Zhong Dafeng's China Film History+Zheng Yaling's Foreign Film History If you want to be detailed enough, please read these two thin books carefully and make it clear. This book won't mention all the knowledge, but if you ask questions about the creation of private film studios after the founding of the People's Republic of China and the creation of the Soviet Union during the freezing period, you will be uncertain, vague and don't know how to start. Don't say you seem to have seen it, but you just don't think there is anything to see. This is my lesson. I read the book Film Aesthetics by Peng Jixiang as the main reference book of film theory. This book is very organized. The first part is a summary of theoretical development, and the second part is an example analysis of some problems. I made careful notes on the last article, and used them as the main review materials after I finished it. Chen Xiaoyun's "Fundamentals of Film Theory" I found this book at the beginning of 5438+ 10, and I went to Boku to get the book I ordered on the 8th. Because you know the psychology at that time, I was very flustered and felt that I had read it for months without knowing anything. Results In this state of mind, I saw a big problem about the absence and presence theory of film actors in 2009. The detailed development of the theory of absence and presence mentioned in this question was not found in any previous book, but I found that there was a positive solution in this book. The book is still very organized, neither deep nor shallow, but in fact it is just such a very positive question that surprises me. Others are quite satisfactory, and other books will also have them. Moreover, since 20 1 1, the literature department has changed a lot and no longer gives questions from the question bank. They are all new ways of proposition, and the reference value of the previous question bank is not so great. Yang's Selected Works of Foreign Film Theory contains many works of this book. Later, I learned that some school teachers also recommended this book to students who took the postgraduate entrance examination. But my personal opinion is that this book is not very efficient from the perspective of entrance examination. Read the fine print at most. It's easy to take what you do as a big deal when you take the postgraduate entrance examination, thinking that you have to read some original papers if you want to take the postgraduate entrance examination. Don't have such a mentality. After all, you still have knowledge and basic professional knowledge during the initial test, and you can only be serious after the second test. Therefore, we should prepare for the exam with a purely exam-oriented heart. This book can be ignored at this stage. Chen Xiaoyun Beijing Film and Television Art Research Report. You will find this book very unexpected. You haven't heard of it. I just bought it. But now that I think about this set of books, it's still good. In my spare time, or when I want to be a college student, I can take time to read foreign original theories, which can make up for the current development of China's film industry. It's useless to say how useful it is, but it's still worth mentioning, because after all, there may be several hot spots in the last year or two, so it doesn't hurt to know more. This is as useful as going to the reading room to see the journal of the Film Academy or contemporary movies. This year, we have seen the development of China's comedies in the past 78 years. Damn, my knowledge of comedy was seven or eight years ago. I can only sort out a rough idea by my own understanding of some scattered movies. But when I came back, I found that this set of books discussed an innovation of comedy movies in the past two years. Unfortunately, I didn't read much before the exam. David? Baudville's World Film History is a very heavy world film history. I don't think this book is suitable for preparing for the exam, nor for most students with poor generalization ability in China. I read this book very carefully because I have opened such a course and just started preparing for the exam. Some parts are very detailed. If you want to read them, I suggest you look back at this book when you have a macro concept of the development of the overall film history theory. Shao's Introduction to Western Film History, China Film History and Zhou Xing's Film Art History were all recommended to me when I was preparing, especially Shao's. Later, I borrowed all three books from the library instead of buying them myself. I intended to read Shao's book carefully, but I forgot why I didn't read it. It may be too late, but everyone has a good reputation. Personally, I think these three books are supplements to the previous basic books. If I encounter any problems and want to know more, or turn it over and think that part is particularly good, I will read that part carefully. But I didn't see it from beginning to end. It depends on your own situation. If you think these two or three books are good, they can also be your main reference books.

Bibliography of film script creation preparation and research direction of film script theory

1. Drama theory:

Several problems in writing screenplays —— Introduction of Xia Yan's screenplays: from Literature Department of Film Academy to Film Temple; Honors in Literature Department of Film Academy; Su Mu; Li Yu's feelings; Aristotle's Poetics; Hegel's aesthetics.

On the theory and skills of drama screenplay creation: Lawson's screenplay; Mr. freeh.

Syd Field, the basis of screenplay writing.

Sid field, a guide for film writers to solve problems

The elements of film, Bobuk, the language of film, Marda, the concept of film, Thoreau, the essence of film, kracauer, what is film? Bazin's Dictionary of Film Art, as an artistic film Rudolf Einheim on the screenwriter, director and actor of the film. Film Works: World Film, Contemporary Film and Film Art The compilation of the research direction of foreign film history Zheng Yaling, China Film History Zhong Dafeng, Shu Xiaoming, Shen Songsheng, Introduction to Western Film History Shao, sadoul, Review of Film Theory History Nick Brown, Chinese and Foreign Film Dictionary Liu Wang, Wang Zhimin and Chen Shan. Shu Xiaoming's Course of China Film Art History; Taiwan Province film history, edited by Chen; Mirror Image and Culture: Hong Kong and Taiwan Film Studies, edited by Wang Haizhou; Wang Zhimin's principle of film aesthetic analysis: Honor-a textbook of film analysis course of Beijing Film Academy, Su Mu;

Liu Wang, editor-in-chief of Chinese and foreign film and television dictionary;