Guizhou is rich in cultural resources of ethnic minorities, and tourism products featuring culture have broad development prospects and huge market potential. However, the tourism industry in Guizhou started late. In the past, people knew little about the minority culture in Guizhou. After the reform and opening up, people from all walks of life at home and abroad come to Guizhou for sightseeing every year. Since the 1980s, Guizhou's rich and colorful national culture has been recognized by people in more and more countries. Cappella, a multi-voice Dong nationality, made his debut in Paris, causing a shock. Miao's wooden drum dance leapt to the world stage from the fields deep in the mountains, which was wild and uninhibited, and was called "Oriental Disco"; Miao costumes are called "wordless history books" because of their exquisite craftsmanship and rich cultural information bearing functions. The Liuzhi Suoga Miao community has built the first ecological museum in China because of its unique culture and good preservation. Local operas and Nuo operas, which are called "living fossils of drama" by the international drama community, have attracted great attention from experts and scholars at home and abroad. Colorful national festivals attract more and more people with their rich customs and rich connotations. In the specific geographical environment of Guizhou Plateau and mountainous areas, all ethnic groups have inherited their own traditions, accumulated for hundreds or even thousands of years, and created rich and colorful cultures. They are interrelated and independent, and the experience, wisdom and information base of each culture cannot be completely replaced by other cultures. All these have laid a good foundation for the development of ethnic cultural tourism in Guizhou.
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By developing rich tourism and cultural resources in ethnic minority areas, setting up economic entities and boosting local economic growth with the help of tourism, ethnic minority areas and their people can quickly get rid of poverty and become rich. Compared with other poverty alleviation methods such as "credit poverty alleviation" and "folk poverty alleviation", developing ethnic cultural tourism is a brand-new and efficient way to help the poor. It has its theoretical basis: from the industrial characteristics of tourism, tourism is a typical resource-based industry, and the premise of its development lies in tourism resources; As a highly related economic industry, it can drive market demand, establish the overall image of the region, drive logistics, capital flow, information flow and new concept flow, thus driving the economic development and prosperity of relevant departments and the whole region; Its labor-intensive industrial characteristics can bring more employment opportunities to ethnic minority areas, thus solving the problem of abundant labor in ethnic minority areas. In addition, as a window industry, the development of tourism can strengthen exchanges with the outside world, enhance understanding and promote investment attraction. It can be seen that the proposition of national cultural tourism development is not artificial, but determined by the essential characteristics of tourism as an economic industry. Because of this, in the Ninth Five-Year Plan for Tourism Development in China and the Outline of 20 10 Long-term Goals, the National Tourism Administration regards poverty alleviation through tourism as an important work agenda, and clearly puts forward "to strengthen the development of tourism resources in the central and western regions with good resource conditions and good market prospects, so as to promote the economic development of these regions through tourism". In the overall planning of the country's western development, developing tourism is also a top priority. Therefore, it can be believed that tourism poverty alleviation will play a greater role in narrowing the gap between the east and the west and helping the "old and poor" areas get rid of poverty and become rich.
Is this all right?