After the overall structure of flower arrangement between China and China, we will actually find that although the skeleton layout will be different when it is subdivided into various flower patterns, in fact, both of them originated from the earliest aesthetic consciousness of mountains and rivers in. Their conceptual layout mostly draws lessons from the structural layout techniques of China's landscape paintings and traditional Confucian philosophy, attaches importance to the posture and charm of flower cuttings, pays attention to lines, and is natural and unrestrained, mostly asymmetrical and balanced, leisurely and elegant, and extraordinary and refined. The basic spirit is the harmonious unity of "heaven, earth and man", which is a unique natural concept and philosophical concept in the East. Therefore, many characteristics of Chinese and Japanese flower arrangement basically coincide. So if there is a difference, I personally think it is essentially different from the particularly obvious one, but if there is a difference, Japanese flower arrangement is far better than the system in China today. Today, although more than 3,000 schools originated in Equatorial Guinea, they have their own characteristics. They inherit and innovate in the earliest flower pattern form, and incorporate Japanese exquisite, concise and clean temperament. In addition, Japanese flower arrangement is familial and can inherit and carry forward this genre well. However, the history of the re-development of Chinese flower arrangement art is very short, its factions are still unknown and its classification is varied. And in terms of traditional flower arrangement, many important parts of the earliest flower arrangement in China have actually been lost or in a fragmented state. At present, we are still sorting out archaeological relics and existing historical books, sorting out the materials and pictures of flower arrangement in previous dynasties, and sorting out the system.