Doctoral thesis on musicology 1
Innovative Strategies of Music Creation in Grass-roots Mass Cultural Activities
The music creation of popular culture includes many music creation activities, such as music adaptation, dance music arrangement, song music string burning, theme song creation and so on. However, in the actual work of music creation in grassroots mass cultural activities, due to various reasons, there are many problems in the process of music creation. If these problems are not solved, it will affect the smooth development of music creation in mass cultural activities.
First, the status quo of mass culture and music creation
1. There are significant differences in the quality and style of music creation.
As the main body of mass culture is the public, and the creators of music art in mass culture are mostly ordinary people or amateurs, there are differences in music professional knowledge, education level, personal music literacy and cultural quality among different creators, which leads to significant differences in the quality of music creation and the level of works in mass culture work, which has a great negative impact on the music creation of mass culture to a certain extent. In addition, although the creation of popular culture and music in China is relatively prosperous at this stage, there are very few songs that can really attract the broad masses of the people. When creating these songs, music creators not only spend considerable energy and time, but also invest some financial resources for the listing of these songs, which gradually breaks away from the fun and significance of music creation itself.
2. Lack of professional music creative talents
Grass-roots mass culture and music creation are oriented to the broad masses. In order to improve the effect of music creation, professional music creation talents and professional equipment are needed. Professional music composers can independently create music according to the theme and specific requirements of the activity and on the premise of ensuring that the music meets the requirements of the activity; Musicians need professional equipment in the process of creating music. Professionals and professional equipment are prerequisites to ensure the smooth progress of music creation activities. However, due to scale restrictions and economic factors, grass-roots cultural centers lack professional talents and equipment, which further affects the smooth development of music creation.
3. Insufficient deposits
Although the government now vigorously supports cultural activities at the grassroots level, it still cannot keep up with the variability of mass cultural activities. It is difficult to complete the creation with insufficient funds or no funds at all. Grassroots people can't afford to buy professional books or attend professional courses because of lack of funds, which hinders the creation of works.
Second, the main strategies to solve the problems of music creation in cultural activities
1. Hardware needed to improve music creation
The hardware needed for music creation in grassroots mass cultural activities refers to musical instruments: piano, guitar, violin, erhu, flute, etc. Or computer equipment, sound cards, software, etc. Coupled with the guidance of professional teachers, you can learn and complete music creation faster. At the same time, driven by professionals, it can better mobilize everyone's learning desire and learning atmosphere. Coupled with the use of musical instruments, the whole process of music creation is enjoyable. Nowadays, many people use computers to create music. Compared with traditional methods, computer production is light, fast and easy to arrange, but it lacks the sense of collective cooperation. After the whole song is sung, we will go to the recording studio for audition. At this time, there should be a professional recording studio or recording studio for everyone to listen to their own songs. Modern creative methods cost more money than traditional methods. If the funds are insufficient, it will be more appropriate to use traditional music creation methods.
2. Do a good job of grassroots research before music creation of grassroots cultural activities.
In order to solve the problem that the differences in the music cultural level of grassroots people have an impact on the music creation of grassroots cultural activities, grassroots cultural organizations and music creators should carry out serious investigation and research work within their jurisdiction before creating music for activities, and learn more about the needs of all kinds of people for music culture. At the same time, do a good job in planning cultural activities, find a breakthrough point suitable for most people's music cognition, and create music works that meet the needs of most people as the starting point of music creation. At the same time, after the activity, a second survey can be conducted to find out the advantages and disadvantages of this creative work. This kind of research work includes not only direct dialogue and communication with residents, but also various indirect forms of surveys such as community questionnaires and online surveys. Finally, the survey results are summarized in order to improve the creative level in the next creative work.
3. Introduce professional music resources
Professional music composers are the main force of grassroots mass cultural music creation, but they are also relatively scarce resources in grassroots cultural organizations. Under the traditional working mode, the solution to this problem is to assign professional music talents to higher-level cultural departments, which leads to a single source of music talents and the grass-roots units have no right to choose. In order to effectively solve this problem, some grass-roots cultural organizations began to use social resources to select professional music creative talents. For example, using music volunteers in cultural activities can not only promote voluntary activities, but also improve the quality of music creation; In addition, we should increase investment in professional equipment. Grass-roots cultural organizations can make use of social resources in addition to the funds from their superiors. The most common thing is to build culture with enterprises, schools and society to realize the enjoyment of music resources, thus promoting the smooth development of music creation.
4. The creation of popular culture and music should master and show individuality.
In dealing with the relationship between * * * and personality in popular culture music creation, popular culture music creation should start from the following aspects: First, cultivate and refine new inspiration in the living soil where popular culture music creation depends, and break through the original artistic creation restrictions and bottlenecks. Secondly, boldly use the form and style of national music, and strive to innovate on the basis of inheritance, so as to enhance the charm of popular culture music creation. Third, when using the creative techniques of popular culture and music, we should think carefully and choose the most mature and distinctive expression.
Third, the conclusion
In a word, the creation of popular cultural music is of great significance and plays an important role in enriching popular cultural life. In the practice of mass cultural music creation, on the one hand, we should pay attention to quantity and quality; On the other hand, in order to avoid the misunderstanding of mass cultural creation, we should pay attention to the innovation and development of creative forms, creative ideas and creative contents, and make mass cultural music an important force to promote the construction of spiritual civilization in China.
Doctoral thesis on musicology II
On the National Music Elements in China Pop Music
Pop music is a kind of music for profit, which is quickly loved by western people because of its rich forms and diverse styles. Since the reform and opening up, due to the influence of European and American cultures, there have been more and more composers of pop music in China, but how many? Drooling song? The emergence of. Therefore, China's pop music must begin to develop locally, which requires learning from China's traditional folk music to make China's pop music more aesthetic. In this combination practice, we not only saw many excellent works, but also saw the new direction of pop music development in the future.
First, the application of elements of national music works in pop music
The preciousness of our national music is not only the beauty of rhythm, but also the inheritance of spirit. In thousands of years of historical development, national music still stands, not only has it not been abandoned by the times, but it has become more dazzling under the long river of history. However, if China's pop music wants to have certain characteristics, it is the most effective way to integrate some national music elements and combine the two in the creation of pop music. Innovation? It will definitely give the audience a refreshing feeling.
Among them, the first is the adaptation and combination of traditional folk music. For example, Song Zu Ying's "Liuyang River" was changed by Ceng Gege and Feng Xiaoquan to "Little River Dripping Water"; For traditional folk songs? Old songs, new songs? For example, Han Hong's "Jinghua Jinshan" and so on; By using the popular modern singing methods, it is more integrated with hip hop, rap, blues, jazz and R & ampB[2]. On this basis, the representative singers who sing national elements are: Jay Chou, Vae and so on. Vae [3]' s Rain on the River at Qingming Festival, Moon in Luzhou and Smoke and Sand in Half a City are full of profound ethnic elements, which sounds very beautiful and appealing.
Second, the application of national musical instrument elements in pop music
The creation of Chinese musical instruments can be traced back to ancient times, and then developed through the further creation of Shang Dynasty. Coupled with these unique musical instruments, different performance forms have been handed down. In today's social development, we should not blindly pursue western music, but should pay attention to the use of national musical instruments. In China, there are many musical instruments with their own characteristics. The most common ones are pipa, guzheng, pipa, erhu and guzheng. These instruments have different expressive force and are very distinctive.
Therefore, for the integration of pop music and folk music, the use of musical instruments is essential, which will be an inevitable development trend. Because of the uniqueness of the expression of national musical instruments, the whole song will become full of personality. For example, Wang Yong added guzheng, Qin Liu and other national musical instruments in his past life, and later became a representative work of Chinese rock music; In the creation of the song "Butterfly Flying", the Huaer Band used the famous national instrumental music "Butterfly Lovers" in China to complete it. What about Wu Ke? T's Your Legend is based on the opera Your Legend. The use of gongs and cymbals is preserved in the original song, which makes the combination of the two more acceptable and even loved by the audience.
Thirdly, the application of traditional Chinese opera art elements in pop music.
Opera, as a major type of national music elements in China, can definitely be called the most important part. When some opera elements are integrated into modern pop music, there will be many wonderful reactions.
For example, the famous composer Yao Ming is from Beijing. For him, the rhyme is handy, so when you listen to Qianmen Qingsi big bowl of tea and your hometown is Beijing, you can hear the full flavor of Beijing. Liu Huan's "Love", Wang Leehom's famous song "Hua Tian Cuo" and Zhao Chuan's "Black Powder Debut" are all organic combinations of rock music and Beijing opera; Another example is the drunken new imperial concubine, which was popular a few years ago. The chorus is the melody of Beijing Opera. With the appearance of Li Yugang and Hua Dan, the antique is suddenly revealed. Therefore, the art of traditional Chinese opera is a source of inspiration for pop music. If it is used properly, it can strengthen the style and characteristics of songs.
Singing is also a rich system in China's traditional operas, and now many popular music use it for reference. For example, in A Dream of Red Mansions, Zhu Derong has a Peking Opera aria, which is expressed by Peking Opera? Dreaming of Beijing? This theme is ingenious. There is also "going the other way". Stephanie's song, which begins with a Beijing opera aria, is refreshing in an instant. Later singing and rap make people feel that the song is full of drama.
Fourthly, the role of national music elements in pop music creation.
China's national culture has always regarded writing as the carrier of development, and most of China's entire culture from ancient times to the present is witnessed by writing, which is the aesthetic concept, value orientation and attitude towards life of the Chinese nation. Whether a musical work can be called excellent or not, the text content is also an important part of evaluation. Therefore, in the integration of modern pop music and national music elements, we should not only integrate melody, but also integrate national characteristics, so that listeners can find some sense of national belonging in music. However, this is extremely simple to say, and the size is quite difficult to handle. If the merged text is too common, it will not be loved by the audience, but it may produce a feeling of boredom. Therefore, when creating a combination of the two, pop music creators should pay attention to the public's views and select articles with characteristics and typicality.
For example, when Mr. Zhang Ye wrote "Nv Ning Mei" [5], it was to integrate Yuan Qu in the four classical novels with "Dream of Red Mansions". Jay Chou is a singer who makes good use of China's classical poems. His "Chrysanthemum Terrace" and "Red Dust Inn" all classical songs to the maximum extent, and finally formed their own unique Chinese style, which was deeply loved by young people; After the song, Faye Wong's "Shuidiao Song Tou" was also adapted from the same noun of Su Shi.
Five, the future development of national music and pop music.
(A) the interdependent development of national music and pop music.
Spring Festival Gala in 2009, Song Zu Ying and Jay Chou? British combination? The first collision between folk songs and pop music. In related surveys, this program became one of the most concerned programs in the Spring Festival Evening that year. This also reflects from the side that the integration of pop music and folk music will be a win-win result. Traditional folk music needs development and modern pop music needs innovation. The interdependence and common development of the two kinds of music will not only make our pop music step into the world level, but also ensure the long-term development and inheritance of our traditional democratic music.
(2) Commercialization of pop music with ethnic music elements in the future.
The so-called popularity is the masses, and this kind of music is not limited by region and theme. Moreover, music can help people to change their mood on specific occasions. The rapid development of modern society has also brought infinite commercialization to pop music. For example, Phoenix Legend, which has been extremely popular in recent years, is very popular. Among them, the most famous one belongs to the most dazzling national style. This song is very popular and has become a square dance aunt's:? Love in your heart? Not only that, but even foreign countries will use this song as the background music for aerobics training. The data of download volume and broadcast volume is even more amazing. Behind this extremely hot aura, it is inseparable from the integration of national music. Incorporating it into pop music has really expanded the development space of pop music in China. This also requires music creators to pay attention to the accumulation of their own historical knowledge when creating songs. I believe that in the near future, China's pop music will have a better tomorrow.
Abstract of intransitive verbs
To sum up, the elements of national music can be well played in popular music in various ways, and the beautiful melody and national culture in national music can be completely applied to popular music. However, it should be noted that we should grasp the scale and not use it for the sake of use. You can't distort or modify the essence of national music at will, and play different roles in different music styles. This is not just a formal imitation. Let the elements of national music play their due role in pop music, and the pop music in our country can have more national characteristics and aesthetic feeling.
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