Wei and Jin Dynasties were China's "era of literary consciousness", and his literary creation was more manifested as the author's conscious creation because of the awakening of personal consciousness. Ruan Ji was the awakened one in this period. He expressed his arms in the form of 80 five-character poems and 13 four-character poems. Chanting temperament has inspired many future generations. There are different opinions on Ruan's Poems of Ode to Huai, such as Poems of Ode to Huai and so on. Can be ceramic and thoughtful. In the eyes and ears, there must be elegance when you send the table of eight shortages. "However, whenever a poet wants to explore its exact meaning, he always feels obscure and tortuous. Implicit implication, as critics say, "Ruan Zhi Yuan Yi", "Jue Zhi Yuan Yi, it's hard to find its interest", "What's hard to know under one hundred generations", "Repeated chaos for no reason" and so on. The purpose of this paper is to start with the artistic features of Ruan's poetry creation, and analyze the reasons for the formation of "Shen Yao" and the creative methods that produce this artistic effect.

one

In order to understand the reasons for the formation of the writer's writing style and content, we must examine the background of the times and personal experience, and know that the discussion method of "knowing people and discussing the world" in China's ancient literary creation theory provides us with a basic interpretation method of the meaning of Ruan Ji's graceful song and poem style.

At the beginning of Ruan Ji's life, the dynasty was brewing great changes, and after Sima Shi usurped power, it was extremely harsh politically. On the one hand, traditional Confucianism has become a tool for those in power to "carry on the family line", on the other hand, it has become a weapon to kill people. "There are few celebrities in the world." At the same time, the individual life consciousness of intellectuals began to awaken. They despise the traditional Confucian moral norms that bind people's freedom, refuse to cooperate with secular society, and make various self-shrinking gestures. Different from Tao Yuanming's seclusion in the mountains, Ruan Ji has always placed himself in the market, lived a life style closest to the powerful, and had many contacts with those in power in politics and economy. While being sheltered, Ruan Ji was also the most intimidated. In this way, Ruan Ji distorted his life form in an extremely depressed environment because of his great fear of good or bad luck and his dilemma, which was proved in Historical Records and his poem My Feelings.

Sima's proposal was made in China without delay. You can only give up drinking for 60 days. Ruan's binge drinking is his umbrella to avoid disaster. Intoxication is the external manifestation of his distorted personality. How sober his heart is: those who see the ceremony look at it with white eyes, and those who see the situation look at it with white eyes, but on the other hand, it is "Ruan Sizong's mouth is open to everyone" and Zhong Hui, who wants to harm Ruan Ji, will "ask current events". However, there are no negative characters in the book. "They are all drunk." The clear nature of love and hate, putting down the temperament of birthday, was covered up by painstaking compromise; Based on "Da Zhuang Lun" and "Biography of Mr. Adult", he lashed out at the hypocrisy and cruelty of high officials and generous people. He despised Sima's regime and hoped to associate with the inaction "old" and "Zhuang", but he was hopelessly involved in Sima's usurpation of Qi Wangfang and was named Shanhaiguan Hou. A few months later, he found Dongping Township. Leaving this place of right and wrong, begging for lofty elegance and bowing to the secular dirty behavior, so paradoxically stored in Ruan Ji. This kind of inconsistent performance shows us Ruan Ji's complex personality, which is seriously divided inside and outside. The greater the "falseness" on the surface of his body, the more real the "truth" in his heart. This distortion and division eventually forged Ruan Ji's tragic, scarred and contradictory heart.

Because of the difficult situation, he can only use the language of hidden symbols to express his thoughts on political thought, attitude towards life and life problems. "Huai Shi" (31) wrote, "Day after day, day after day. Change the color to normal and the spirit will disappear. There is soup and fire in the chest, and the change is the same. Everything is infinite, make progress despite difficulties and persevere. But I'm afraid that in an instant, my soul will drift away with the wind. Walking on thin ice all my life, who knows I'm worried? " In the poem, Ruan Ji painted a self-portrait for himself. "If you are pregnant with ice, you will tremble and be cautious every day." Living in blood, there are many opportunities for change in troubled times, and disasters come at any time. After witnessing how Yan and other celebrities, especially their friend Ji Kang, were killed, the confusion of preserving our sanity surged in Ruan Ji's heart. In literary expression, he had to choose subtle, subtle, circuitous and vivid ways to express his distinct love, hate and strong feelings. His poems about nostalgia are the true reflection of his background and life experience in literature.

two

Ruan Shi is a mystery in the history of China's poetry. Its difficulty in liberation is related to the author's complex emotional origin. However, the use of unique creative methods in Ruan Ji's poetry style is an important factor that confuses it. In poetry evaluation, the use of images is an important embodiment of creative style. After the author's thoughts and feelings are combined and touched, the objective image often enters the works, which often becomes a tool to express his thoughts and feelings, and at the same time makes the expression of the works have implicit and profound emotional essence. Therefore, studying the significance of images in Ruan's poems provides an important method for us to interpret Ruan's poems.

Yuan Xingpei, a famous scholar, once divided images into five categories: "Natural, such as geography, animals, plants, etc." ; Social life, such as war, official travel, fishing and hunting, weddings and funerals, etc. Human's own, such as limbs, facial features, internal organs, psychology, etc. ; Human creation, such as buildings, utensils, costumes, cities, etc. ; People's novels, such as gods, ghosts, spiritual people, underworld and so on. "Looking at Ruan's poems, five images, such as weeds in Gaolan, going out, playing pipa and fairy concubines, are all used in Ruan's poems. They either become emotional symbols alone, or they are similar, different and opposed to form an interrelated image group, which together construct a complex and changeable context connotation. With so many complicated images intertwined, this poem presents an implicit style, which brings a sense of obscurity and uncertainty to the interpretation of poetry works.

Among the images in nature, the image of birds is the most frequent and complicated image in Ruan's poems, such as "solitary bird in the wilderness", "solitary bird flying in the northwest", "xuanhe in the clouds" and "strange bird in the forest, calling itself phoenix", which symbolizes the ruling villains of the lower classes. It fully shows the poet's detached feelings and determination not to compromise with the world, but this is only one aspect of his thoughts, feelings and attitude towards life. Ruan Ji also saw the reverse from Zhuangzi's carefree Dapeng thought. "Better be a swallow than fly with an oriole", "Birds fly to Sang Yu and seabirds fly to Tianchi". Don't you know that grandeur, your wings don't fit? "On the way to escape from this world, Qi Fei, an oriole who symbolizes those who are willing to steal peace, is unwilling to compare with the oriole who symbolizes those who fly high and far. In the face of powerful and harsh reality, the poet is more inclined to retreat and defend himself in exchange for life safety, and the contradiction and fragility of the writer's inner thoughts are revealed in his thinking and choice.

According to historical records, Ruan often travels at will. "You have to take the road." The tracks are poor, and I came back crying. Therefore, in Ruan's poems, the images of "getting lost" and "climbing" in social life have also become symbols that appear constantly in his poems. For example, "What happens when you get lost when you travel too far in the north?" "When an aunt travels all over the world, the middle road will return safely", "Yang Zhu cries the wrong way, and Mozi is worried about dyeing silk", "Opening up the four fields and looking at the northern mountains" and "losing the way" are both metaphysical losses in real life and metaphysical losses in life, leading to confusion and confusion, and it is too late to regret the loss of life. When climbing a mountain, you can not only breathe a sigh of relief in the face of the disastrous reality, but also re-examine the reality at the height of the cloud, or gain insight into the darkness and turbidity of reality, or re-establish your own life coordinates in sorrow. Living in the dark and chaotic Wei and Jin dynasties, life is at best a dead end and there is no way out. The recurring images of "climbing the mountain" and "getting lost" in Ruan's poems have a strong sense of loneliness, depression and disillusionment in life, with an indescribable deep sadness. This kind of individual confusion is really a helpless footnote in reality.

Lu Shiyong once commented on Ruan Ji's Poems on Huai River (1) in The General Theory of Poetry Mirror: "What makes you hesitate and what makes you lonely? Poetry is only caused by images." This comment can be said to hit home, and the formation of Ruan's poetry committee's profundity has an inevitable causal relationship with the expression of images in his poems.