Author: [French] georges sadoul
Translated by Hehu
An art was born before our eyes. Painting or music has been with us for a long time, but the emergence of film art is like a new magic elf. Glowing with infinite vitality and great wisdom of mankind.
The history of world cinema is like a film on a piece of paper, which silently and wonderfully reproduces the history of world cinema obsessed with crazy music for a hundred years. Movies are images of human spirit in the 20th century, and vivid condensation of human imagination and desire in the 20th century. How did the film come into being? What is the legend of Hollywood movies in the Garden of Eden, the biggest dream time in the world? What changes and genres have the world movies experienced? What kind of history have the eastern and western film arts experienced respectively? "World Film History" reviews the film history, as well as the development history of human spirit and art, human confusion and pursuit in the 20th century, ideals and dreams, from which we can find.
World film history is a widely influential work in the field of European and American film history, and it is also a very popular film education in western countries? Hey? Stop? Are you in pain? Rice? The source is awkward? Tan Mo 4 said that Valeriana was imitated → held low? Love is dark now? Wheels? In 1980s, the film history of the last century was summarized from three parts: plot (story) film, documentary film and pioneer experimental film.
The system structure of this book's film history is quite original except the systematic exposition of film art, film aesthetic style and movie master. ...
China film history
I. Introduction of research direction:
"Globalization and China Film" is an important part of a series of research topics for graduate students majoring in film history in China. In order to complete the overall framework of the study of China's film history comprehensively and solidly, we should follow the master's courses of China's film history, Hongkong's film history, Taiwan Province's film history, China's film history and China's film theory history, regard China's film as an open system, and study the interactive relationship between China's films and the world's films in a broader context. The purpose is not only to reposition China's films from the perspective of global films, but also to cultivate modern research and teaching talents to adapt to the new academic era of 2 1 century and enter the global research system of China's film history. At the same time, in order to meet the needs of film as a cultural industry, this research direction strives to go out of the mode of college teaching, combine the research and teaching of China film history with the training of senior film practitioners in strategic China film industry, and open up new ideas and new levels of film history teaching and research with the characteristics of film academy.
Second, the training objectives:
New "software" talents who meet the needs of the global film industry after China's entry into WTO. Emphasis is placed on both innovative consciousness and rigorous scholarship; Have the ability to engage in high-level academic research, teaching, film and television planning and creativity, and develop cutting-edge disciplines and cutting-edge topics.
Third, the curriculum:
1. Public courses: socialist theory and practice, selected reading of Marxism-Leninism, foreign languages.
2. Basic courses: China film history, Hong Kong and Taiwan film history, contemporary video art and new visual language,
Chinese film theory research, film industry research, video shooting practice, computer professional software
software application
3. Specialized courses: China Film Studies and Global Film Studies.
4. Elective courses: According to the elective courses offered by the college, graduate students choose independently under the guidance of their tutors.
5. Graduation examination: graduation thesis and graduation defense.
Four. Enrollment targets and requirements for candidates:
All kinds of undergraduates. Have a good foundation in humanities and literature theory and practice, have the ability to feel and grasp the audio-visual language of film and television, and have a high level of foreign language.
Five, entrance examination subjects:
Initial test: 1. Politics ii. foreign language
3. Film analysis 4. The film history of China (including Hongkong, Taiwan Province and China films)
Second interview: interview
Six, teaching methods:
Combination of classroom teaching, theoretical research and production practice.
Seven, graduation destination:
Film and television teaching and related cultural industry departments.