Yasunari Kawabata (かわばたやすなり, Yasunari Kawabata) was born in Osaka (June 24th1899-June 1972). My parents died when I was very young, and so did my grandparents and sister. Loneliness and melancholy accompanied him all his life, which was reflected in his creation. When I was studying Chinese at the University of Tokyo, I participated in the reissue of the magazine New Trend of Thought (No.6). 1924 graduated. In the same year, he founded Literature Times magazine with Yoko Hiroshi, and later became one of the central figures of the new sensation school born from it. After the decline of Neo-sensualism, he joined the Art Nouveau and the New Psychological Literature Movement, and wrote more than 100 novels in his life, with more short stories than long ones. His works are lyrical and pursue the lofty beauty of life, which is deeply influenced by Buddhist thought and nihilism. In the early days, many lower-class women were the protagonists of novels, writing about their purity and misfortune. Later, some works wrote about the abnormal love psychology between close relatives and even the elderly, showing a decadent side. The famous novel Dancer of Izu (1926) describes the miserable life of a high school student and a tramp. The representative work Snow Country (1935 ~ 1937) describes the physical and mental purity and beauty of women at the bottom of the snow country, as well as the writer's deep sense of nothingness. Other works include Asakusa Red Ball (1929 ~ 1930), Crystal Fantasy (193 1) and Thousand Crane (1949 ~ 195 1). Yasunari Kawabata served as the vice president of the International PEN and the president of the Japanese PEN. 1957 was elected as a member of the Japanese Academy of Arts. He was awarded the Cultural Medal of the Japanese Government and the Cultural and Art Medal of the French Government. 1968 Nobel Prize in Literature. 1972 committed suicide in the studio. Many works have been translated and published in China. Life Yasunari Kawabata was born in Osaka Prefecture near Kyoto. His ancestors were famous for their wealth, but they moved to Tokyo after the family declined. His father is a medical student. He lost his father at the age of 2 and his mother at the age of 3. When he was young, his parents died and he was raised by his grandparents. Grandfather brought him back to Osaka Prefecture for raising, and his only sister was fostered by another relative. Due to his weak body, Kawabata Yasunari's childhood was closed and there was almost no contact with the outside world. This excessive protection did not improve his health, but created his melancholy and distorted personality. This kind of life has changed after school, but unfortunately, it has also followed. At the age of 8, my grandmother died, my sister died 12 years old, and my grandfather died 16 years old. Finally, I was raised by my grandfather. The orphan's experience made his childhood miserable and had a great influence on his later literary creation. His parents, grandmother, sister and grandfather died one after another, and this death experience left him with lifelong fear. Lonely Kawabata Yasunari, while rejecting the heat of reality, drew the heat of imagination in the world of words. At that time, he began to read The Tale of Genji, which was another great influence in his life. It is inevitable to evaluate the Tale of Genji. In middle school, Yasunari Kawabata knew little about the source of this work, but as far as he could feel, he began to try to write by himself. /kloc-when he was 0/6 years old, Kawabata Yasunari had a premonition that his grandfather was about to die, so he decided to record his dying scene. So he wrote the Diary of Sixteen. This is not only the sketch of the author's painful reality, but also the poetry permeated in the cold reality, which also reveals the clue of Kang Cheng's creative talent here. It can be seen that this unfortunate experience made him feel the fragility and loneliness of life. When he was still in middle school, he admired Japanese classical novels and essays such as The Tale of Genji, which had a great influence on his later creation. In the third grade of middle school, I bound the poems and manuscripts I wrote in the past into a book. It can be seen that Kang Cheng, a teenager, began to have a sense of literati, and his initial desire for writing has sprouted. In middle school, he made countless contributions, and began to doubt his creative talent and seriously consider whether his talent could become a writer. 19 16, as a fourth-grade middle school student, he published a practice novel "Lift the Teacher's Coffin" in Tuanluan magazine, and he often wrote essays and novels for the article world. Article World held a poll to elect "Twelve Scholars", and Yasunari Kawabata ranked 1 1. For teenagers who are determined to become writers, this is a great encouragement and a memorable year. There were many aspiring writers among his classmates before college. They talked about literature together, discussed the current situation of the literary world, and discussed the Russian literature that was very popular in Japan at that time, which made him from the countryside suddenly enlightened and benefited a lot. During this period, he published his exercise "Thousand Generations" in the school's alumni association magazine. He described his love story with three girls of the same name with a touch of brush strokes. 1920 joined the English Department of Tokyo University in September and transferred to the Chinese Department the following year. During my college years, I was enthusiastic about literature, reformed and updated literature and art, reissued the Sixth New Trend of Thought, and published the first novel "Soul Sacrifice Scene" in the first issue of the magazine, which successfully described the tragic life of circus actresses and was praised by literary predecessors. Kawabata Yasunari's name first appeared in the Yearbook of Literature and Art, marking the official entry of literary youth into the literary world.