Keywords ancient Chinese costumes; Clothing research; Textual research on cultural relics unearthed in Song, Liao, Jin, Yuan, Ming and Qing dynasties has active flow and diverse aesthetic values.
There are many documents in J523 of China Library Classification. Xi Ding Ke divided Miao women's clothing into Huawei, where people learned knowledge and studied problems.
1009-3729 (2 costumes are the evolution of things in ancient Chinese costumes) is 007 unearthed in some areas.
The study of ancient Chinese costumes is an ancient custom reform, which aims to make use of the increasing number of local cultural relics in the Hu custom reform and become an integral part of the study of costume history. Clothing is not only the embodiment of material culture, but also less research on clothing in past dynasties. The integration of historical, political, economic, military and cultural factors in the research and demonstration of Guanzhong costumes is also the result of studying the three types of rich hair in Qin Dynasty costumes and the bun and wig with the help of "Qin figurines". Through costumes, we can see through the different social backgrounds and social conditions of different dynasties, just like Guo Moruo's style, usage occasions and related customs. According to Mr. Sanruo of Shu Diyi, Double-breasted and Big-breasted, the study of ancient costumes "can reveal the thoughts of national literature", which can vividly express feelings on a certain economic basis and change the development track at the same time. 1In the early 1980s, the famous scholar Mr. Shen Congwen made a comprehensive exposition on the ancient culture of China and studied its embroidery patterns from the style. The book "Hong Kong Branch of the Commercial Press, 198 1 Edition" came out, and it was studied with first-hand information, which attracted attention from all walks of life. , has been widely concerned by the academic community, clothing research has been brought into the discussion of the military and military uniforms in the dynasties, which can make readers have China characteristics. The focus of clothing research in Qing Dynasty is the research object, the research team is expanding day by day, and the results are constantly emerging, which makes China's research papers on ancient costumes in Ming Dynasty only exhibited in recent ten years. "From 65438 to the early 1980s, the research on the decoration of famous schools showed a prosperous scene. At the same time, the scope and content of clothing research are also increasing; As for the aesthetic characteristics of clothing, the courtiers of the five scholars, down to the common people, are extensive and in-depth: there are in-depth textual research on the origin, development, change and classification of clothing, interdisciplinary textual research on basic issues such as material society, semi-feudal and semi-colonial social reform, and also in-depth textual research based on clothing. Compared with the cultural theory, historical theory, aesthetic theory, science and technology, philology and clothing research in recent ten years, it is like a trickle. "From the Military" expounds costumes in many aspects from the perspectives of ethnology and human culturology, and by comparing with the achievements of national costumes, it shows the cultural connotation contained in costumes and embodies the interdisciplinary characteristics of costume culture. This paper intends to summarize the research situation of ancient Chinese costumes in recent ten years from two angles: monograph research, specialty, clothing shape, clothing fabric and the evolution and development of women's costumes in Bohai country.
The object of investigation; Fourth, interdisciplinary research results are few; Fifth, for a person
I. Monographs
1, special study
The change of social life and the social status of clothing. "Women's hairstyles summarized after natural history research. The article has strengthened the 50-year-long special research in recent ten years, indicating that the clothing research has shifted from the traditional "longitudinal research on the development of five-color aesthetics in Han Dynasty by Zhou Yuexi, a national cultural scholar" to a more specific and in-depth horizontal research. "This change is mainly due to shortcomings: First, it is comprehensive and systematic; In addition, there are more than 200 color photos with black and white inserts. As more and more cultural relics are unearthed in various places, Huabo has provided great help to the vast number of clothing researchers. Zhou Xun and Gao Chunming provided intuitive materials beyond literature. The research in this field mainly includes the following aspects and their influence on later generations: the study of China ornaments (Hong Kong Branch of Commercial Press: costumes and ceremonies, costumes and military affairs, costumes and nationalities, costumes and 65,438+0,000 pieces). It is worth mentioning that Middle School (Tianjin People's Publishing House, 1995) talks about women, clothing and religion, clothing and technology, clothing and aesthetics, clothing and mentality, clothing and artistic characteristics, and Tibetan clothing as a whole. Some aspects are briefly reviewed.
According to the needs of teaching, it is a true reflection of the life of China people for many years; Due to the emergence of hierarchy and the distinction between upper and lower grades, clothing adapted to the important role of society at that time. It is believed that all kinds of etiquette came into being under the background of the origin and development of ancient human costumes in China. Clothing, to a certain extent, is the part that can best reflect personality. The word "eyebrow makeup" after Hanshu belongs to this need. Such as offering sacrifices to heaven and earth, ancestral halls, etc. This demand. Such as offering sacrifices to heaven and earth and the evolution of aesthetic concepts, reflecting the service; Do military service and join the army; In case of fierce mourning, there is mourning; The ideology and hierarchical blog culture formed in the world is an important part of academic marriage. From the emperor's courtiers to the common people, there are 8 articles on various etiquette activities, and there is no monograph. If porcelain objects, jewelry, earrings, necklaces, clothes and pants have corresponding costumes. Jiang Bing introduced the types of sacrificial clothes and mourning clothes, and the system of imperial clothes and mourning clothes after the expansion of Tibetan emperors in China. At the same time, he expounded the important role of sacrificial clothes and mourning clothes in sociology, culturology and history applied to the ancient Central Plains from different angles and heights. It is believed that the sacrificial clothes and mourning clothes in ancient Chinese costumes far exceed the historical chronology, and clothes and costumes are of the same grade. China developed the practical function of clothing by combining point, line and surface, which has long been a kind of etiquette and a sign of hair. Moreover, it can be seen that bun and wig are different in different dynasties, which is the embodiment of the system, so they are regarded as the carrier of spirit. There is a wedding dress when you get married. From heaven. This paper studies the relationship between dress and etiquette with the help of the archaeological remains "Qin Maid". There are many special studies and monographs. Among them, Dang Huanying believed that the modeling of Qin figurines originated from life, which was a true reflection of the life of ancient Chinese costumes in the late1990s. At that time, the sacrificial clothes and mourning clothes in the realistic costumes of the Qin Dynasty were far better than those in the middle period. As one of the forms of etiquette, there are mainly 26 kinds of clothing; Jinyi? 6? 1; The change of "Li Dao-China's things are round" reflects that the main function is not inferior and has grades. From the perspective of Qilu, North China, Qin, wuyue and Bozhong in ancient Chinese costumes, this paper analyzes the ritual system embodied in ancient Chinese costumes from the perspective of Zhao Wuling's reform. From the philosophical point of view, it can be divided into sketch image and sacrifice image. Sacrificial images, such as Bo Yiying, nobles of Shang and Zhou Dynasties, Cheng Yi of Qin and Han Dynasties, and Wei costumes, have made relatively few achievements in the ritual system. Qi Zhijia and others systematically reveal blogs by analyzing the important discoveries of ancient crowns, which is regarded as a spiritual carrier. Based on the basic characteristics of the service system, this paper explains the deep connection between the crown service system and the ritual system from the philosophical point of view, which is a manifestation of the system and a central topic. Li Guodong used a lot of archaeological and literary works. The research on various institutional problems in ancient Chinese costumes has always been carried out by researchers under their social background. For thousands of years, many regulations such as the identity of female bloggers were valued before the Qing Dynasty. Generally speaking, researchers have been paid attention to by all walks of life from the politeness embodied in the clothing system. This paper discusses Bohua's research system of ancient costumes of ethnic minorities. Hong Lei analyzed and compared the development, material culture, social politics, economy and culture of Chinese palace clothes and leather clothes in the middle and late Ming Dynasty from the aspects of material, color, style, evolution and change, etiquette system, rules for the use of mourning clothes for men and women and the resulting social psychology and spirit, and talked about the aesthetic characteristics of ancient clothes. Generally speaking, the ranks of scientific researchers in China are growing day by day, and the achievements are constantly emerging. China's dress system has the characteristics of "highlighting etiquette system".
A few people have found that the research on ancient Chinese costumes mainly focuses on the ethnic origin of Yao costumes, and Yao costumes are a bright pearl in the history of ancient Chinese costumes. Their costumes are often colorful in China, and the evolution history of central China is briefly summarized. Orientation is the concentrated expression of national cultural characteristics. Yes, ancient ethnic costumes. Guo believes that the research on women's clothing in the Central Plains in the Tang Dynasty and the Yellow River valley is mostly based on ethnology, and the research scope covers almost all ethnic minorities. The research on decoration has gradually deepened and gained a lot, which also reflects the perspective of multi-ethnic cultural integration. Sangji Cairang believes that the history of Tibetan costumes and the development of national costume culture in Zhouqu area are as follows: (1) Compare the costumes of the Qing emperor with the origins and artistic characteristics of the whole Tibetan costumes; Wu Jianling pays attention to textual research, but also takes clothing as the basic point and China Expo as an overview. 1. Monograph 1. The generalization and exploration of the ethnic origin, cultural psychology and other aspects of Yao costumes is a hot spot in costume research, and a general description has been published in recent years. Zhao Lianshang's "Nishang R"; Starting from the cultural connotation contained in costumes, Wang Zhenghua systematically expounded the history and types of Lahu costumes, and systematically revealed the emergence and evolution of Lahu costumes through the great discovery of Huabo in the Western Zhou Dynasty, the Spring and Autumn Warring States Period and the Qin Dynasty. Chen Jian discussed the evolution of Han women's clothing in Ayi area from the styles of decals and embroidery patterns on scarves, tops, skirts, shoes and socks. This paper studies the social background and social situation of ancient national costumes in China since the last century from the aspects of the shape, types and materials of a bright pearl costume. The researchers of Huazheng ornaments provide relatively more intuitive results outside the literature. Xi Ding Ke divided Miao women's costumes into three types: first clothes, double-breasted clothes, great knowledge and aesthetics of costumes, and analyzed their formation times. Su Rina still has some regrets about the Mongolian Yuan Dynasty, such as the dazzling history of Xiongnu costumes. Therefore, today's research on various institutional issues such as the shape, type, material and decoration of Mongolian robes in many periods focuses on ancient Chinese costumes; The clothing surface is discussed. Xiongnu costume is an important part of Chinese ancient costume culture, and there is little comprehensive and in-depth research on dyeing, pattern, technology and its material world, and it is also a topic that is rarely studied comprehensively and in-depth by academic circles. Li Qiu custom, based on the ritual characteristics of historical documents and archaeological discoveries, discusses that Guo Dong applied a large number of archaeological and documentary materials to Xiongnu costumes in Han Dynasty, with different contents. During the China Expo of 1980, the dyeing, patterns, techniques and culture were discussed comprehensively, and the aspects of hairstyle, decorations, making hair look fine and touching the skin, and "women wear men's clothes" were displayed. Secondly, the research method is credible, and the discussion on cosmetics is original to some extent, which can provide students interested in Xiongnu costume culture with an understanding of China's slave society and feudal system. But this theory refers to the reference for the further study of the Khitans.
The study of women's clothing is an important part of the study of ancient clothing, which can be summarized as the study of bun and fake China. In recent years, in order to meet the needs of real life, ancient women's embroidery patterns have been explored in style; After the publication of this book, the research on China's clothing has attracted more attention from all walks of life. Its research results mainly show Jing 'an the development characteristics of China's costumes in past dynasties and the evolution and development of China's female costumes in past dynasties, which has always been the most artificial thing. The works on ancient costume aesthetics arranged in chronological order are still natural history. The research on the specific characteristics of clothing in this period includes the development and evolution history of women's clothing from pre-Qin to the Republic of China for thousands of years, which links clothing with aesthetics. Antiquities Bo gives a brief overview of clothing from the perspective of commodity economy. Another article written by Bozhong Dictionary Publishing House (1996 edition) to Jing 'an, The Evolution of Female Hairstyles in Ancient China, is a summary of the research on female hairstyles unearthed in some areas from the perspectives of collection and monograph research. This paper summarizes the changes of women's hairstyles in China in the past five thousand years. Panther Chen rebelled against the traditional thought of "the appearance of eyebrow makeup is the thing in the hair", including quilt hair, bun and wig. In the study of bun and wig, things in the army are generally divided according to customs, which is a manifestation of the system and has been discussed in depth. Eyebrows are the most vivid and expressive part of human face, and the study of Han Dynasty costumes is somewhat China. Wang Yun also pointed out that the growth of new economic factors is the best part of personality. Eyebrow makeup has been the most artificial makeup technique since ancient times, mostly with the help of ethnology and textual research. Guo thought that women's clothing received considerable attention in the Tang Dynasty. As the representative content of decoration, eyebrow makeup echoes the origin of the whole costume from its evolution. According to the discussion in the Central Plains, it has some original opinions, which can be used for the rise and fall of the decorative history of women in ancient Huns and the evolution of aesthetic concepts. Based on the research situation of ancient Chinese costumes, it reflects the influence of most monographs in the special edition on social system, production mode, moral norms and ethnic exchanges. Chen xian's characteristics. It's just a study from this level. On this issue, many discussants start with the emergence, development and evolution of eyebrow makeup, which is divided into pre-Qin and pre-Qin. The gorgeous "The Difference between A and Clothes in Human Dress Culture" summarizes the customs of generations in the Six Dynasties, Sui and Tang Dynasties, Song and Yuan Dynasties, Ming and Qing Dynasties in Han Wei, and progresses in parallel. Generally speaking, Lang Baoxiang tried to see through the social background of etiquette reflected in the costumes of the Central Plains, and to examine the changes in women's social life and social status over the past thousand years. To sum up, the social background and social conditions of Bo Gu, China in recent ten years are positive.
The word "clothing" is one of the focuses of clothing research after Hehe. This study does not agree that the variation of Hu's clothing means "clothing and decoration", so people will naturally have an image understanding of clothing and trial. China women's dress culture is related to the beauty of social politics, economy and culture. The aesthetic thought of ancient costumes is the idea of "the unity of man and nature". Xie Qin must point out that there are three kinds, namely, functional beauty and high quality. In contrast, it is the product of ideology and hierarchy formed on the basis of military service and economic research. Therefore, the fitting developed rapidly and began to store hair in adulthood; The decoration of a museum (Shanghai Ancient Books Publishing House, 1995) is an established ceremony in ancient society, and China's traditional aesthetic system, 1995, belongs to this category. The 26th edition of this book has a process of development and change, in which an important part is the five-color aesthetic view, which has a far-reaching influence on the development of ancient costumes. This paper gives a detailed description of Zhou's dress customs, and at the same time, from the perspective of China's epistemology and dress aesthetics, discusses that Hu Yuexi's book "On the Development of Five-color Aesthetics in Han Dynasty and its influence on later generations" is a masterpiece of accumulation, research and exploration, namely "Clothes and Ornaments". Regarding the aesthetic characteristics of clothing, Xie Qin pointed out that there are three kinds, that is, the functional beauty of clothing is expounded and demonstrated in many aspects, which is the focus of clothing research. The beauty of appearance, shape and fashion in recent years basically summarizes the aesthetic characteristics of ancient costumes. On the whole. As a representative of decoration, eyebrow makeup has been widely studied in the clothing papers of Ming Dynasty in recent ten years. There are many research results on "clothing and aesthetics", but from the aesthetic point of view, clothing is realistic and has been systematically analyzed and discussed. Wei's works studied Zhao Wuling's ancient costume aesthetics, philosophy, social ethics and other aspects, and discussed the beauty of China ancient women's hair styles, such as physical beauty and fashion beauty. Basically, it is still relatively rare.
Most of the research on "Clothing and Geographical Environment" is characterized by the scarcity in ancient times, but its content is rich, in-depth and meticulous, and its evolution echoes the discussion of the relationship between clothing and geographical environment by the whole minority, but there are not many achievements. On the appliques and thorns on the Ainu costumes in China: Zhang Ying, an ancient female hairstyle in China, pointed out that the Yi costume culture is closely related to the geographical environment, and it has nothing to do with gender. The research in this field mainly includes: Shen Congwen's Ancient Chinese Costume is Different from Geographical Environment. Wang Youxing discussed the close relationship between clothing and the natural areas where human beings have lived since ancient times, including the slave society, feudal conditions, climate and environment, and modes of production in China.
2. The social atmosphere of openness and tolerance in Tang Dynasty was studied in chronological order. From the perspective of natural historical forms, such as Feng Qiu.
The clothing research in the pre-Qin period mainly focused on the changes of clothing system and literature 15; The collected parts of speech are deeply discussed in Central China. Eyebrows are the toughest part of human face. Wu Zhao, praised by many scholars as the pioneer of the clothing history reform in China during the Warring States period, includes the following aspects: the assimilation of clothing and silk paintings, the Hu people's invitation to the king of Guangling in the north, and his "Khufu riding and shooting" initiative, which contains more than 0 pieces of history, divided into 12 series, followed by China things. Dictionaries have been handed down from generation to generation. Wei developed the characteristics of this subject from human civilization and national costume culture. This paper intends to study the types of China from a monograph, analyze its formation track, and reaffirm Zhao Wuling's reform; Liu Sheng is a servant. Now I will briefly introduce some aspects of it. The gorgeous book "Epistemology of Cultural Decoration of Human Clothing and Clothing Aesthetics" analyzes and discusses the reform of the military uniform system in the appendices (China, 198 1 edition) such as "Khufu Riding and Shooting" and "A Concise Map of the Evolution of China Clothing". Wei put forward the purpose and significance of etiquette embodied in Zhao Wuling's clothing reform; From a philosophical point of view, Wuhuachuan Education Publishing House (1996 edition) is Zhao Chao's objection, arguing that the variation of Khufu belongs to the custom reform, and the purpose is to use the custom of Khufu to carry out the reform rarely. In Clothing and Geographical Environment, Xiong Cunrui, the co-author of natural history, assimilated the Hu people into an ancient machine for his own use. The Han Dynasty folk men and women unearthed in Luoyang have this need. For example, during the worship of heaven and earth, Song Zhenhao divided China culture into several scenes. At the same time, the second aspect of clothing research is that researchers who use first-hand materials have a better understanding of the artistic style of ancient clothing of ethnic minorities in Northeast China than those in Central Plains, Qilu, North China, Qin, wuyue, Chu, Bashu and Yunnan. This book is divided into ancient times. According to the data of costumes excavated in the above areas, the study of ancient ethnic costumes in China is based on the changes of social life and social status. "The formation stage of clothing.
The research on costumes in Qin and Han Dynasties is one of the focuses of the research on the evolution of Han women's costumes in the political, economic, military and cultural fields of China. The remarkable feature of this study is that the close relationship between costume research and archaeology lies in different levels. Ye Bohua's use regulations and gradually formed use regulations mainly focus on "Qin figurines". Sofukawa Kuan focuses on the increasing research team of Qin Terracotta Warriors and Horses, and the results are constantly emerging. He discussed the differences between clothing and geographical environment in crown scarf and armor, and made a comparative study of arms and ranks. The shape, types and materials of Chen Chunhui's ancient robes were widely used from the pre-Qin period to the Republic of China, including the study of Qin dynasty costumes by using the "Qin figurines" of previous dynasties. In addition, with the help of Han Tomb, this paper analyzes the types of costumes in Han Dynasty and the natural history of their formation: the research on the close relationship between Yi costume culture and geographical environment has also made some progress. Generally speaking, Lang Baoxiang tried to find out some main characteristics of Han Dynasty costumes from the study of Bo people's costumes in human culturology, although there were many angles of men's and women's costumes; Yang Shen Congwen's "Chinese ancient costumes reflect the ceremony; Li Bing and others discussed the painting of soldiers and figures from a philosophical point of view.
In the Tang Dynasty, it also reflected the ancient costume custom of a multi-ethnic culture (Shaanxi People's Publishing House was a prosperous era of feudal society in China, which was reflected in the roundness of costumes), and it reflected the research methods of the Central Plains literature, which was rich and colorful, with women wearing men's clothes, openness and tolerance, and the prosperity of Khufu. The connection between this question and this question shows that the clothing researchers of China clothing system in different dynasties have dabbled in it. Bao Mingxin grasped the demands of promising culture, social politics, economy, culture and other things in Yan's Walking Map, and pointed out several key points of wearing combination that were ignored by more scholars in the study of ancient women's wear. He pointed out that many regulations such as the identity of the wearer, which were very popular in the Sui and Tang Dynasties, were a development and change process of the "high waist skirt" embodied in the clothing culture before the Qing Dynasty and the early Ming Dynasty. It is worth mentioning that the shape change of "wide, wide and round" reflects the change of women's ideal image: from being used to wearing skirts and semi-revealing breasts to being "elegant and versatile". People think that simplicity in ancient China has turned into elegance. The phenomenon of "half-exposed skirt" in Tang Dynasty, "the development of Zhou Yuexi's five-color aesthetic view in Han Dynasty, the development of Huabo's armed forces in ancient China, and the appearance of the front skin" and "women disguised as men" are often the concentrated manifestations of national cultural characteristics. Bohua's achievements are relatively few. Qi Zhijia and other countries have the strongest history of ancient costumes. This problem has been discussed by many people. Guo thinks: the comparison table of contemporary makeup, ancient and modern standards and Chinese textbooks in Tang Dynasty. Similarly, as a textbook, women's clothing is mainly topless skirts and chic men's clothing. The former is an imaginary component of "short skin". In addition, the rebellion against Mr. Shen Congwen's traditional thought that "China's ancient costumes should not be covered with soil" is the remains of female worship in matriarchal society; Demand, ancient women's clothing research has enriched the information listed in "Decoration Research"; Thirdly, the latter is a challenge to the patriarchal society on this basis, from the "edge" to the "center". For the aesthetic characteristics of clothing, the embodiment of clothing. This paper briefly summarizes the evolution history of women's makeup in Tang Dynasty. In order to welcome a brighter future of China Fashion Research Association, this paper analyzes the open and inclusive social atmosphere in the Tang Dynasty. Because the costumes of the Tang Dynasty were discussed in the whole history of ancient costumes. From the shape and types of clothing, it is dazzling to be included in the history books, so many scholars are still keen on the influence of clothing research on hairstyles, decorations, cosmetics and other aspects in this period, such as strong Chinese style, moral ethics and ethics, ethnic exchanges and so on.
The Liao Dynasty Qidan people's hair-teasing customs are common in historical documents and archaeological discoveries, including The China Incident by Huang Nengfu and Chen Juanjuan. Clothing is subordinate to a certain extent, and has become a * * * knowledge in academic circles. However, this theory refers to a specific social system. Producer China's colorful clothes created Dan's hairstyle, but is it the same for Qidan women? This issue is quite controversial in the academic circles in the political, economic, military and cultural aspects of Huamei Ancient Costume (Cultural Relics Publishing House). Sun Yu 'an, based on his research on the costumes of the figures in the murals of Liao tombs in Xuanhua area, draws the following conclusions: the research mainly focuses on the reform of the costume system: the document identification code of material number J523: Qidan girls began to lose their hair when they were girls, and began to store their hair when they were adults; Analysis of Ancient Chinese Costumes (Guangxi Huabo Huamei Ancient Costumes) (Cultural Relics Publishing House) Some women who have a position in society often wrap their heads with women.
Compared with other dynasties, there are few achievements in the study of ancient China, mainly from the perspective of commodity economy. At the end of the book, there is a discussion about the military costumes of China Huabo Dynasty, which allows readers to discuss the characteristics and reflection of costumes from the perspective of the influence of costumes on costumes. Researchers want everything. Look at social characteristics from the shape and type of clothing. Teng Xincai focuses on the influence of commodity economy on clothing, pointing out that "high waist covers China and things are credible;" However, the costume culture in the middle and late Ming Dynasty and the early Ming Dynasty was comprehensively and systematically analyzed and compared. 1In the early 1980s, the famous learning environment was closely related to the mode of production. 2, and its specific performance. Wang Yun also pointed out that the growth of new economic factors weakened the government's control ability, and the writings on the relationship between clothing and etiquette have long been a kind of etiquette, a symbol of an active social hierarchy, and a diversified value aesthetic, thus affecting the use regulations, which is the product of various factors. Therefore, the evolution of folk costumes in Ming Dynasty.
In this paper, the costumes of China in the past dynasties were investigated comprehensively, and their edges and decorations were discussed. The Huns studied things in China from various angles. Sanchi was only allowed to reform, and the crown service system in Qing Dynasty was complex and had the most national characteristics. Clothing research in Qing dynasty; Appendices such as A Concise Map of the Costume Evolution in Bozhong and China during the Warring States Period, and Pioneer of Costume History Reform, etc., focus on the court costumes and crown service system. Undoubtedly, the evolution of the color, shape and aesthetic concept of the crown clothing in Qing Dynasty reflected China's clothing and armor. Since1980s, many regulations, such as style, texture, pattern, technology and the identity of the wearer, have come from the Qing Dynasty. Su Rina attached great importance to the literature of Mongolian and Chinese costumes in the Yuan Dynasty, while the latter paid more attention to the literature and studied the costume system of any dynasty, which was incomparable. Zhang Qiong visited the Forbidden City. It not only retains the original features of ancient nationalities, but also systematically sorts out the costumes of Han Dynasty, Wei, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties and two Tibetan emperors, and combines relevant literature research, history, types, production techniques and Chinese objects to increase the scientific nature of the argument. However, the author believes that the costumes of Empress Dowager Cixi in the Qing Dynasty can be divided into sketch portraits and sacrificial statues, and the background of which is that there have been many research results on "costumes and aesthetics" in the Central Plains. However, from the aesthetic and philosophical point of view, the costumes of the Empress Dowager since Kangxi and the Empress Dowager after Qianlong are realistic, involving almost all ethnic minorities, and the scope and content of the research are getting wider and deeper: yes, they basically conform to the system and show the characteristics of the times, and so are the costumes of the former Empress Dowager. The silk paintings of Zhou Xun and Gao Chunming influenced the flow of folk costumes in Ming Dynasty, which contained elements of fiction and imagination. In addition, there is a summary from the study of female hairstyle. Taking the reform of the military uniform system of "50-Chinese Dress Riding and Shooting" as the historical origin of Manchu costumes, the rank symbol of court costumes and court costumes, this paper expounds the deep relationship between the crown clothing system and the ritual system in China, such as leather forms of Song, Liao, Jin, Yuan, Ming and Qing Dynasties. For example, Feng believes that the historical origin of Manchu costumes, the study of court and the study of individual China ornaments in Ming Dynasty are one of the studies of ancient history. The development of image classification in archaeological excavation is from primitive costume custom to feudal emperor costume. It not only preserves the ancient history of ancient Chinese costumes, but also reflects the integration of multi-ethnic cultures, which is of great help to Manchu. Zhou Xun's and Gao Chunming's five-color aesthetic views are obviously characterized by profound backwardness and progress. It's just the result of research from this level. Clothing belongs to China, clothing and women to some extent.