 2009, the Ministry of Education later funded the project "Theory and Practice of Symbol Communication" (ProjectNo. 09JHQ039).
3. In 2009, the State Administration of Radio, Film and Television's ministerial-level social science research key project "Research on the role of radio and television in enhancing national soft power" (project number GD09032).
★ Papers published in recent years (since 2002):
57. Fragmented presentation and dissemination of corporate image, published in Journalism University, No.5, 20 13. 14 thousand words.
56. On the Complexity of Political Communication in the Age of Group Communication and Its Emotional Perspective, Social Science, No.9, 20 13.
55. Symbol construction rules and communication strategies of corporate image, published in News and Communication Research No.5, 20 13.
54. The rich representation of signifier and the promotion of new media were published in Modern Communication, No.6, 20 13.
53. Information Choice and Tendency in Internet Group Communication, published in editorial friend No.6, 20 13.
52. On the Communication Characteristics of Internet Groups from the Perspective of Chaos Theory, published in Academic World No.2, 20 13. 14 thousand words.
5 1. On the Group Communication and Game of Rational and Irrational Emotions in the Diaoyu Islands Incident, published in Contemporary Communication No.2, 20 13. Nine thousand words.
50. On the socialized communication of personal emotions in the era of group communication, published in Modern CommunicationNo. 12, 20 12. The full text is reproduced in Xinhua Digest No.7 20 13. 14 thousand words.
49. The evolution of the social functions of radio and television in China was published in Today's Media No.5, 20 13.
48. On the Third Party Effect in Group Communication, published in Journalism University, No.5, 20 12. Nine thousand words.
47. On the Coming of the Age of Group Communication, published in Journal of Peking University, No.5, 20 12. 17 thousand words.
46. Spreading Classic Culture to Enhance National Influence, published in Editorial Journal No.6, 20 12.
45. The international spread of strong symbols is an effective way for culture to go abroad, published in Contemporary Communication No.5, 20 12. Seven thousand words.
44. Showing the Charm of Interpersonal Communication in the Statute of Mass Communication —— Grasping TV Talk Show from the Form of Communication, China TV No.5, 20 12. Seven thousand five hundred words.
43. "News Spokesman Should Give Full Play to the Advantages of Interpersonal Communication", published in Journalist No.4, 20 12.
42. Looking at the Spreading Risk from the Spreading Mechanism of Rumors and Rumors was published in Journalism University,No. 1 issue, 20 12. Reprinted in Xinhua DigestNo. 15, No.20 12. 14 thousand words.
4 1. See the New Historicism Tendency of Documentary from the "Planning" of Daming Palace, in China TV 20 12 No.3. Nine thousand two hundred words.
40. Advantages and Functions of TV Live Broadcasting in Building Soft Power in Reporting Major Events, published in Editorial Journal, No.2, 20 12. 6,400 words.
39. The soft power function of international communication and the diplomatic function of media were published in Contemporary CommunicationNo. 1 No.20 12. Five thousand four hundred words.
38. Say No to Vulgarization and Falsification of Interview Programs —— One of the three scholars interviewed, published in Guangming Daily on August 8, 2065438+01+65438. Five thousand words.
37. The Soft Power of National Culture was published in Guangming Daily 201kloc-0/65438+February 13. Three thousand words.
36. Symbolic value created by "isomorphism" promotes exchange value, published in Modern Communication, No.4, 20 12. Eight thousand five hundred words.
35. On the unique regulations of isomorphism on culture, published in Modern NewsletterNo. 1 12, 2065438.
34. The source and explanation of "isomorphism" was published in the 7th issue of Modern Newsletter, 20 1 1.
33. Semiotic interpretation of TV authenticity, published in Modern CommunicationNo. 10, No.20 10.
32. An analysis of China's film and television culture security under the trade deficit, published in Modern Communication, No.6, 20 10. First author.
3 1. An Analysis of the Mechanism of Media Speaking of the World from the Perspective of Semiotics, International Press, No.2, 20 10. (10000 words)
30. Equivalent Correspondence between Implied Meaning and Metaphor —— One of the Deep Mechanisms of Symbol Communication Meaning, published in Journalism University, Spring 20 10. (12000 words)
29. Correspondence and collusion between metalanguage and metonymy-one of the deep mechanisms of the meaning of symbol communication, published in Journalism and Communication Research,No. 1 20 10. (1. 1 ten thousand words)
28. Analyzing the socialization of symbols from the evolution of the relationship between signifier and signified, published in the sixth issue of Modern Communication in 2009. (9000 words)
27. The Media Bias and Communication Ideal of Elite Art and Popular Culture was published in the third issue of Journalism and Communication Research in 2009. (06000 words) reprinted in Xinhua Digest,No. 19, 2009.
26. Development characteristics and modes of European and American food festivals, China TV,No. 10, 2009. (07000 words), the first author.
25. The historical background of cultural and creative industries and the development trend of China film and television, included in Seeking Difference and Convergence-Subjective Pursuit and Modernity Construction of China Film and Television Culture, Southwest Normal University Press, 2008. (08000 words)
24. The historical background and deep connotation of cultural and creative industries were published in Theoretical Frontier,No. 19, 2008. (08000 words)
23. On the Meaning Transfer of Implied Items, published in International Press, No.7, 2008. (08000 words)
22. The Mechanism of Symbol Dissemination Meaning-A Deep Interpretation of Naturalization and Universalization, published in Journalism and Communication Research, No.3, 2008. (13000 words)
2 1. Media changes art, published in the 6th issue of Modern Newsletter in 2007. Reprinted in Xinhua Digest, No.9, 2008. In 2008, he won the second prize of the 10th National Radio and Television Academic Paper. In 2008, he won the second prize of theoretical thesis in the 7th China Golden Eagle TV Art Festival. Won the first theoretical prize of the first Star TV Paper Award. (1. 1 ten thousand words)
20. The Trick of Symbol Communication, the second series of TV Science, Communication University of China Press, September 2008. (50,000 words)
19. Media perspective of art research, published in the second series of TV Science of Communication University of China Press, September 2008. (2 1000 words)
18. Postmodernism: Cultural Orientation of the Spring Festival Evening on the Internet, Contemporary TV, No.2, 2006. Won the third prize of theoretical paper in the 6th China Golden Eagle TV Art Festival.
17. Television Communication and National Security, Social Science, No.9, 2003. Reprinted in the third issue of Xinhua Digest in 2004. In 2004, he won the first prize of theoretical thesis in the 5th China Golden Eagle TV Art Festival. (1. 1 ten thousand words)
16. Interpretation of TV popular culture, Journal of Tsinghua University, No.6, 2003. (1. 1 ten thousand words)
15. "Multiple and complicated ideology of contemporary China TV culture" was published in Journal of China Renmin University, No.5, 2002, and reprinted in Cultural Studies, No.0/2003. (12000 words)
14. The division and evolution of contemporary China's cultural forms was published in Journal of Peking University, No.4, 2002, and reprinted in Xinhua Digest, No.0/12002 and Literary Theory, No.012002. (1. 1 ten thousand words)
13. Semantic analysis of popular culture, Journal of East China Normal University, No.6, 2002. (06000 words)
12. the phenomenon of "trade deficit" and the consciousness of China's TV culture, in Contemporary TV,No. 1 1 2002. (06000 words)
1 1. Discrimination between Chinese and Western popular cultures, published in Journal of Institute of International Relations, No.5, 2002, and reprinted in Literary Theory, No.1 1, 2003. (5500 words)
10. Postmodern representation of TV pop culture was published in Journal of Sichuan Normal University, No.6, 2002, and reprinted by Film and Television Art, No.6, 2002 .. (06000 words)
9. Interdisciplinary existence of TV culture and its research perspective, published in Journal of Shanxi Normal University, No.4, 2002, reprinted in News and Communication, No.6, 2002. (08000 words)
8. On the Popular Cultural Characteristics of Contemporary TV, published in the 6th issue of Contemporary TV in 2002 and reprinted in the 4th issue of News and Communication in 2002. (06000 words)
7. Mass Cultural Representation of Contemporary TV Culture, Journal of Inner Mongolia University, No.5, 2002. (06000 words)
6. Cultural "Trade Deficit" in Cross-border Communication and China TV Cultural Consciousness, Journal of Institute of International Relations, No.3, 2002, reprinted in News and Communication, No.3, 2002. (1. 1 ten thousand words)
5. TV culture's imagination of history was published in China TV,No. 1 in 2002, and reprinted in Cultural Studies, No.4 in 2002. (9000 words)
4. TV Popular Culture: From Emotional Reality to Emotional Planning, published in China TV (12, 2002). (5000 words)
3. Cross-cultural communication under the background of globalization, Cultural Studies,No. 1 2002. (08000 words)
2. The transformation of the perspective of TV popular culture research, Film and Television Art,No. 1, 2002.
1. The image of Princess Wencheng in the integration of elite culture and popular culture, in Collection of Princess Wencheng, China Tibetan Studies Press, 2002.
★ Co-editor:
1. International Crisis Communication, Communication University of China Press, 20 1 1 Edition. 286 thousand words. 20 13 the eighth national radio and television academic works award won the first prize in the category of applied theory.
★ Monograph:
1. Contemporary China TV Culture Model, Peking University Publishing House, 2004. In 2004, he was awarded the Excellent Academic Works Award by the Film and Television Society of China University. In 2006, he won the second prize of outstanding scientific research achievements of China Communication University.