In the seventh year of Chenghua (AD 147 1), he was recommended by his hometown and was good at poetry, seal cutting and official seals. Make landscape flowers and birds at will, and the characters force the Southern Song Dynasty. The landscape is mostly green, especially like to make hooked bamboo rabbits and cranes and deer. Taste a garden of hibiscus and draw dozens of papers for the owner. The owner gave a silver cup as a gift, and the pet burned the painting in anger. When you are a young teacher, it is realistic to see pictures of your teacher's mother and your daughter. When the teacher got angry, she let it go, and the teacher's mother died. Those who behave will be caught, and those who die will use their pictures. His calligraphy imitated Yu Shinan and Wang Xianzhi at first, but later he expressed his ideas. His running script and cursive script are all against the unrestrained style of Ming Dynasty, with slow brushwork, paying more attention to the gains and losses of painting, and writing calmly with calm brushwork, forming an ancient and elegant style, which is ingenious, elegant and easy to escape. There is a quiet Shen Feng, which is unique to the Ming Dynasty.
Influenced by Zhong You, Wang Xianzhi and others, the lower case letters are round and honest, and the overlapping of strokes is avoided as far as possible in structure, so they are simple and ethereal. His regular script is the beginner of Yu Shinan and Zhi Yong, and the calligrapher of Fa Wang Xianzhi. In his later years, he formed his own style, self-defeating, elegant and elegant. What Wang Chong pursues is an elegant verve, which writes clumsiness with rhyme, and "sees beauty in clumsiness" and "sees elegance in clumsiness". Wang Chong is well-read, good at seal cutting and good at landscapes. His poems enjoyed a high reputation at that time, among which calligraphy was the best. He is good at everything, adopts the method of Wei and Jin Dynasties, is obsessed with Zhong and Wang, and his calligraphy style tends to be dignified and quaint. Among the philosophers of Wu, his calligraphy is particularly eye-catching. This is because his heart has never broken through the Tang and Song Dynasties. His lower case is taken from Zhong You, which is in harmony with the two kings, but elegant.