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Looking for Miyazaki Hayao's View of Nature from Comics —— Focusing on Valley of the Wind and Princess Ghost
Compared with general cartoons, this film is a heroic epic with grand structure, serious theme and magnificent imagination. Although the protagonist of the film is still a child, there are many other characters, which are by no means comparable to the world of ordinary cartoon children, forming a complete myth/science fiction world. The theme of the film is equally serious and even heavy, including the war of mankind, the protagonist's pursuit of life across the world, and the struggle between man and nature. The world in the movie is different from the real world, but it is mysterious and magical. Just like the later The Lord of the Rings series, the imagination is varied and colorful. At the same time of magic, the film also has a sci-fi color that alludes to reality, especially when people and nature are struggling to survive, which is roughly the same as the reality of our lives and more inspiring, which is why this film is called "environmental protection".

The film reached its climax at the end. Countless giant king worms stretched out their hair to heal Nausicaa, spreading an endless leaf with golden light. Nausicaa woke up slowly, as if he had returned to the grassland of his childhood. Pure music played and the expectant crowd laughed. The ancient prophecy has finally come true. "This person should wear Tsing Yi and stand on the golden grassland ...", and man and nature return to harmony. This is probably the most beautiful scene in the history of animation.

The Ghost Princess once again expounds the relationship between man and nature, and describes the story that human beings constantly destroy nature in order to develop their scientific and technological strength, thus being retaliated by nature and paying the price for it.

Princess Ghost is Miyazaki Hayao's work after deeply thinking about the relationship between nature and human beings, and it is also the only hope that Miyazaki Hayao, who has no answer, can see in this era. 1997, after summing up his years of thinking about the relationship between nature and human beings, Miyazaki Hayao finally made up his mind to take the last step he couldn't take in the movie The Valley of the Wind 13 years: to end his previous indecision. Put aside self-regulation, dig deep, and create a work that has no conclusion, maintains chaotic nature, and conforms to his perennial explanation of evergreen broad-leaved forest culture theory. In the future, all these have become the goals that Miyazaki Hayao devotes himself to the creation of Princess Ghost and tries to "finish it".

The film has no usual happy ending. Asidaka realized that the war was far from over. He said to the mountain, "Let's live together", which showed his helplessness and expectation when the ideal he preached had no answer. Miyazaki Hayao didn't point out a bright future, but he clearly realized that it was difficult for man and nature to live in harmony.

1997, in the second half of the production of Princess Ghost, Miyazaki Hayao suffered from a serious hand disease due to overwork, and had to receive massage treatment before he could take part in the work. At the age of 56, he endured the illness and finished this unforgettable animation. At the premiere of Princess Ghost, Miyazaki Hayao announced that he would start writing from now on. 1998 65438+1October 14 Miyazaki Hayao officially withdrew from Studio Ghibli and built a new studio called "pigsty" nearby to enjoy his old age.

1At the end of 999, Miyazaki Hayao continued to be highly praised for Princess Ghost, Kang Deliang died young, and My Neighbor Jun Yamada was a fiasco at the box office. "Titanic" surpassed "Ghost Princess" at the box office, which aroused great ambition and retracted the closed-book declaration. Miyazaki Hayao, who is nearly 60 years old, finally can't help but return to the Jianghu. 199965438+1October 16 He officially returned to Studio Ghibli again to take charge of Spirited Away's directing work. The slogan of the comeback propaganda is: "Win the championship again." Although it is not as high as Spirited Away's box office, it lags far behind Spirited Away in terms of content, depth and richness. The film was planned from 1980, and in 1995, Mr. Gong devoted himself to the production, costing 2 billion yen.

In The Ghost Princess, the author successfully created two completely different images, one is Asdaka, first hero, and the other is No.1 Shan. Mainly wrote the struggle between man and nature during the Muromachi shogunate period in Japan.

At the beginning of this film, it is not played by the hero Yashan, but the first hero Ashitaka, who is very handsome and rides a unicorn. This also shows the audience that it is based on Ashitaka. In the whole movie, the bright line is an animal in the forest, fighting against human beings for survival and freedom, and the dark line is the love between Ashitaka and Yashan. Best of all, Ashitaka said to Yashan, "You are so beautiful", which is universally acknowledged. Why? From Ashitaka's point of view. Because Ashitaka likes her, it's a performance. After all, Siseka thought she was dying, which is the final truth. Why did Yashan hide? Ashan was shocked. After all, she only hated humans before, and no one ever said that about her.

There is another one because of this. This is Yashan's hatred of human beings, which shocked her. This also made Ashan fall in love with the whole movie from killing Ashitaka to liking Ashitaka, and started a series of stories around "Freedom and Survival". In my opinion, the reckless behavior of "knowing that there are tigers in the mountains and leaning towards the mountains" is a fearless spirit. Before Mona died, saving Yashan also showed a kind of "affection" between animals and humans.

In this film, every character contains a yearning for "free survival". Without this idea, there would be no greatest animated epic film "Ghost Princess" in the 20th century.