Role relationship:
Komako: the fiancee of the teacher's son Xingman. Komako sold herself to earn money to treat him.
Yezi: the lover of the teacher's son, the person that Shimamura secretly loves.
Shimamura: Komako's lover.
At the beginning of the article, I used a little flashback to meet my dream.
This is how Miss Ye appeared. "Her voice is beautiful, almost sad. The loud voice echoed for a long time in the snowy night. "Of course, this is the feeling of Shimamura, the protagonist, and implies the tragic ending of Ye. Every love at first sight is a dream. This leads to what I saw and heard three hours ago. When the train arrived at the station, the protagonist Komako appeared. "At the end of the corridor stood an elegant woman with the hem of her dress spread on the dark floor." "She eventually became a geisha." "The woman tried to spread her face with heavy makeup, but it backfired and turned into a sad face." Still using flashbacks. The story begins here.
Flashback-dream-flashback-detail description and fantasy ending are used continuously at the beginning of the novel, which is fascinating and has a confusing mystery.
"That woman feels surprisingly clean, and even makes people think that her toes are probably clean." It is absolutely wonderful to compare a young woman in this way. In the current popular saying, it is simply a goddess.
The artist Shimamura, who came to Snow Country by third class, was naturally dissatisfied with his talent. This dissatisfaction is mixed with the melancholy of the journey. It makes sense to call a geisha to relieve boredom after getting off the bus. But foals are different from them. "The dark green of Chinese fir is faintly reflected on her neck" is such a surprisingly clean woman's complete love for Shimamura. This love happened one hundred and ninety-nine days ago, and it was actually regarded as' completely futile' by Shimamura. There are three brief descriptions of moths in the article, suggesting the tragic fate of foal, which reminds me of a poem.
Moths belong to summer and never sing Qiu Ge.
Moths belonging to the night have to put out the fire even at sunset.
E never envied Hu Diemei,
Mom, it's you and me!
In Shimamura's mind, the image of leaves has been lingering, but the proportion of leaves in the novel is not high. Mysterious appearance and mysterious death always think that leaves are a part of foals, and I think foals can do the same, but in Shimamura's eyes, foals are moths and leaves are stars in the sky. The stars in the sky are out of sight, which is more attractive. In fact, Shimamura itself is also very contradictory. On the one hand, it is the great attraction of leaves, on the other hand, it is a deep guilt for foal. "It is simply a shameless performance."
"Shimamura seems to be sitting on something unrealistic, losing the concept of time and distance, falling into confusion and trance, and letting him run in his own body in vain ..." "Is this passage intermittent and quite short? But it does tell a symbol of a woman's struggle for survival. " This is the most objective and positive evaluation of foal. For the reason why Komako refused to see the young master for the last time, people who have not experienced it will not understand, "No, I don't want to see a person die, I am afraid" and "It sounds heartless, but it looks very affectionate". In each of us, there is an emotion that can't even be expressed in words in the most secret corner. When it suddenly appeared in front of us, all we could do was escape.
to be continued