Mo Yan (1955 February 17-), formerly known as Guan, was born in Gaomi County, Shandong Province, and was a famous contemporary writer in China. Honorary Doctor of Literature, The Open University of Hong Kong, Visiting Professor, Qingdao University of Science and Technology. 1980s, local works rose, full of complex feelings of homesickness and resentment, and were classified as "root-seeking literature" writers. His works are deeply influenced by magical realism. In his novels, Mo Yan constructed a unique subjective feeling world, told unconstrained stories, and treated them in a strange way, creating a mysterious and detached object world with obvious "pioneer" color. 20 1 1 In August, Mo Yan won the 8th Mao Dun Literature Prize for his novel Frog. 2012101,Mo Yan won the Nobel Prize in Literature for "combining folk stories, history, modernity and magical realism".

Mo Yan's work that won the Nobel Prize is Frog.

His representative works are: Red Sorghum, Sandalwood Punishment, Breastful Breast and Fat Hip, Wine Country, Fatigue of Life and Death, Frog.

Main works:

Sandalwood Punishment

Life and death fatigue

Big breasts and fat buttocks

Red sorghum family

Transparent carrot

Big breasts and fat buttocks-supplementary edition

Pyrats

Forty one guns

The song of garlic shoot in heaven

Thumb sleeve

White dog swing

Selected works of mo Yan

Selected works of mo Yan

Wine country

Herbivorous family

White cotton

mangrove

Moonlight chop

Old guns and precious knives

Singing wall

The commander's woman

Liang Xin Zuo Zheng

The room in the keyhole

What smells best?

Legend mo Yan

Mo Yan's prose

Selected novels of Mo Yan

Dialogue between Mo Yan and Yao Wang

reunion of comrade in arms

frog

Mo Yan's acceptance speech:

It was supposed to be the season of red sorghum. It's a pity that sorghum is not planted now. I don't think you have seen it. I feel very happy. When I first heard the news, I was a little surprised, because I thought there were many excellent literary writers waiting in line all over the world. It is unlikely that it will be my turn as a relatively young writer, so I was surprised when I first heard the news.

I think my hometown is closely related to my literature, because you also know that there are three sages in Gaomi these two days: Four Treasures of the Study, clay sculpture, paper-cutting, dusty New Year pictures, and Qiang Mao. These folk arts and cultures have also grown up with me, and I have been exposed to these cultural elements since I was a child. When I started writing, these elements of folk culture inevitably entered my novels, which influenced and even determined my artistic style.

I think my works are China literature and a part of world literature. My literature shows the life of China people and the unique culture and customs of China. At the same time, my novels also describe people in a broad sense. I have always stood in the perspective of people and always wrote about people. I think such works transcend the limitations of region, race and ethnic group.

For me, criticizing literary works is an important function, but we should also praise good things, truth, goodness and beauty. That is to say, when a writer chooses a creative theme, he must have something comfortable and strongly motivates him, and then he can be motivated and write works that touch both the writer himself and people.