After reading the last pair of couplets, we can know that the two poems "Su Daozhi Zhong" and "Early Spring in South Lake" are both works that express the feelings of mountains and rivers. By analyzing them separately, we can get the differences between the two poems.

Su expressed her love for autumn rain, and indirectly expressed a feeling of worrying about the country and the people. "No land is like dancing, let alone looking forward to the New Year in the fields"-people like me who have no land are still dancing happily, let alone farmers who are guarding the fields and looking forward to a bumper harvest! It is worth mentioning that Mencius was highly respected in the Song Dynasty, and Mencius' requirement for scholars was "perseverance without constant production". I have to say that the author has some elements to express his political ambitions. From the literal point of view of poetry, it is a bit clever to use positive contrast here.

Nan is similar to Sue in feelings, but her feelings are completely opposite. "Don't say that the spring in Jiangnan is not good, it will reduce my mood every year"-I'm not saying that the spring in Jiangnan is not good, but I'm not in the mood to love it because of years of weakness and illness. At this time, Lotte's adult has retired to Jiangzhou Sima, nearly half a century old, and now we are in the prime of life, which can already be called "old father-in-law" in ancient times. People are relegated to middle age, and the humid environment often makes people uncomfortable. Naturally, there is some "middle-aged crisis". This poem sets off its own "down and out" (fog) with six fresh, natural and ingenious scenery descriptions, which gives readers a great contrast impact. The question is, is he really depressed? Obviously not. "Lotte" is not called for nothing. The beauty and artistry of the first six sentences have fully demonstrated his happiness, but the last two sentences are more "complaints". After complaining, he will not care so much about the beautiful scenery everywhere.

These two poems, if artistic, are just one word-"contrast". Su is the contrast between the first couplet's "hot sun" and "cold dream", the couplet's "house leakage" and "deep stream", the sensory contrast of the neck couplet and the emotional contrast of the tail couplet. They are all using their own poems to set off their love for rain. "South" is the first triple, which has always used various framing to set off "morning", and finally used contrast to compare the vitality and psychological depression in front of us. The difference is that Su's whole shooting is logically continuous, and she is awakened by the cold rain at night-the house leaks in the rain-the association with rising water-the combination of association and hearing-her own joy. And "South" is a direct superposition of scenery-it's sunny and warm as soon as the rain stops+apricot blossoms sprout+water plants stretch green+white geese's wings are soft+oriole's voice is astringent = spring is really good, ah no, I'm not saying that he is not good, but I'm not in the mood to watch. The whole story is a contrast, comparing the beauty of spring with all kinds of immature and imperfect scenery, and then taking the beauty that is easy to compare.

The way of expression is emotional scene, rhetorical device is foil, and the method of expression is unclear.

I think that's enough. If you simply answer the question, it is still possible. I don't know how to chase ~

Postscript (same as postscript); Police sergeant ...... Once upon a time, my classmates were still very shallow, but after all, they failed to jump out of the comfort of that kind of thinking. They are happy to write and worry about the country and people again. Although obviously useless allusions, but compared with the old white or a little tender. And the last lyric. Obviously, I want to improve my poetic consciousness. Just as high school students always talk about ruling the country and leveling the world when writing argumentative essays, Lao Bai pretends to be loving after writing the scenery (I'm just playing with poetry, you bite me ~). One wants to use words as guns, and the other wants to use words as mouths. Stand up and have a look. .

P.S. ... The more I read Suzhou Embroidery Road, the more I read "The branches of red apricots are in spring", the more I feel sorry. . . . .