"Ode to Shimen" eulogizes the story of Yang, a captain and Qianwei (now Leshan, Sichuan) in the Eastern Han Dynasty, who praised the oblique road and went to the number. The whole cliff is 26 1 cm high, 205 cm wide and 54 cm high. Ode to Shimen uses a round pen. It starts from the front and goes back to the front to collect the pen. The lines are calm and vigorous, and the words are stretched and indulgent. Thin and natural, it is known as the cursive script in official script. This is Han Li's masterpiece.
Ode to Shimen is a monument in the history of calligraphy in China. It is also called "West Narrow Fu" with Lueyang's Pavilion Fu and Gansu Chengxian's West Narrow Fu, which is the representative work of Fu in Han Dynasty.
Basic introduction Chinese name: Shimensong alias: Han, a captain, Qian Wei, (full name) Date of creation: Jian 'an year of the Eastern Han Dynasty (A.D. 148) Author: Calligraphy type: number of words in official script: 655 Current collection place: Hanzhong Museum calligraphy content, creative background, artistic features, stippling, structure, lines, and famous comments. Ze has a note, and Sichuan has a connection. Oblique (stele is the rest of the word) the river of the valley, its ze Nanlong. The favorable areas reached by all parties are filled. Gaozu was ordered to prosper Hanzhong. Tao flows from meridian to Qin. Establish the throne, and the Han family (the original species is "small") (do not write). After the meridian, the Tao (the original monument was painted with upper and lower structures) was difficult (the original monument was purlin). With more and more valleys, the light in the hall has been restored. All these four roads. Worship (the original monument is a memorial) and separation (not writing) are particularly difficult. As for Yongping, for four years, the imperial edict was tilted (the original monument was a surplus), the stone gate was cut through, Yuan Er was in the middle, the west was abused (another word), the bridge was broken, and the meridian resumed. Hanging up (the original tablet is the county word), winding (other words); Going down, you will enter the ghost (another word), and pour down (another word) (the original tablet is writing) and lose depth. Ping 'an Nao (another word, the interpretation of the word spring) is muddy, often cloudy and often fresh. Wood and stone refuse each other (the original monument is used as a distance), and the sharpening board (another word) is afraid of danger. The ethereal Qingqi (the original monument monster), stagnation (the original monument length) hinders (does not write) before. Evil pests (the original monument is added with a grass prefix), beasts (the original monument is used as the inauguration word), snake mites (other words). Frost cutting in late autumn. Marry He Miao (don't write). If you don't board all the year round, you will suffer from poverty. Those who are humble are evil (don't write) and respect happiness and security. Sadness is beyond words. "Ode to Shimen" is so wise (the monument is known), so I took a captain sent by Li Si as Yang Jun of Wuyang, and was loyal to him, so I invited him to play on the boat. There is a master of ceremonies to refute (say), a gentleman to argue, and a hundred people to listen to (say). The loser gets a reward from his experience. Work is important, open and dull. Cool and harmonious, Aining. In the second year of the founding of the People's Republic of China, at the beginning of mid-winter, Hanzhong Prefecture was the son of Wang Sheng of Wuyang. Involved in the calendar mountain road, pushing the order to the original, Jiajun wise (the original monument can be known), beautiful and virtuous, eulogizing virtue to Ming. His words say: Jun Deming, soldiers (don't write) are fascinated by light. Too many thorns (not writing), eight wastes are eliminated, and serving the chief executive inherits the shovel, which is stronger than the monument. Spring proclaims grace, and autumn falls in first frost. Unbiased and elegant (the original tablet teeth are like regular script ears, not ears). Quiet steaming, political communication, assisting the monarch. There are rules of etiquette. Xiao Xian geography, know the outline of the world. Words must be loyal, bandits must be arrogant. I'm afraid (not writing) the Hongda Festival is beneficial to my understanding. Go to Jin Zhuo to find out about North Korea. Interpretation (in other words) is difficult, safe, honorable and honorable. Yu chisels the dragon gate, and you follow it. On the bucket (like a word) pole, answer Huang Kun. From south to north, the four seas are connected. A gentleman takes pleasure, a man makes peace, a businessman plays with salt, and a farmer (who doesn't write) always does. Keep in mind the difference between spring and autumn, and make achievements today. Crying for hundreds of millions of years and sighing for generations. Preface: It is hard to predict that the Ming Dynasty contains benevolence (the original tablet is literate). I went to heaven, returned safely, worked diligently, and was honored in Li Xiu. Zhao Shao's word Ji Nan, a rafter with five senses, belongs to the literary treasure of praising (stele is another word) and assisting Xicheng (stele is written as a word) and (not written) with books. Wang Fu army and civilians and Valley Road are in danger, and six roads and bridges are separated. Responsible for Xicheng (monument), Han (not writing) and Lang (monument). The word "Gong" means "Commander-in-Chief", "Nan Zhengwei" (don't write) and the whole word "Apollo" (the tablet is king). Later, Zhao Yong was sent to Yu Gongliang, and Cao Zhuoxing was examined on the charge of setting up a monument. Making a stone product (making a monument as a different word) is the foundation of all times. Or solve the problem that the shelf is high (such as a flat plate) and easy to fall off. The monkey is happy (why not write something else). Apollo (memorial tablet is Wang Zi) is a disciple of this school (memorial tablet is a slave) and the leader of Anyang. The creation background "Ode to Shimen" is an inscription carved by Hanzhong Prefecture in recognition of Yang's achievements in digging the Shimen ancient road in the northeast of Baoxie Valley in Hanzhong City, Shaanxi Province. The inscription was written by Wang Sheng and carved by Wang Rong in November of the second year of the Eastern Han Dynasty (AD 148). Cao Quanbei and Huashan Monuments are authentic stippling techniques and forms. In Ode to Shimen, it is not very particular, because it is carved on a rough rock surface, and the writer can't write beautiful words. Coupled with the ups and downs of 1000 years, it has formed a hazy and beautiful charm. Liu Qingxi said, "Qin tablet is magnificent. Hanbei is full of gas. " (Outline of Books) It is precisely what this stone carving has, especially the meaning of the seal in the pen, which is particularly valuable. The words in the poem "Ode to Shimen" written by Shimen are different in size and patchwork, showing naive and elegant novelty. The predecessors commented that this stone carving was the grass of the official residence. Compared with other Han steles, it can be seen that its vertical and horizontal changes are more prominent. Because it is carved on the stone wall, it can't be carved like a monument, so we can only make the strain arrangement according to the ups and downs of the rock surface. It is unexpected to be born after putting yourself in a dangerous place. At this time, if you look closely, you can find that the structure of many words is very similar to the bamboo slips and calf fine print that appeared later. Because of the patchwork of stippling, not only the structure of many words has a new style, but also the special interest between the lines has been strengthened. Some words, such as the emergence of a new trend, also strengthen the special interest between the lines. Some words, such as "Destiny", "Ascension to Heaven" and "chanting", are extremely long, which is rare in Han Li stone carvings. But you can often see these writing methods in bamboo slips. Some words on this tablet can be said to enlarge the structure of bamboo slips, such as Wei, Emperor, Han, Fei, Shou, Diligence, Ba and Huang. Carving stones on the cliff with lines, especially Ode to Shimen, has turned the neatness of official script into agility and the rules into boldness. Its brush strokes are back and forth, hidden and hidden, horizontal painting is uneven, vertical painting is not straight, and the brush strokes are powerful, such as rowing against the current, with a sum of more than a thousand yuan. The turning point is square or round, and often "Ode to Shimen" is broken. The thickness of strokes does not change much, even if it is dovetail or tail painting, it is not excessively aggravated. Its smooth and vigorous lines are rare in ancient stone carvings. Famous experts' evaluation of Zhang Zuyi, a calligrapher and seal engraver in the late Qing Dynasty and the Republic of China, is: "In the past three hundred years, there have been many people who have studied Han steles, but no one has studied Ode to Shimen, which is rich and unrestrained. Cowardice does not dare to learn, cowardice cannot learn. " Kang Youwei, a scholar at the end of the Qing Dynasty and the beginning of the Republic of China, wrote Poems on Books: "The catering in the Xia Dynasty can be regarded as a book fairy in ancient and modern times. Under the cliff of Shimen, there is a twist that wants to cross the crane to heaven. " Japanese contemporary calligrapher Niu Maru said: "Ode to Shimen not only has the structure of ancient bronze seals in Qin and Han Dynasties, but also can be said that one word can form a magnificent small universe, and it is a masterpiece." Yang Shoujing, a modern epigraph writer, wrote: "His pen is like a wild crane floating in the clouds, spreading its wings and flying high, and the Six Dynasties are sparse and beautiful, all of which come out." The charm of later generations' influence on Ode to Shimen lies in its calligraphy art, which is one of Han Li's mature works in the middle and late Eastern Han Dynasty. It is conceivable how difficult it is to carve such a large-scale article on the stone gates and stone walls in the valley. But on the whole, the whole article is unified in style, rigorous in font structure, full of change, life and agility. In particular, the vertically elongated words "destiny", "ascension" and "chanting" retain the charm of Han bamboo slips and are unique among the existing stone carvings in the Han Dynasty in China. The distinctive Gu Zhuo and elegant personality of Ode to Shimen have influenced calligraphers who have been active in Chinese and foreign book circles since the Qing Dynasty. The word "Ci Hai" on the cover of China's large reference book Ci Hai is selected from Ode to Shimen. The historical heritage "Ode to Shimen" was originally carved in the west wall of Shimen Tunnel in Baoxie Valley in the northeast at the southern end of Baoxie Ancient Road in Baocheng County, Shaanxi Province (now Baohe Town, Hantai District, Hanzhong City). It is an 800-mile-long traffic artery that crosses the Qinling Mountains and connects Qinchuan and Hanzhong Basin. It was called "Bao Xie Plank Road" in ancient times. Because of the steep terrain and difficulties in excavation, many scholars in past dynasties have chanted questions. In the late 1960s, water conservancy was built, and a dam was built less than 100 meters outside Shimen Canyon. Although people of insight appealed from many sides, the dam site did not move because of the turmoil of the years. Shimen tunnel, ancient road relics and most stone carvings were submerged in the vast water. Fortunately, thirteen products of Shimen in Han and Wei Dynasties were rescued. In the early 1980s, under the auspices of Guo, an expert in stone carving at Shimen, the state allocated special funds to build thirteen special exhibition halls at Hantai Museum in Hanzhong. Ode to Shimen is now in Hanzhong Museum.