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The second small problem of humble room inscription 2 exercises after class
Original one, Liu Yuxi

Second, Cui Mian

To annotate ...

Different meanings in ancient and modern times:

Flexible use of parts of speech;

Polysemy:

Classical Chinese sentence patterns:

Theme, conception and theme of the work

Presentation and writing skills

works appreciation

Writing characteristics

Introduction of original style 1. Liu Yuxi

Second, Cui Mian

To annotate ...

Different meanings in ancient and modern times:

Flexible use of parts of speech;

Polysemy:

Classical Chinese sentence patterns:

Theme, conception and theme of the work

Presentation and writing skills

works appreciation

Writing characteristics

Stylistic introduction

[ 1]

[Edit this paragraph] Original text

Liu Yuxi

The mountain is not high, and the fairy is famous. The water is not deep, and the dragon is the spirit. I am a humble room, but I am virtuous. The moss on the stage is green, and the curtain grass is green. There is no Ding Bai who laughs and has a university. You can tune the pipa and read Jin Dian. There is no confusion, and there is no complicated form. Zhuge Lu in Nanyang and Ting Yun Pavilion in West Shu. Kong Ziyun: What's wrong?

translate

The mountain is not how high, but to become a famous mountain with immortals (alive); Water is not about how deep it is. With dragons (alive), it becomes supernatural (water). This is a humble house, but I (the people who live in it) have a good moral character (so I don't feel humble). The moss is green and grows to the steps; The grass is green and reflected in the curtains. There are profound scholars laughing and laughing, but there are no vulgar people. You can play the unpretentious guqin and read Buddhist scriptures. No music bothers the ears, and no official documents make the body tired. It seems that Zhuge Liang Caotang in Nanyang and Yang Ziyun Xuanting in Xishu. Confucius said, "What is so simple?"

Sentence translation

The mountain is not high, and the fairy is famous. The mountain is not how high it is, but to become a famous mountain with immortals;

The water is not deep, and the dragon is the spirit. Water is not about how deep it is. With a dragon, it becomes supernatural.

I am a humble room, but I am virtuous. This is a humble house, but I (the people who live in it) have a good moral character (so I don't feel humble).

The moss on the stage is green, and the curtain grass is green. The moss is green and grows to the steps; The grass is green and reflected in the curtains.

There is no Ding Bai who laughs and has a university. There are profound scholars laughing and laughing, but there are no vulgar people.

You can tune the pipa and read Jin Dian. You can play the unpretentious guqin and read Buddhist scriptures.

There is no confusion, and there is no complicated form. No music bothers the ears, and no official documents make the body tired.

Zhuge Lu in Nanyang and Ting Yun Pavilion in West Shu. It seems that Zhuge Liang Caotang in Nanyang and Yang Ziyun Xuanting in Xishu.

Kong Ziyun: "What's the matter?" Confucius said, "What is so simple?"

English translation/ translator/ interpreter

Inscription praising my humble home

Liu Yuxi

Mountains don't have to be very high;

As long as there is a god on it, it is famous.

The lake doesn't have to be deep;

As long as there is a dragon in it, it has supernatural power.

My home is very humble,

But as long as I live in it, it enjoys a reputation for virtue.

Moss crawling all over the steps turned them green.

The color of the grass reflected through the bamboo curtain makes the room blue.

The learned scholar came to talk to me with great interest.

There are no ordinary people who are ignorant among my guests.

In this humble room, I can play my simple piano to my heart's content, or read Buddhist scriptures quietly.

There is no harsh noise and no heavy burden of reading official documents.

My humble abode is like Zhuge Liang Caotang in Nanyang or Ziyun Pavilion in Xishu.

Confucius once said, "As long as there is a moral person in a room, how can we call it humble?"

About the author and creative background

I. Liu Yuxi

Liu Yuxi is recognized as the author of Humble Room Inscription.

Humble Room Inscription is selected from All Tang Wen Volume 608. Author Liu Yuxi (772-842), whose name is Zi Meng, is internationally known as "Liu Binke". Liu Yuxi was born in Jiaxing (then Suzhou) and Luoyang (now Henan). He said that he was born in Zhongshan (now Dingxian County, Hebei Province). A great poet, writer, philosopher and progressive thinker in Tang Dynasty.

Liu Yuxi's literary fame spread far and wide. He lived in the middle and late Tang Dynasty. Due to the Anshi Rebellion, the Tang Dynasty formed a social situation in which the official palace monopolized, the vassal towns became independent and the cronies fought. He is very dissatisfied with such social reality. I once participated in the Reform Movement led by Uncle Wang, but failed, resulting in a bumpy career and repeated demotions. However, he did not give in to the powerful, but showed his integrity and contempt for the powerful with a civilized mentality. This article can be said to be the author's bitter ridicule of the prevailing social customs and self-evident mentality at that time. During the Zhenyuan period of Tang Dynasty, he was promoted to a scholar, entered the course of erudition and macro-speech, and was awarded the supervision and suggestion. After Pei Du's recommendation, he was appointed as a guest of honor of the Prince and added to the history of the proofreading department. He has a deep friendship with Liu Zongyuan and is called "Liu Liu"; Later, he sang a lot with Bai Juyi, also known as "Bai Liu". According to historical records, Liu Yuxi participated in Wang's "Yongzhen Innovation" and opposed the separatist forces of eunuchs and buffer regions. After the failure of innovation, he was demoted to Langzhou Sima, moved to Lianzhou Secretariat, and was sentenced in Anhui and counties. According to the regulations of the dynasty, he should live in the three rooms and three halls of the yamen. However, the chief magistrate of Hezhou County was a snob, thinking that Liu Yuxi was a demoted person, he gave him little shoes to wear and arranged for him to live in three small houses by the river outside the south gate of the city. He has no complaints about it. Liu Yuxi is a scholar, so according to the landscape of his residence, he wrote a pair of "white sails facing the river"; There is a couplet on the door that says "Arguing with Zeus".

Have a guilty conscience, conferring the county was very angry after seeing it. He immediately moved Liu Yuxi to another place and reduced the housing area by half. This room is located on the Desheng River, where willows dance. Liu Yuxi was even more happy when he saw this scenery. So he wrote another couplet: "Yangliuqing Jiang Shuiping; People are in Liyang and their hearts are in Beijing. " After learning the news, conferring county ordered Liu Yuxi to move to a shabby hut in the city where only one bed, one table and one chair could be put.

Six months later, Liu Yuxi's Home was tossed three times. In a rage, there was something in his throat, and he quickly poured it out. He wrote "The Inscription of the Humble Room" in one go, and asked Liu Gongquan to stand outside the door with an inscription. (Excerpted from Liu Yuxi and His Humble Room Inscription, Academic Monthly of Applied Writing 199510/issue)

Liu Yuxi's ancestral home is Jiaxing, and his ancestral grave was originally in Luoyang Beimang. Later, because of the isthmus, it was reburied in Xingyang (now Xingyang, Zhengzhou). The Liu family lived in Luoyang, when the Central Plains was at war. His father moved to Jiangnan and Liu Yuxi was born in Jiangnan. After his father died, he helped to transport the coffin back to Luoyang, and his mother also returned from Jiangnan. After that, he may have lived in Xingyang for a while. There is a saying in Historical Records and Biography of Huo Zhi that Liu Yuxi "lived in Yingze, Zhenyuan". Liu Yuxi lived a rough life and wandered around until his later years, when he lived in Luoyang and died in Luoyang. Liu Yuxi said that he was a "guest living in the south of the Yangtze River", calling himself a "pheasant", saying that "Luoyang was once an unchangeable place" and that "his family was born in Xingyang, and his family occupied Luoyang". It can be seen that he has lived in Jiaxing, Xingyang and Luoyang. If we can contact his ancestral home in Luoyang, we still think it is more reasonable to call him Luoyang. There is also a saying that he is from Pengcheng (now Xuzhou, Jiangsu), because Liu Bang is from Pengcheng, and Pengcheng is the county where Liu is located, just like Han Yu is in Changli. He used to supervise the censor and was a member of the Wang Reform School. What is the specific life experience, we have not yet verified. Famous poets, philosophers and writers in the middle and late Tang Dynasty were called "great poets". His family is a scholarly family handed down from generation to generation by Confucianism. Advocating political innovation is one of the core figures of the Wang school's political innovation activities.

Later, Yongzhen failed to innovate and was demoted to Langzhou Sima. Instead of indulging in self-indulgence, he wrote with a positive and optimistic spirit, actively learned from folk songs, and created poems imitating folk songs such as Picking Ling Xing.

Liu Yuxi was once sent back to Beijing by imperial edict, and was demoted as a secretariat of Lianzhou because of a poem "Peach trees were all planted in Guanli, Du Xuan after Liu Lang went". Later, he was appointed as Jiangzhou Secretariat, where he wrote a lot of Zhi Zhu Ci. Many famous sentences are widely read. In the summer of 824, he wrote the famous "Missing in the Old Times" in Xipaotai Mountain: "Since Wang Jun brought his towering ship down from Yizhou, the ghost of the royal family has languished in Nanjing. The long Zhang Qian chain sank to the bottom of the river, and a flag was lowered on the stone wall. How many sad past in life, the mountains still remain cold. Today, every sea is home, and ancient fortresses are full of ruins and autumn reeds. " This poem was greatly appreciated by later literary critics and regarded as a masterpiece of Tang poetry with endless meanings.

Later, after several transfers, Liu Yuxi was sent to Suzhou as a secretariat. At that time, Suzhou was flooded and there was hunger everywhere. After he came to power, he opened a warehouse to relieve hunger, exempted taxes and reduced labor, and soon brought the people out of the disaster and lived a life of peace and contentment. Suzhou people loved him and thanked him, so they called Wei and Bai Juyi, who had been the secretariat in Suzhou, "three sages" and established the hall of three sages. Tang Wenzong also praised his achievements and gave him a Zijin fish bag.

Liu Yuxi returned to Luoyang in his later years, making a guest appearance as a prince, adding school history, making friends and writing poems, and living a leisurely life. After his death, he was posthumously appointed Minister of the Interior.

There are more than 800 poems in existence. His poems study folk songs, reflect people's life and customs, have a wide range of themes, and draw lessons from the implicit, simple and beautiful characteristics of Bashu folk songs in style, which are fresh and natural, healthy and lively, and full of life interest. His satirical poems often use allegorical excuses to attack and suppress the innovative dignitaries in Yongzhen, which involves a wide range of social phenomena. In his later years, his style became more subtle, ironic and unobtrusive. There are more than 40 poems with the characteristics of folk songs. When Liu Yuxi was in Luoyang, he and Bai Juyi created the inscription "Recalling Jiangnan". Author of Liu Binke's Collected Works (Liu Mengde's Collected Works).

Second, Cui Mian

To put it another way, Cui Mian is the author of the traditional masterpiece "Humble Room Inscription", and all kinds of selected books, such as Liu Mengde's Collected Works, Selected Prose of Past Dynasties, Selected Translation of China Ancient Textbooks and Teaching Reference Books, are recognized as Liu Yuxi of Tang Dynasty. Look up Liu Yuxi's biography in China Personal Names Dictionary: "Deng Zhenyuan's second branch of Jinshi Hongci. Official regulatory advice. Attached to the king, he was demoted to Sima Langzhou, where he wrote more than ten poems and became famous in Wuling. I have been calling back for a long time. He also wrote a poem "Xuandu View", which is related to ridicule. Out of Bozhou secretariat, easy to Lianzhou, and moved to Kuizhou. Later, he was admitted to Suzhou by the secretariat of Hezhou, where he served as a doctor of subject and guest and a bachelor of scholar. Move the prince's guests again. Yu Xi relies on talent and wastes it, so he adapts himself to the article. Su Shi's poems are good, especially in the later period, Bai Juyi was promoted to a poet. Huichang China-Canada calibration department minister passed away. There are "Collected Works of Liu Bin" and "External Collection". " In his biography, Liu Yuxi only wrote Zhu Zhici and Guan, but did not mention My Humble Room Inscription. The mood of writing Zhuzhi Ci is the same as that of being despised at that time. According to the biography of New Tang Book 168, "Xi 'an and the defeat, western Henan reduced Lianzhou to the secretariat, and before it arrived, it abolished Langzhou Sima. When the state meets barbarians, the customs are very poor. This family likes witches and ghosts, and every temple has a poem "Zhi Zhu Ci" ... Yuxi said that Qu Yuan lived in Yuan, and Hunan intercropped "Nine Songs" to make Chu people welcome God. But with his voice, he wrote more than ten Zhi Zhu words. " Liu Yuxi was demoted to Langzhou, and the situation was similar to that of Qu Yuan. Therefore, it is completely in line with the objective reality to write Zhi Zhu Ci for Qu Yuan by imitating the Nine Songs. If there is an inscription on the humble abode, it should be included in Liu Binke's Collected Works or Waiji, but I didn't see this article in these two episodes.

Who is the author of My Humble Room?

Look up "Biography of Cui Mian" on page 905 of China Personal Names Dictionary: "Cui Mian, a native of Chang 'an, Tang Dynasty, has a good handwriting. When you are a scholar, you will be the first person to raise morality. Cenxi (assistant) hid himself in his tools and said, "Today, I admire you. I deeply understand the book of rites, explain the number of beans in the ancestral temple and the method of serving six relatives in detail, and make more suggestions. Lu Yi, who was thrifty by nature, scattered clans and didn't live in houses. See his ambition by reading My Humble Room Inscription. Die' filial piety'. "It turns out that Cui Mian is the real author of Humble Room Inscription. This evidence is not enough. Please check the volume of New Tang Book 129 again. Cui Mian said: "I am sincere. Be filial, talented and knowledgeable. When Xuanzong was an official, he rode on the left as a regular waiter, a secretary supervisor and a prince guest. I deeply understand the Book of Rites ... I am thrifty and self-reliant, and Lu Yi follows the clan and doesn't live in a house. I taste the book of humble abode and see my ambition. " There is no doubt that Cui Mian's Dictionary of China's Names comes from the historical materials "The Book of the New Tang Dynasty". It conforms to Cui Mian's talent, life, nature of "frugality" and "not living in a house", and it is true to write "humble room inscription" to express his ambition.

[Edit this paragraph] Note

Loushiming

The mountain is not high, but the fairy is not famous. The water is not deep, and the dragon is the spirit. (4) It is a humble room, but (5) I am virtuous and sincere. The moss on the stage is green, and the curtain grass is green. There is a university who laughs. There is no Ding Bai between us. You can tune the pipa and read the Golden Sutra. There is no confusion in the ear and no strain in the case. Nanyang [14] Zhuge Lu, Xishuzi Ting Yun [14]. Kong Ziyun: "What's the matter?"

To annotate ...

(1) Be: care, Be, verb.

(2) Name: used here as a verb, name, name.

(3) Spirit: supernatural, with aura.

(4) Si: Modal words, which are meaningless to translate. Yes: this one. A house with simple and narrow furniture.

(5) only: preposition. Table reason.

Wei Wu Dexin: It's just that my moral character is noble. Xin, a fragrance drifting into the distance, refers to noble character here. Me, me.

(7) Scholar: a learned man, and Hiroshi: great.

(8) Ding Bai: refers to people who had no fame in the imperial examination era. Here, as opposed to "scholar", it generally refers to a mediocre villain who is ignorant and unskilled. Generally speaking, he is a man without learning.

(9) tiáo lute: sound, originally refers to fiddling, here refers to playing. Play the elegant guqin. Sue: No decoration.

(10) Golden Sutra: Buddhist Sutra written in clay gold in ancient times, one of which is the Diamond Sutra.

(1 1) Silk and bamboo: the general term for musical instruments such as Qin, Hu, Xiao and flute, in which "silk" refers to stringed instruments and "bamboo" refers to wind instruments. This refers to the sound of playing music.

(12) Disturbed ear: Disturbed.

(13) case: dú. Refers to official documents.

(14) Fatigue: Exhausting the body. Form, form, body. Tired of work, manufacturing ...

(15) Nanyang: Place name, now the west of Nanyang City, Henan Province. Before coming out of the mountain, Zhuge Liang lived in seclusion in Wollongong, Nanyang.

(16) Zhuge Lu in Nanyang, Ziyun Pavilion in Xishu: Zhuge Liang Caotang in Nanyang and Yangzi Yunge Pavilion in Xishu. These two sentences mean that Zhuge Lu and Ziyunge are both humble and admired because the people in the places where they live are famous. Zhuge Liang, also known as Kong Ming, was the prime minister of Shu and Han in the Three Kingdoms period, a famous politician and strategist, and lived in seclusion in Longzhongshan Middle School in Nanyang County before leaving office. Yang Xiong, Zi Ziyun, a writer in the Western Han Dynasty, was born in Chengdu, Shu County.

(17) Friends of He Lou: What's so thick? First, the object is advanced. See "The Analects of Confucius Zi Han": "Zi wants to live in nine cities, or yue; So what about ugliness? Confucius said,' How can a gentleman be humble if he lives there? "Confucius believes that although Jiuyi is low, there are gentlemen living in it, and it is not low. Confucius is quoted here to prove that "humble room" means that "a humble room is not humble if a virtuous person lives in it." Echoing the last article, "I am humble, but I am virtuous." "Turning the word" ugly "over completely and reaching the perfect state of" not ugly "is the crowning touch of the full text. It highlights the author's noble and proud sentiment and poor and happy taste.

Different meanings in ancient and modern times:

In: ancient meaning (care, verb) present meaning (indicating that something is somewhere, preposition)

Xin: ancient meaning (aroma, here refers to noble character) and present meaning (aroma)

Tone: ancient meaning (teasing) and present meaning (mobilizing)

Form: ancient meaning (form) and present meaning (form)

Flexible use of parts of speech;

Fairy is famous, and nouns are famous as verbs. If there is a dragon, it is spiritual, and adjectives as verbs become supernatural water.

Moss marks are upper green, nouns are verbs and vines. Green, nouns as verbs, become green.

The color of grass enters the curtain, and nouns as adverbials make … green.

But I am virtuous and fragrant, nouns are used flexibly as verbs, and my morality is beautiful and noble.

No confusion, confusion, adjectives as verbs, bother.

Works, works and adjectives without records as verbs make ... tired.

Polysemy:

1 .1:

(1) is used between subject and predicate.

(2) Turn the logo upside down without translating: What's the matter?

2. communication:

People who communicate: There is no Ding Bai between us.

② People coming and going: Among them, people coming and going (Peach Blossom Garden)

3. Yes:

The verdict is: Si is a humble room.

② This and that: when ("ventriloquism")

4. Name:

(1) Name: Fairy is a name.

(2) Nouns as verbs: You can't say a place (ventriloquism)

Classical Chinese sentence patterns:

inverted sentence

What's the problem (it should be "what's the problem")

Kong Ziyun: "What's the matter?"

(Excerpted from The Analects of Confucius Zi Han)

Laugh and have a university, no Ding Bai (couplets. Intertextual sentences)

The moss on the stage is green, and the curtain grass is green. (couplet)

[Edit this paragraph] Theme, conception and theme of the work

Starting from the theme, Humble Room Ming expresses the humble room by describing the life interests of people who communicate in the humble room. The Book of Humble Rooms shows the author's life attitude of not colluding with the secular, leading an honest and clean life and not seeking fame and fortune. It expresses the author's noble and proud moral integrity and reveals the author's poverty and happiness.

Viewed from the conception, Humble Room Inscription expresses its ambition by way of contrast. On the other hand, he never mentioned the ugliness of the humble room, but only wrote the ugly side of the humble room, which was due to virtue and fragrance, thus naturally achieving the purpose of expressing his feelings.

The full text of 8 1 word can be said to be poor in writing and revealing. The opening words 16 set the tone for the full text. "The mountain is not high, there is a fairy by this name. The water is not deep, and the dragon has spirit. " On the surface, "fairy" and "dragon" add color to the landscape, but in fact they are the masters of my humble abode. The Master of the Humble Room lives in a humble room, but his spiritual thoughts are so rich: The Scholars, The Book of Jin and Su Qin not only describe the ugliness appreciation pursued by the Master of the Humble Room from the aspects of making friends, learning and enjoying, but also the richness of the words Hong, Jin and Su, which are also out of touch with ugliness appreciation. As he himself said, "I am humble, but I am virtuous." He described his noble thoughts and morals with fragrant fragrance, highlighting that the owner of a humble room is not pursuing fame and fortune (getting something for nothing) or wealth (making no fuss), but a clean heart, elegant taste and virtue. The author compares The Humble Room to Zhuge Lu and Ziyunge. We say this is not too much, and it also highlights the master's heart of "being poor and enjoying the Tao", so we say, "What is humble?"

By praising the humble room, this inscription expresses the author's life interest of keeping noble moral integrity, not seeking Wen Da, and being poor and happy.

From this article, we can see that the author pursues elegance and spirit, which makes people feel that the humble room is not simple, that is, the words that directly describe the humble room are "moss marks on the top, grass is green in the curtain", which also makes people feel a little "simple" and gives people more of a hut covered by lush grass, full of vitality. This is really a humble room.

[Edit this paragraph] Expression and writing skills

The original intention of the author's quotation from He Lou is that "a humble room is not humble"

"Dexin" dominates the whole article

In terms of expression, Humble Room Inscription integrates description, lyricism and discussion. By describing the elegant environment of the "humble room" and the elegant demeanor of the master, I express my noble and quiet feelings.

The writing techniques of Humble Room Inscription are complicated, including comparison, sketch, suggestion, allusions, metonymy analogy and so on. Only 8 1 word. Moreover, it has a strong sense of rhythm, and it reads naturally and smoothly. The songs are lingering and memorable.

Judging from the sentence pattern, Humble Room Ming is mainly parallel prose, with neat sentence pattern, clear rhythm and harmonious phonology, giving people a visual aesthetic feeling. However, the sentence "What is humble?" The inscription in my humble room is also a loose sentence. Therefore, in the sentence structure, "Humble Room Ming" is a combination of parallel prose, which makes the article have a bright rhythm, patchwork language, cadence, harmonious and pleasant feeling to read, and gives people the aesthetic feeling of music. At the same time, the article is mainly composed of five words, with four words and six words in the middle, so the sentence patterns are uneven and the article rhymes to the end.

Judging from the clues, the concept of "only I am fragrant" runs through the whole paper: at the beginning, it leads to "only I am fragrant", then it expresses "only I am fragrant" from the aspects of room environment, communication and daily life, and finally sets off "only I am fragrant" with "Zhuge Lu" and "Zi". This is the author's subjective feeling.

With the help of humble reasoning, the article expresses the noble character of the author with lyrical style. He sees reason in everything and shows emotion in the scene. It can be said that "love is born of scenery, and scenery is born of love." In this way, the author's leisure and the beautiful scenery of the room are written implicitly and vividly.

This article skillfully uses allusions. Take Zhuge Lu and Ziyun Pavilion for example, and quote Confucius: "What's wrong?" Explain that the humble room is not humble, thus enhancing the credibility and persuasiveness of the article's reasoning.

In short, the author does not flaunt himself as a "gentleman" in the article, but respects morality and studies law as a gentleman, showing a detached and optimistic attitude towards life setbacks and career bumps. Only in this way, we regard it as a lyric poem praising the humble room to show its owner's indifferent and elegant life interest, rather than an essay explaining that the humble room is not humble.

[Edit this paragraph] Appreciation of works

According to the content of the article, we can divide this essay into three parts:

I. (1-3 sentences):

Starting with the mountains and rivers, The Humble Room Inscription leads to the topic, which not only appears extraordinary, but also lays the foundation for the praise of humble room in the future. The mountain may not be high or low, and the water may not be deep. As long as there is a dragon, you can be famous. Therefore, although you live in a humble place, you are "fragrant" because of your master's virtue. In other words, of course, the humble room can be famous because of the existence of people with high moral quality, and its reputation can be spread far and wide, and a stone can be carved to commemorate it. Ordinary landscapes give birth to dragons, and humble rooms can of course spread incense through people with high moral quality. This skill of using force is really wonderful, and it can also be described as the author's original creation. In particular, the fairy dragon is the crowning touch of the landscape, and the conception is wonderful. "I am a humble room, but I am virtuous and fragrant", which begins with a fairy tale of mountains and rivers. The author turned his pen and went straight to the subject, which seemed abrupt, but when I looked back, it was seamless, because the comparative sentence above just paved the way for the introduction of this sentence.

From this point of view, the author wrote this essay after repeated thinking, not on impulse. A quatrain can be an epiphany, but the seamless connection is the accumulation and repeated deliberation of usual skills.

Second, (4-7 sentences):

These words describe the simple environment and colorful daily life. "The moss on the stage is green, and the curtain grass is green. There is no Ding Bai who laughs and has a university. You can tune the pipa and read Jin Dian. There is no confusion of bamboo and bamboo, and the case has nothing to do. " It is the author's summary of the life of people with high moral quality. After the author's interest was clarified in the previous words, the reader's thoughts also entered a good situation. At this time, readers are more likely to accept the author's ideas. He hints at the author's quiet mind with the elegant color of green on the moss mark, and points out the eternal and vibrant life state in silence with the vitality of cyan, using metonymy rhetoric. Make friends, know friends, are noble people, study classics on the piano, and live a leisurely life. Away from noisy music and depressing official duties, such a leisurely life is really enviable. This kind of life style, which is both like a hermit and a secular life, is envied by nobles and yearned for by ordinary people. Through these descriptions, we can see a picture of a fairy's life and express the elegant life interest of the humble owner.

Note: the sixth sentence is a positive description, indicating that the author is calm and calm; The seventh sentence is a negative description, which shows the author's rejection of secular life.

"Nanyang Zhuge Lu, West Shu Zi Ting Yun". The author compares Zhuge Liang's thatched cottage in Nanyang with the Xuanting in Yang Zi Yun of Xishu, which leads to his humble abode and the meaning that Zhuge Liang and Yang Xiong are his companions. It also shows that the author regards these two as his role models and hopes that he can have noble moral conduct like them, which embodies his thought of taking the ancient sages as his own responsibility, and also implies that burrow is not humble. In fact, there is another meaning in Liu Yuxi's writing, that is, Zhuge Liang is waiting for the sage to come out in the hut in the middle of the country. What about Yang Xiong? But he is a scholar with fame and fortune and devoted himself to reading. Although he is a top official, his indifference to the ups and downs of official positions and money is a model for future generations. Liu Yuxi quoted the meaning of these two people. What he wants to express is: don't be chaotic in times of crisis, don't be afraid in times of crisis, stick to moral integrity, and don't be surprised by honor or disgrace. I don't want to go with the flow, but I want to show my ambition when I meet the wise Lord of SHEN WOO. If I don't have a wise Lord, I would like to be plain. This combination with the ups and downs of Liu Yuxi's officialdom is more in line with the actual situation.

(8-9 sentences):

The last sentence quoted "Confucius: What's wrong?" Quote the words of the ancients, wrap up the whole article, and explain that the humble room is "not ugly" Expressed his pursuit of the highest moral quality of feudal ethics at that time. Perhaps Liu Yuxi's highest requirement for his moral quality is to use the ethical norms affirmed by saints and demand himself. This conclusion, no matter what the content means, combined with the meaning of the question, is ingenious. Because feudal ethics takes Confucian moral standards as the highest moral standards, the affirmation of Confucius saints also gives the best conclusion for his moral quality theory. The thesis should have arguments, and quoting Confucius' sacred words as arguments is undoubtedly the best argument at that time, which is sufficient and irrefutable.

It can be said that the theme of this essay is to express the author's noble sentiment of being indifferent and not serving through the description and praise of the humble room, and to reflect his noble character of not colluding with the powerful.

[Edit this paragraph] Writing characteristics

(1) How to express your will by holding something.

(2) the idea of reverse conception

(3) antithesis rhymes neatly

(4) Use analogy to make the article more vivid.

(5) The concept is novel and unconventional.

[Edit this paragraph] Style introduction

Inscriptions are some eulogizing or admonishing words carved on metal utensils and inscriptions in ancient times, which are used to describe life stories and are mostly used to eulogize and exhort others. Later it gradually developed into an independent style. Due to its unique historical origin, this style is short and concise. According to the classification of China's ancient style, "Ming" is a practical writing. If you understand the meaning of the inscription, you will understand the meaning of the question, that is, to praise the humble room, and the content included is to praise the noble character of the people in the humble room. In fact, it is to praise the reality of moral quality in the name of humble room, which is what the author really means. Express your ambition by holding something, so as to clarify the author's attitude towards life and outlook on life. This is quite similar to Ailian's Theory.

relevant issues

1. The analogy leads to the main idea that the mountain is not high, but the fairy is famous. The water is not deep, and the dragon is the spirit. )

2. The main sentence of the full text is (Confucius: What's the matter? )

3. In this article, a sentence that truth and reality set each other off becomes interesting is (there are great scholars in conversation and laughter, but there is no Ding Bai in communication. You can tune the pipa and read Jin Dian. )

The author's sentence is (Zhuge Lu is in Nanyang, and Ting Yun Pavilion is in Xishuzi. )