First, they are not keen on pure theoretical research in new disciplines, but face reality and go with the flow.
Create a phenomenon and make your own response in time. Comment on the works of Jia Pingwa and Wang Shuo.
The artistic analysis of Fable in September and Zeng Guofan is of great significance to writers such as Liu Zhenyun and Han Shaogong.
Comments all show that the relationship between comments and creation has improved and become closer. In terms of stylistic research, three
Words have always been the weak link. But in recent years, the research on the new phenomenon of prose creation and the research on the rest
The discussion on the gains and losses of cultural prose also shows that prose criticism is no longer as happy as it used to be.
But critics like to go to extremes. When they are not keen on the new discipline construction of pure theory
Later, some people followed the example of thinkers and criticized macro-culture. If this criticism is well written,
It does give people a sense of dangerous terrain, but it looks big and empty, but it is actually very ordinary. This kind of criticism
A major feature of "global" is that it likes to use big words, such as "global" human beings. This "global" abuse
Use, make the new criticism of reading texts popular in the 1980 s. This caused criticism.
Alienation from creation. No wonder when there are new creative phenomena, few people do it.
Real research, many critics lack enthusiasm, or even disdain it. For "new realism"
The analysis mentioned is an exception. 1996 Some critics put forward the "realistic shock wave".
problem This formulation shows that critics are concerned about the creative tendency. But this "shock wave"
Whether the "big flag" can hold water in theory remains to be considered.
On the one hand, it talks about the improvement of the relationship between criticism and creation, on the other hand, it talks about "alienation". At first glance,
The inconsistency in the past actually reflects the critical feature of the 1990 s: critics' concern about the economic wave.
The complex literary phenomenon under the impact is hard to grasp, sometimes following closely and sometimes alienating. The cause of alienation,
In addition to some critics changing their writing route, it is also because the creation in the 1990s is not as good as that in the 1980s.
Sample, can stimulate the imagination and creativity of critics.
Second, there has been a new diversion and adjustment of critics. For example, going into business, changing careers and writing novels,
There are also some examples of rewriting cultural comments and so on. But these are not enough to prove that some people
It's from The Great Escape. As for academic critics, they are all busy with "decoding theory"
The technique of "brick writing" has caused a complete alienation from the works of contemporary writers, which is a typical emotionalization.
Comments are subjective and random. As far as Beijing critics are concerned, they still write a lot of instant messages.
Sexual literary theory criticism and academic research have not weakened their ability to feel the "text"
And keen insight. In addition, a new generation of critics appeared in the 1990s.
Third, a breakthrough has been made in the study of China's contemporary literary history. Contemporary literature history of China
The research began in the previous "seventeen years" period. But all the research at that time was at that time.
The footnotes of the literary movement reject individualized aesthetic consciousness. More than 30 kinds have been published since the new period.
The history of contemporary literature has changed this situation. These literary histories have laid the foundation for the study of contemporary literary history.
The object and scope were investigated, the nature and stages were discussed, and some works by influential writers were made.
Orientation makes contemporary literature independent from the history of modern literature and become a new discipline.
However, the defects of these works in the history of contemporary literature are also extremely obvious: the law of the development of contemporary literature
The research is not enough, and the framework is mostly the superposition of writers' works, ignoring the literature of Taiwan, Hong Kong and Macao.
This situation has changed since the 1990s. The prominent symbol is the first time that a private matter appears.
Family history (the history of contemporary literature in the past was written collectively), which was based on him by Hong Zicheng.
1991-1993 "Overview of Contemporary Literature in China", a lecture arranged during his visit to Tokyo University.
(Hong Kong Qingwen Bookstore 1997 Edition). This book is combined with the Introduction to Contemporary Literature, which he participated in editing.
(Peking University Publishing House, 1980 edition) The titles are all similar. But the system, content and research depend on
The angles are quite different. The biggest feature of this book is the processing and "reconstruction" of literary materials in the past 40 years.
Matter and phenomenon, not bound by popular views, dare to gain a dominant position in "literary norms"
A new explanation of the nature and evolution of. Specifically, when discussing the literature from 1950s to 1970s,
This paper describes how the "literature of workers, peasants and soldiers" established from Yan 'an period achieved absolute dominance.
And the basic characteristics of this literary form. The second part reveals that this literary norm was in the 1980s.
The process of gradual weakening or even disintegration has made it a hot spot for China writers to "rebuild" the diversified pattern.
Affirmation of affection. In terms of frame processing, the book does not adopt the popular combination of writers' works, but
It focuses on the process of the emergence and change of literary phenomena, but it is not like Zhao Junxian's China.
General History of the Development of Contemporary Literature in China (Culture and Art Press, 1994 Edition),
It is a combination of history and theory, and stands out among similar textbooks. It is no exaggeration to say that this
This book is one of the most original textbooks in the history of contemporary literature. At present, its influence is mainly at sea.
Outside, but I believe it will soon "export to domestic sales", which will promote the teaching materials of contemporary literature history in Chinese mainland.
Change.
In the study of Taiwan and Hong Kong literature, the researchers of Taiwan and Hong Kong literature in the 1990s are conscientious.
This industry has written a number of special histories with certain quality, which provides a reference for the integration and diversion of contemporary literature in China.
Good foundation.
Fourthly, the academic discussion about humanistic spirit and urban culture-especially the former.
Young and middle-aged intellectuals in the world started spontaneously, and many writers actively participated. Three years later.
In the discussion, we faced up to the crisis of humanistic spirit at the end of the century and reflected on the role of intellectuals in elite gods.
Relocation after speech frustration. Wang Xiaoming, one of the initiators of this discussion, once put this discussion
Some of the author's viewpoints can be summarized as follows: 1. The cultural reality we live in today is far from satisfactory.
Satisfied, even in deep crisis; Second, as a crisis.
On the important side, the mental state of contemporary intellectuals or intellectuals is generally bad and their personality is shrinking.
The poor taste, the lack of imagination and the "aphasia" of thought and knowledge are shocking.
Performance; Third, from the perspective of intellectuals or their own reasons, it lies in the loss of individuals.
Grasp the significance of human and world existence; Fourth, intellectuals or this universality of intellectuals.
Mental loss is caused by various political, military, economic and social factors in the historical process since modern times.
It is the result of the joint action of cultural factors; Fifth, it will take several generations to really get rid of such a state of evidence loss.
People's continuous efforts; As the beginning of this effort, the discussants are particularly willing to advocate a kind of.
This concern for the basic meaning of life and the existence of the world constantly cultivates and develops intrinsic value.
Demand, and strive to practice this spirit of demand in all aspects of life, they use
In a word, it is "humanistic spirit"; Seven, since this is the spirit, then
Practice will naturally become a growing and increasingly rich process, one through human nature and
Differences reflect the process of universality.
Generally speaking, this discussion was conducted in an atmosphere of academic democracy and freedom.
It embodies the valuable sense of social responsibility of intellectuals. But in the discussion, due to everyone's understanding of humanistic spirit,
The understanding of Korea is different, the argument is not rigorous enough, there are big and improper problems, and the ideological confrontation is not enough.
So this discussion fell into formalism, divorced from people's life world, and gained little.
Obviously.
Fifth, the tendency of kitsch is serious, and the wind of "new" and "post" is blowing. Some critics are enthusiastic.
I am eager to throw out the new generation, new realism, new experience, new state, new city, new people and people.
Private writing and other banners, as well as post-modernism, post-criticism, post-colonialism, post-rise, post-obscurity.
The new terminology of this course. Most of these flags and terms are for the best-selling of a magazine or a magazine.
The introduction of the writer. In the era of commodity economy replacing planned economy, literature is moving towards commercialization.
It seems understandable that literary criticism should use some marketing methods appropriately, but slogans and terms should always be mentioned.
It has a certain theoretical basis and should conform to the reality of literary development and writers' creation. But the one above
Slogans and terminology, except for a few, mostly lack theoretical results and cannot stand scrutiny.
Associated with this tendency of literature packaging is the popularity and popularization of writers' works seminars.
Excessive. Hold seminars on outstanding or distinctive works and invite qualified critics to consult.
It is undoubtedly helpful to improve the writer's creative level. But when this form is infinitely manufactured,
Use, especially "paid reviews" to make critics become advertisers of works, which
The collusion (rather than cooperation) between economists and critics is not commendable.
Sixth, "literary events" appear constantly. With the gradual development of the socialist market economic system
Established in the face of surging commodity tide, sacred literature can no longer be sacred, writers.
The critics were confused and plunged into chaos. In order to fight this commodity tide, it is better.
Critics and writers (or editors) keep putting on performance after performance to promote their spiritual products.
A literary "event". First, Wang Yichuan arranged a literary master, and Mao Dun was deleted from the list.
Replace the "event" with Jin Yong and others. By 1997, the so-called "horse-bridge dispute" appeared.
Events, writers and critics, critics and critics, until this book.
Court. In fact, as a literary criticism, it is not smart to ask the law to judge who is right and who is wrong.
choose We advocate solving problems through normal literary criticism. Listen to different opinions,
You can counter criticism after listening. On the other hand, you should trust time and readers, and don't use it rashly.
Rule by legal means.
In 1990s, Xie Mian and others edited two "Centennial China Literary Classics".
Debates or "Events" in China's Centennial Literary Classics. In recent years, in order to adapt to the market
In order to meet the needs, some writers (editors are also a kind of criticism) picked up scissors and paste and made up their names.
"Selection of Works" and "Selection of Fine Works" with different purposes. And both of them are taught by famous universities.
The "century-old literary classics" compiled by Mian pushed this "compilation fever" to the peak. Because it's close.
Distance observation is inconsistent with editing standards, and more importantly, editors give one in the name of literary history.
The criticism of the writer's works is marked with "classic", which has aroused the doubts of readers and even the selected ones.
Due to the interference of performances and critical events, as well as the suspension and approval of review publications.
Comments have to be parasitic in newspapers and periodicals, so literary comments in the 1990 s are generally smart.
Lightweight, not as heavy and dignified as in the 1980 s. This is in addition to the above and the invasion of commercial marketing.
Outside the field of literary criticism, it has also been harassed by meaningless arguments that lack theoretical significance. This harassment
Sometimes it develops into hurtful criticism. (Excerpted from Guangming Daily)