In order to help you know more about Huangmei Opera, I will share the artistic characteristics of Huangmei Opera below, hoping to help you!

aria

The aria of Huangmei Opera belongs to plate variation, which has three major cavity systems: coloratura, coloratura and main melody. Coloratura mainly plays a small play, with healthy and simple tunes, beautiful and cheerful, and a strong flavor of life and folk songs. Multicolored tunes are cheerful and have been widely used in colorful operas. Huangmei Opera is a traditional theme in the original drama, which is divided into Pinghua, Huogong, two lines and three lines. Among them, Pinghua is the most important aria in the original work, and its tunes are solemn, graceful and generous. Huangmei Opera is famous for its strong lyricism, rich charm, simple and fresh singing, delicate and touching, lively and lyrical, rich expressive force and easy to understand, and is deeply loved by people everywhere. In music accompaniment, the early Huangmei Opera was played with three percussion instruments: drums, cymbals, small gongs and big gongs. And at the same time participated in the help, known as? Strike three and sing seven? . After the founding of People's Republic of China (PRC), Huangmei Opera formally established an accompaniment system with Gao Hu as the main instrument.

Huangmei opera is euphemistic and fresh, which can be divided into two categories: coloratura and Pingci. Coloratura is mainly used to perform small plays, full of life and folk songs. Interlining? Like what? Hushe? 、? Hello? Something like that what's up Couples watching lights? 、? Blue Bridge Club? 、? Beat pig grass? Wait; Pingci is the most important aria in the original work, which is often used for long narrative and lyric. Does that sound euphemistic and melodious? Liang Zhu? 、? Fairy couple? Wait a minute. Modern Huangmei Opera has been enhanced musically? Pinghua? The expressive force of quasi-aria is often used in lyric and narrative, and it is the main aria of the original drama; Break through what? Coloratura? The limitation of special drama absorbs the elements of folk songs and creates a new cavity that blends with traditional singing. Huangmei Opera, with Gao Hu as the main accompaniment instrument, supplemented by other national musical instruments and gongs and drums, is suitable for performing plays with various themes.

I. Language

The language of Huangmei Opera is based on Anqing dialect and belongs to Jianghuai Mandarin, a northern dialect family. Its characteristic is that the lyric structure of the whole drama is mostly seven sentences and cross-sentences. Seven-character sentences are mostly two, two and three structures, and cross sentences are mostly three, three and four structures. Sometimes seven-character and cross sentences can be used as the framework according to needs, and the number of words can be compressed or expanded, while the tunes mostly use overlapping sentences. The lyrics of coloratura opera are flexible and changeable, ranging from three to seven words, often mixed with various meaningless spoken words. The number of sentences is not necessarily even. Sometimes odd sentences are even when the last sentence is repeated. Singing methods are all sung in Anqing Mandarin, which is close to Mandarin. The vowels of the whole drama are read and sung in Mandarin, and the short drama is sung in Anqing local dialect, and the singing is still in Jianghuai Mandarin.

trade

What is the system of Huangmei Opera's role business? Two plays? 、? Three plays? Developed on the basis of. After the whole drama was staged, the role industry gradually developed into Zheng Dan, Zheng Sheng, Xiao Dan, Xiao Sheng, Clown, Lao Dan, Naisheng and Huahua. Before and after the Revolution of 1911, roles and industries were divided into upper four feet and lower four feet. The above four feet are: Zheng Dan (Tsing Yi), Laosheng (White Beard), Zheng Sheng (Black Beard) and Painted Face; The next four feet are: Xiao Sheng, Hua Dan, Joker and Lao Dan. Although there is a division of labor, few people specialize in one line. After the 19th year of the Republic of China (1930), Huangmei Opera Troupe often performed on the same stage with Hui and Jing Banshe. Due to the need of performing repertoire, Beijing Opera Blues and Wu Erhua appeared again, but they were not fixed. At that time, the Huangmei Opera troupe was mostly semi-professional, with only three dozen singers, twelve people on the stage (managing costume props) and twelve people under the stage (making tea). Business collocation basically consists of seven lines: Zheng Dan, Zheng Sheng, Xiao Dan, Xiao Sheng, Clown, Lao Dan and Huahua. Because there are few clubs in the class, when performing the whole drama, it is often an actor who has to play several roles at the same time. Therefore, in Huangmei Opera, although the roles in the play have professional norms, the actors have no strict branches.

Zheng Dan: Play more serious and decent adult women and have a duet. Performance needs stability and generosity. Their roles are as follows: Wang Sannv in Buckwheat, Chen in Rope, and Chen in Fish Net Meeting Mother.

Xiao Dan: Also known as Hua Dan, she often plays a lively and affectionate girl or young woman, demanding equal attention to singing and doing, and reciting white with Xiaobai (Anqing Mandarin), with a crisp and sweet tone. He often holds handkerchiefs and fans during performances and dances with simple towels and fans. His roles include: Tao Jinhua in Sleeping Pig Grass, Zhao Cuihua in Youchun and Liu Fengying in Xiaoci Shop. In the full play, Xiao Danxing subdivided her career as a girl and a servant girl. Take it. . Danxing is the main business of Huangmei Opera, Lao? Once you choose one? Said.

Xiao Sheng: Play more young men, sing loudly, and often hold a folding fan when performing. His roles include: Wang Keke in The Story of Roper, Wang Jinrong in Chun Xiang, Li Zhaoting in Ma Xu, Yong Dong in A Match Made in Heaven, etc.

Clown: There are three lines: clown, old ugly and female ugly (Sedan). In Huangmei Opera, ugliness is more popular. Clowns often hold a seven-or eight-inch long tobacco pouch to entertain performances, while old uglies hold a two-or three-foot long tobacco pouch to gag and adjust the performance atmosphere. The roles played are Yang in Beating Tofu and Toad Fishing.

Lao Dan: Playing an elderly woman is mainly a supporting role in the play. For example, Mrs. Wang in buckwheat story.

Painted face: There are few specialized painted face works in Huangmei Opera. In addition to playing the role of Bao Zheng in drama, most of them play the role of bullies and village heads, such as Cao Ding in Flower Selling and Yu Biao in Erlongshan.

Zheng Sheng: Also known as hanging beard, it can be divided into black beard and white beard. Generally speaking, the black beard is called Zheng Sheng and the white beard is called an old student. Recite repeatedly, pay attention to the spout, and pronounce words forcefully. His roles include: Xu Wenjin in The Tale of Buckwheat, Zhang Chaozong in Gao Jingcheng, and Zhang Bailing in The Strange Case of Tongcheng.

Dress

The costumes of Huangmei Opera are a continuation of the traditional costumes of the Han nationality, but more than those of the Tang, Song and Ming Dynasties. Compared with Beijing opera costumes, they are less gorgeous, gorgeous and enchanting, but more beautiful, natural and meaningful, forming a romantic style.

cosmetics

Huangmei opera makeup focuses on eyebrows and eyes. Different from the eye contours and gorgeous masks depicted in thick ink in Beijing Opera, Huangmei Opera costumes pay attention to blooming and charm, similar to the light makeup of ancient ladies. True and simple, young students have raised eyebrows and micro poly eyebrows, which are handsome and beautiful. Hua Dan eyes amorous, look around, naturally a dense romantic. Different from other operas that pursue gorgeous charm, Huangmei Opera is more like a Shan Lan, lingering and charming, and slowly permeating gorgeous in elegance.

musical instrument

Huangmei Opera was originally accompanied by percussion instruments. What was it called? Strike three and sing seven? . During the War of Resistance against Japanese Aggression period, he tried to explain his accent with Jinghu. Later, I tried erhu accompaniment, but failed to promote it. It was not until the early days of the People's Republic of China that Gao Hu was gradually identified as the main accompaniment instrument, and national instruments (including Gao Hu, erhu, pipa, bamboo flute, dulcimer, suona, drum, etc. ) gradually established. A mixed band supplemented by western instruments (electronic organ, clarinet, harmonica, etc.). ) to enhance musical expression.

Accompaniment gongs and drums were originally only big gongs, small gongs and flat drums, which were called? Strike three and sing seven? That is, three people play percussion instruments and participate in vocalization, and seven people sing. Later, the drummer also played bamboo root festival and cymbals, and three accompanists sat inside and outside the entrance door and in the middle of the grass platform (drummer) respectively. After 1930s, influenced by Huiban and Peking Opera, it gradually entered the stage. Traditional gongs and drums are simple to practice, and there are one, two, three, four, five, six and nine hammers commonly used, and thirteen and a half hammers and four hammers are not sticky (also known as? Grandpa? ), toad jumps, phoenix nods, three arrows, pushing the bus, etc. Accompanying the performance of the characters are gongs and drums, thirteen hammers and a half, seven-character gongs and gongs. After the founding of New China, they gradually absorbed the skills of Peking Opera and created some new gongs to meet the needs of performance and accompaniment.

Second, singing.

Huangmei opera has three singing methods: main cavity, coloratura and three cavities (? Color cavity? 、? Strong first? 、? Vaginal cavity? Three kinds of cavity collectively).

The main theme of Huangmei opera

The main cavity is the most dramatic and expressive cavity system in the traditional singing of Huangmei Opera. It is based on the principle of plate-shaped variant (or plate cavity) as the music structure, which is the main feature that distinguishes it from Qupai couplet (or Qupai style)? Coloratura? And what about those with institutional characteristics? Three cavities? .

The main theme does not mean that it will always be the main theme in all the plays of Huangmei Opera. In fact, coloratura plays basically don't need the main cavity, and some big plays don't need the main cavity either. This chamber system is called the main chamber because of its musical form and musical expression function. In addition, judging from the development history of Huangmei opera music, the main cavity is later than the coloratura and the three cavities. This development process coincides with the development of the repertoire from one-man show, two mini-plays, three mini-plays to series, which can finally play the whole drama. Therefore, it can be considered that the main melody is the product of Huangmei opera's development to a mature stage. Its appearance marks the determination of the basic style of Huangmei opera music.

The coloratura of Huangmei Opera

Huangmei Opera originated from folk songs and dances. The lively source of Huangmei opera is the labor songs of villagers in the mountains, the alley songs known to women and children, and the songs and dances in the Lantern Festival fire. In the process of forming the results of the first stage, Huangmei Opera also formed more than 100 ditties. Coloratura? Cavity system. Coloratura comes from folk songs, but its function is not the same as folk songs. It stepped onto the stage from Tian Tou, from casual singing to designated drama situation, conveying the voice of the role. The coloratura minor we see today, no matter how similar it is to folk songs, has indeed experienced the polishing of dramatic waves, has some characteristics of dramatic music, and is a folk song-style qupai system.

1. Artistic features of coloratura

The artistic characteristics of coloratura are manifested in the bright mode color, concise expression technique, rhythmic dance, colloquial melody lines, interspersed lyrics structure and so on.

Flower cavity is a cavity system with rich patterns. There are typical pentatonic palace, quotient, horn, horn and feather modes, as well as pentatonic scale and six modes using partial tones. Different timbres of coloratura will not lead to great contrast in expression. Whether it is the palace in major, the tone-seeking style or the feather, horn or body in minor, it is not used to show heroic spirit, but also to show sadness and weakness. Driven by rhythm and rhythm, they are full of joy and banter in the ups and downs of the melody line. It seems that everything is transparent and optimistic, and the complex model just adds color. The expression tendency of coloratura, seeking lightness instead of weight, and optimism without falling into a stable Tang Dynasty have become the basic qualities that Huangmei opera music and even the whole Huangmei opera art have to pay attention to.

The simplicity of expression and expression is also a feature of coloratura. Judging from the lyrics, material romance is good at quick wit. For example, Escape from Water Shortage? A small bamboo pole is three feet long. How many copper coins can jingle? What's your name? Lotus box? And "Looking at the Lights"? The eldest son came to see the lamp and squeezed his head out. The dwarf came to see the light. He squatted in the net. The fat man came to see the lamp, and he was so crowded that he sweated. The thin man came to see the lamp and he huddled up? Are examples. From the musical point of view, simple music, natural language, intensive text arrangement and catchy melody are both simple and generous.

The rhythm of coloratura has the rhythm of national dance. It is accompanied by gongs and drums, smooth? Longmallet? , five river characters on and off,? Coloratura two mallets? 、? Coloratura four mallets? 、? Coloratura six mallets? Sticking to all parts of singing, either in the head or in the door, gives performers and audiences an irresistible sense of movement.

The melody line of coloratura is very colloquial. It not only conforms to the tone value of local dialect, but also expresses the stress of gong and the language potential of people deliberately emphasizing a word when they speak. Coloratura 100 Many songs come from many places, such as? Lotus? 、? Fengyang Song? From the north? Flower tune? From Jiangnan, the variation caused by language factors is very obvious in the evolution of these tunes. Therefore, the colloquialism of coloratura melody is an important link to unify coloratura style.

Coloratura often uses interlining in lyrics, and some tunes even have? Put the cart before the horse? Phenomena, such as? Pumping? What is the only ideogram? Go out and look up, three roads go in the middle, a little love song of Nu people? 20 words, just a lining? Go out, look up, look up, three roads, gnome male-",gnome male-",gnome male-",gnome male-",gnome male-",gnome male-",gnome male-",gnome male-". ? It should be noted that many coloratura words are an indispensable part of the tune, which expands the musical structure and enriches the short tunes of two sentences and three sentences. The non-ideographic nature of the mezzanine leaves a blank for the singer, who can dye his recognized emotions at will. Of course, it is difficult to capture the meaning of easy-to-understand words with too many interlinear words, which goes without saying.

2. The usage of coloratura

Observe the usage of coloratura from two angles, one is the relationship between coloratura and drama, string drama and drama, the other is the change of coloratura ditties and the relationship between ditties.

Coloratura is closely related to traditional Chinese opera, which is almost synonymous with traditional Chinese opera. In small plays, coloratura mostly sings special songs, such as? With flowers? 、? Beat pig grass? Dedicated to "playing pig grass"? Open the door? 、? Look at the lights? Dedicated to "lovers watching lights" and so on. The use of coloratura in string plays is similar to that in small plays. In the play, coloratura is just an episode.

The change of a tune in coloratura itself is mainly the change of melody line. This change often happens when the actors in short plays or string plays use music. Like what? Beat pig grass? Tao Jinhua's performance is slightly different from Jin's singing in the field. The female voice moves within an octave, often colliding with the highest sound at the beginning of the phrase, and the melody is lively and smooth; The male voice avoids the high notes of the female voice and moves within six degrees, making the melody lines more angular.

Coloratura belongs to Qupai couplets. It is common for a play to use 1~2 coloratura ditty (10% discount for short plays or string plays). These ditties use the prototype, but they also produce some variants, which are unfolded on the melody or plate. For example, the first half of "Beating Pig Grass"? Beat pig grass? There is a difference between male and female melodies. What about the second half? With flowers? First the chorus of men and women, and then it developed into? Adjust the flowers to the right board? . Coloratura also occasionally uses the main cavity in small plays, such as "Beating Pig Grass"? Adjust the flowers to the right board? And then all of a sudden? Flat cutting board? Let's go But more often, the coloratura and the coloratura in the three cavities are combined into one. For example, the short play "Couples Watching Lights" starts with a five-tone tone tone, followed by a five-tone palace tone and a male tone dominated by a female tone? Open the door? . What about the future? Open the door? Re-create a plate change to form two different songs? Open the door and adjust the board? . When do you sing? This lamp has passed, but there is another lamp in that carriage? What time? Color cavity? Variants of and? Open the door? Combination, constitute the change of tonality? Look at the lights? ,? Look at the lights? And introduce? Color cavity to plate? Amplified the style of music, strongly maintained the mode and tonality of color cavity, and the whole play finally ended in the color cavity of male and female chorus. The color setting cavity factor is A, the door opening factor is B, and the combination of the two is C. The bold line change of "Lovers Watching Lights" is A-B-C-A-C-A, and the structural technique of concentrated materials and proper comparison is still an excellent tradition that cannot be ignored.

3. The dramatic musical features of coloratura

The dramatic musical characteristics of coloratura are manifested in the awakening of role consciousness and the use of plate means.

If you take the typical. This one? The musical image is positioned at the highest level of the performance of traditional Chinese opera music. Then, the middle is stylized professional singing, and the bottom is the product of budding role consciousness, which is a simple separation of men and women. The motive for this distinction is obvious, that is, to let people hear the gender of the role from the music.

The penetration of plate change into coloratura leads to the further appearance of dramatic music characteristics. Like what? With flowers? 、? Open the door? 、? Asking for a salary? They all evolved into the opposite form, which enhanced the narrative function of coloratura. In addition, the rolling tune, which is considered as the main feature of Qingyang cavity, also enters the flower cavity in the form of rolling plate, such as? Open the door? There is also a rolling aria without eyes, which makes the music have a contrast of density and speed and strengthens the dramatic performance.

Three tunes of Huangmei opera

Three cavities? Color cavity? 、? Strong first? 、? Vaginal cavity? The three cavities are collectively referred to as.

These three holes have many similarities. First of all, the three-cavity music system combines the factors of qupai style and banqiang, showing? Quasi-plate cavity The state of. There is a basic cavity in each of the three cavities, and the colorful cavity and the fairy cavity are four sentences. Their word position arrangement, complex sentence position and usage of gongs and drums are relatively fixed, which has a sense of freeze-frame of Qupai style. However, each cavity of the three cavities derives a pair of plates or several plates, which also forms some supplementary cavity sentences. So the three cavities also have the characteristics of plate cavities. Secondly, in the aspect of male-female separation, the three-cavity is not only different from the transposition connection of the male-female cavity in the main cavity, but also different from the singing method of the male-female cavity in most coloratura ditties, except that the male-female cavity is quite different in melody and easy to distinguish. Furthermore, in terms of drama performance function, Sanqiang has both lyric and narrative performance ability.

The top three are sisters with different tastes, and their differences are also obvious. For example, the sources of the three cavities are different. Color cavity, also known as? Tone? It is gradually evolved from coloratura ditty. Also called Qiang Xian? Daoqiang? 、? Daoqing? Taoist music, produced locally, entered Huangmei Opera directly or was absorbed by Qingyang Opera and passed on by Huangmei Opera. Yin cavity is also called? Fuxing cavity? , from Qingyang cavity, so it is also called? Yin Si Gao Qiang? . The forms and uses of the three-cavity are also different: the color cavity expresses cheerful and festive feelings; Male fairy tune has a kind of free and easy bearing, and through special singing, it can also get a strange comedy color or express sad emotions. Yindiao is a gloomy tone, which was originally used by the dead or dying characters in the play to express their sad feelings. Its words are sad and its voice is sad, as if it had entered the underworld. In addition, the modes and sentence patterns of the three-cavity are also different. There are five tones and six tones in the color and fairy tones, and the yin tone is a five-tone business tone.

1. Cai Qiang

The basic structure of color cavity is four sentences. Male and female voices keep the same mode, the same arrangement of characters and the same core music, but the melody line is that male voices go down and female voices go up. Same color cavity? Coloratura six mallets? Do it first, then use the second sentence after singing? Coloratura four mallets? Is the third sentence used after singing? Coloratura two mallets? , there will be coloratura after singing? The gavel in the flower cavity? Stop the aria. The color cavity is key signature type, mostly five tones, occasionally aiming at directly changing the palace tone. The falling tones of the four-sentence cavity are 5 5 6 5 respectively. The old color cavity is somewhat specious to Huangmei tea-picking drama, and the falling tone of the four-sentence cavity is 6 5 6 5 or 1 5 6 5. Judging from the music material, the second sentence of the color cavity is very similar to the fourth sentence, while the third sentence is very expansive, forming ABCB's? Take over and turn over? Structure.

The auxiliary disk of the color cavity includes a pair of disks and a loose disk, both of which are composed of the upper and lower sentences. This kind of plate, a solo or two duets, enhances the narrative function of color cavity. There are five words and seven words in the lattice. On the blackboard, the following sentences are often related to having. Turn? The third sentence of the colorful cavity with sentence function is connected together, and the second sentence of the colorful cavity can also follow the sentence on the board, or follow the board after singing a colorful cavity. What are the complementary sentences of color cavity? Mai Qiang? It replaces the third sentence. Mai Qiang's sentence width is shorter than the third sentence, ending at 1, which is fresh and increases the motivation of music. The way of falling color cavity is to slow down the ending sentence and form a buffer with decreasing speed to cause termination. In addition, the color cavity is also left? Cut the board? Go ahead. Cut the board? Melody and? Flat cutting board? Roughly the same.

The four basic phrases of color cavity are sometimes enlarged by the increase of lyrics. One way to extend it is to use? Add a hat at the beginning of the sentence? One way is to increase the line cavity, and the other way is to increase the roll singing. For example, the ugly singing of Saint Amethyst, because of the change of lyrics, has produced a large section of colorful cavity, which is clear and rolling. The changeable example of coloratura shows that the traditional singing method of Huangmei Opera has always had great freedom. When a certain tone forms a rough frame, a clever artist will? According to this and Yan Wen? Starting from the ontology with unclear edges, a large number of edges are bred, which can even be greatly increased or decreased and evolved into various varieties. This is probably created by folk artists, right Composition? .

Because its music system is between the main cavity and the flower cavity, the combination of color cavity and flower cavity is also very common, especially in the small play, the combination of color cavity and flower cavity is more frequent. In addition, in the early theatrical performances of coloratura, coloratura is often used? Lottery? . The so-called lottery is a fund-raising activity outside the play and a means for artists to earn income. Aside from the vulgar performances of some artists in the lottery, the tunes used in the lottery should be the vocals that have the widest audience and can best represent the characteristics of traditional Chinese opera. An artist? One in a hundred? Choose it, the audience? Never tire of listening? If it is accepted, then the morphological characteristics and musical taste of the color cavity can not be ignored.

Step 2 be strong first

The basic structure of Xianqiang is also a four-sentence style, but its form is more complicated than that of Cai Qiang. First, we should repeat the lyrics in two places, one is the last three words of the first sentence (seven sentences), and the other is the repetition of the fourth sentence. In this way, the length of the four-sentence cavity becomes uneven, resulting in the contrast effect that some phrases are skipped and some phrases are emphasized.

Complex sentences are common means of expression in high tones. In Yuexi Gaoqiang, complex sentences should be circled with symbols in the manuscript, which shows the artist's attention. High-pitched complex sentences, repeated lyrics are covered by new melodies, and the cavity amplitude has also changed greatly, similar to the complex sentence technique of fairy tune in Huangmei Opera.

Xianqiang also uses coloratura gongs and drums. With what? Coloratura six mallets? It's in the head. Is it available? The gavel in the flower cavity? Closing the beam is the same as the color cavity. But the civil war cavity is sandwiched between the first sentence cavity and the three-word complex sentence? Coloratura two mallets? After the three-word compound sentence, what follows? Coloratura four mallets? , formed the first lyrics (including complex sentences) in full swing, which is very different from the more uniform usage of gongs and drums in the color cavity. Old fairy, do you still use the auxiliary cavity, still use it? By the cavity gong? Clapping your hands with a cavity, these are the characteristics of high cavity. There are several auxiliary boards (also called anti-boards) in the fairy cavity, which are the upper and lower sentence structures formed by repeated changes of the second sentence and the third sentence in the fairy cavity.

What are the cavity-filling sentences of Xianqiang? Mai Qiang? , sentence width and stop and? Color cavity? Same.

The first strong has a remarkable feature, which can form different variants through mutation. This variant is not slightly different in the general sense, but has considerable differences in expression. Take The Fairy Match as an example. When public fairies secretly came to Tianhe to enjoy the beauty of the world, they expressed their joy after liberation with a fairy voice. When the seven fairies used magic to make the Millennium locust tree speak, the strange and exaggerated male singing fairy cavity cooperated with this magical scene; When Yong Dong learned that the seven fairies would be forced to leave him, and the old pagoda tree, as a witness of the media, was speechless and helpless, he sang sadly: Dumb wood, dumb wood, don't even speak for three times. ? The fairy accent is still used here. Such different situations, different characters and contrasting emotional expressions are all reflected in fairy tales.

3. Vaginal cavity

Yin Si Opera is the most single and protracted of the three main operas in Huangmei Opera. Dedicated to sadness, there are four to six bars at the end of the upper and lower sentences.

The Yin Room is full of twists and turns, touching and very good at expressing the despair of the people in the play. Because of this feature, it is often combined with the main cavity to form the sad cavity surface of the main cavity.

The vaginal cavity is a pentatonic scale. Modal color is different from main cavity, color cavity and fairy cavity. This makes it stand in the group cavity and easy to distinguish.

Vaginal cavity is not suitable for repeated use because of its long sentence and single expression. Generally, it is only transferred to the auxiliary board and the supplementary cavity sentence once. Is it possible from here? Enlightenment? The requirements of banqiang for the upper and lower sentences: it rejects non-narrative long stories and short stories, and at the same time demands expression? Neutral color? Those cavity sentences whose emotions are too narrow and difficult to change should not be used as the prototype of variation, nor should they be the mother of the upper and lower sentences.

The auxiliary board of Yin Si Opera is a numeral board with the structure of upper and lower sentences, which has strong narrative ability. Its melody comes from the upper and lower sentences of Yin Si dialect, and it is also a pentatonic quotient mode. What is the filling sentence of vaginal cavity? Yin Si Maiqiang? Its structure and falling tone are the same as those of color cavity and fairy cavity. After the sentence commonly used in vaginal cavity, turn to vaginal cavity or other cavity. Due to the intercommunication of expressions, Yin points are often associated with? Cry? Together, the injured part, supplemented by the tone of crying, can have a stronger tragic performance.

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