2. Research on Western Oil Paintings Introduced to China in Ming and Qing Dynasties (paper), published in Fine Arts,No. 1 in 2004, sponsored by China Artists Association.
3. Let Famous Paintings Rejuvenate (paper), No.9 of Fine Arts 1999, sponsored by China Artists Association.
4. Research on Painting Exchange between China and Korea in Qing Dynasty (paper), published in Art Watch,No. 1 in 2005, sponsored by China Academy of Fine Arts. ..
5. From "Love Mountain Residence More and Write White Clouds" to "Now Being a Guest in Jiangnan" (paper), published in Art Watch, No.5, 2004, sponsored by China Academy of Fine Arts.
6. Foreign art professors who came to China in the first half of the 20th century and modern art education in China (paper), published in the 5th issue of Art Watch in 2003, sponsored by China Academy of Fine Arts. ..
7. Shi Beilin, the earliest oil painter in China (thesis), sponsored by China Academy of Fine Arts, Art Watch, No.3, 2002. ..
8. Lam Qua and Chenery Art Competition (paper), published in Art Watch 200 1 No.2, sponsored by China Academy of Art..
9. Overseas students studying in China and the development of modern art education in China in the early 20th century (Part I and Part II) (paper), published in Art Watch, No.6 and No.7, 2000, sponsored by China Academy of Art..
10, "From China craze in the west to the Westernization of China's export art" (paper), published in Art Watch No.2, 1999, sponsored by China Art Research Institute.
1 1, The Contact and Communication between Missionaries and Chinese and Western Paintings in Ming and Qing Dynasties (Part I) was published in Art Watch 1999 10/0/sponsored by China Academy of Art.
12, Study on the Second Way of Western Painting Introduced into China (paper), published in Art Watch No.7, 1998, sponsored by China Academy of Fine Arts.
15, Characters and Images in Song and Yuan Paintings (translated), Art, No.8, 1992, sponsored by China Artists Association.
16, "China Porcelain and the Exchange and Interaction between Chinese and Western Economy, Art and Culture in 1 8th Century" (paper), published in Decoration of Tsinghua University Academy of Fine Arts,No.12005, the second author, sponsored by Tsinghua University Academy of Fine Arts.
17, "20th Century China Oil Paintings Stay in Feng" (paper), published in the 4th edition of Newspaper on June 6th, 2000 1, sponsored by Chinese Writers Association.
18, Qian Xuan and the Literatization of Green Landscape in Yuan Dynasty (paper), Rong Baozhai, No.6, 2005, published by China Fine Arts Publishing House.
19, "Huang and landscape painting reform in Yuan Dynasty", No.2, 2005, published by China Fine Arts Publishing House.
20. Xiao Feng's Smoke Trees Are Suddenly Cold (Paper), published by Rong Baozhai, No.4, 2004, China Fine Arts Publishing House.
2 1, On Wu School of Painting (paper), No.6, 2003, published by China Fine Arts Publishing House.
22. Individualization of Scholars and Landscape Paintings in Yuan Dynasty, edited by Rong Baozhai, China Fine Arts Publishing House, No.2, 2003.
23. The Meaning Theory of Wu School, No.5, 2002, published by China Fine Arts Publishing House.
24. "Macao and Western Oil Paintings Introduced into China in Ming and Qing Dynasties", published by Macao Cultural Bureau in the summer of 2005, No.56 of Macao Cultural Magazine.
25. "Looking at the Development of Overseas Trade in Qing Dynasty from Trade Pictures" (paper), published in the 50th issue of Macao Culture magazine by the Macao Cultural Department in the spring of 2004.
26. The life and art of Feng, an early master of oil painting in China in the 20th century (paper), was published in the 49th issue of Macau Culture in the winter of 2003 by the Macao Cultural Department.
27. "Glass Painting: A Mirror of the Communication between Chinese and Western Paintings" (paper) was published in the 45th issue of Macao Culture, published by the Macao Cultural Department in the winter of 2002.
28. From the China craze in the West to the Westernization of the export porcelain painting art in China (paper), published in the 40th/4th1issue of Macao Culture magazine published by the Macao Cultural Department in the spring and summer of 2000.
29. "The Connection between Chinese and Western Painting" (paper), published in1No.39 of Macao Culture magazine in the summer of 1999. ..
30. A Special Form of Communication between Chinese and Western Paintings (paper), published in Macao Culture magazine No.35 1998 summer issue. ..
3 1, "Missionaries in Ming and Qing Dynasties and the Exchange of Chinese and Western Paintings" (paper), published in1No.34 of Macao Culture magazine in the summer of 998.
32. On the Development of China's Oil Paintings in Ming and Qing Dynasties (paper), Taiwan Province's The Artist, No.3, 2002.
33. Shi Beilin, the earliest western painter in China (paper), The Artist of Taiwan Province Province, No.8, 2000.
34. Painting without brushwork and light and shade in early Qing Dynasty (translated), The Painter of Taiwan Province Province, No.7, 1997.
35. China's Early Oil Painting Master Feng (Paper) included the monograph China's Early Oil Painting Master Feng, which was published by People's Fine Arts Publishing House in August 2003.
Japanese Art Teaching and the Rise of Modern Art Education in China (Paper), Art Education in China, No.3, 2003.
37. European and Japanese art professors and the development of modern art education in China (paper), Art Education in China, No.4, 2003.
38. Symphony of Color and Life (paper), published by Lingnan Fine Arts Publishing House, No.3 Gallery 200 1.
39. Ming Sijia and Wu School of Painting (paper), Volume VI of Famous Paintings Collected Abroad in China, published by Hunan Fine Arts Publishing House in February 2004, 1998.
40. Landscape Paintings and Figure Paintings in the Late Ming Dynasty (paper), Volume VI of Famous Paintings Collected Abroad in China, published by Hunan Fine Arts Publishing House in February, 1998.
4 1, Review on the Second Road of Western Painting Introduced into China (paper), published in the 3rd issue of Art Garden, 1998. Sponsored by Nanjing Art Institute.
42. Research on Chen Zhifo's Craft Thought (paper), published in Art Garden No.4, 1997, sponsored by Nanjing Art Institute.
43. Research on the artistic style of Badashanren's flower-and-bird painting (paper), published in Art Park No.4, 1990, sponsored by Nanjing Art Institute.
44. Correction of Lotus Diagram of Badashanren (paper), published in Art GardenNo. 199 1, sponsored by Nanjing Art Institute.
45. Wang Meng's Landscape Paintings and Their Research (paper), published in Art Exploration,No. 1 in 2005, sponsored by Guangxi Art Institute.
46. Study on the Spread and Collection of China Classical Art in Europe and America (paper), published in China Calligraphy and Painting Magazine, No.5, 2004.
47. On the Arrangement of Ancient Books (paper), published in Guizhou Literature and History magazineNo. 1993, sponsored by Guizhou Literature and History Museum.
48. Heart is heaven and earth, emotion is life (paper), published in the 5th edition of Cultural Reference on March 8th, 2005, sponsored by Guangdong Federation of Literary and Art Circles.
49. Comment on "Famous Paintings Collected Abroad in China" (paper), published in the 3rd edition of China Culture Newspaper on June 1 2000, sponsored by China Federation of Literary and Art Circles.
50. Aesthetic teaching materials (papers) for 2 1 century, published in Guangdong Teaching News, No.8, 2000. Sponsored by Guangdong Provincial Department of Education.
5 1, On the Artistic Style of Badashanren's Flower and Bird Painting (paper), published in Duoyun No.4, 1990, Shanghai Painting and Calligraphy Publishing House.
52. Textual research on Shi Tao's pseudograph (thesis), Shanghai Painting and Calligraphy Publishing House, Duo Yun 1992 No.4..
53. Ouyang Xiu's cultural chronology (paper) is contained in Ouyang Xiu of Yichang, Yiling, published by Huazhong Normal University Press, 1993 edition.
54. Ouyang Xiu and Collection of Ancient Records (paper), contained in Ouyang Xiu of Yichang, Yiling, published by Huazhong Normal University Press in July 1993.
55. Guan KIU and George CHINNERY, Culture Magazine 1999 h Series Macau.
56. Art Appreciation and Fine Arts (Volume I) (Teaching Reference), published by Lingnan Fine Arts Publishing House in August 20001.
57. Art Appreciation and Fine Arts (Volume II) (teaching reference), published by Lingnan Fine Arts Publishing House in February, 20001.
58. On the position and influence of Yang Shoujing in Japanese calligraphic circles (paper), Journal of Gezhouba Hydropower Engineering College,No. 1990.
59. Overlooking the Mountain Pavilion (paper), published in China Famous Painting Appreciation Dictionary, Shanghai Dictionary Publishing House, 1994.
60. The mural of Lou Rui's tomb in the Northern Qi Dynasty, a travel map (paper), was published in China Famous Paintings Appreciation Dictionary, Shanghai Dictionary Publishing House, 1994.
6 1, Red Gate Banquet (paper), China Famous Painting Appreciation Dictionary, published by Shanghai Dictionary Publishing House in March 1994.
62. The spatial structure of Badashanren's flower-and-bird paintings (paper), 1997 10 Participated in the "International Seminar of Four Great Painters in the Early Qing Dynasty" sponsored by Shanghai Museum and delivered it at the meeting.
63. Human Landscape Design (Paper), Proceedings of the 11th International Cave Symposium of China Academy of Sciences, published in August 1993.
64. A Brief History of Cubist Painting (paper), including A Brief History of Cubist Painting, was published by East China Normal University Press in September 2004 and written by myself.
65. Research on the Loss and Collection of China Classical Art in Europe and America (paper), published by the Organizing Committee of Shenzhen International Ink and Wash Biennale in March 2005, is contained in the Collection of China Art from an International Perspective.
66. Human Landscape Design (Paper), Proceedings of the 11th International Cave Symposium of China Academy of Sciences, published in August 1993.
67. Sino-Korean Painting Exchange in the Age of Chinese Empire (Paper). In February, 2004, he participated in and delivered a speech at the International Symposium on China and East Asian Han Cultural Circle sponsored by Fudan University.
68. "Study on the Loss and Collection of China Classical Art in Europe and America" (paper), participated in the second seminar of Shenzhen International Ink and Wash Forum in February 2003, and was published at the meeting.
69./kloc-the communication and interaction between China porcelain and Chinese and western economy, art and culture in the 0/8th century (paper). June, 2003 1 1 Participated in the international seminar "Macau and Sino-Western Relations in the World 16- 18" sponsored by Macau Foundation, and delivered a speech at the conference.
70. Research on the Second Way of Western Painting Introduced into China (paper), published in the 5th issue of Plastic Arts Research, 1999, sponsored by China Renmin University.
7 1, Art Overseas Students and the Development of Modern Art Education in China (Paper), published in Art Education in 20th Century China, Shanghai Painting and Calligraphy Publishing House 1999.
72. Marxist Reception Aesthetics and Methodology of Art History (paper), published in Art Watch No.2, 1998, sponsored by China Academy of Art..
73, the introduction of western painting and the spread of western painting art in China Ruan Rongchun Hu Guanghua China Art Research 2006/0 1.
74. A great turning point in the history of art education, China Art Research, 2006/02.
75. The dispute between the rise of society and the transformation of Chinese painting: China Art Research 2007/0 1
76. Painting circles in the third year of junior high school: China Art Research 2007/02.
77. Icons in the Western Heaven: China Art Research 2007/03.
78. The Changes of Arts and Crafts in China in the Late Qing Dynasty and the Early Republic of China: China Art Research 2007/03.
80. China Pop Art Research 2007/04
8 1, China, three ministers of painting, 2007/04.
82. Western painting barriers and typical China art research insider 2008/0 1
83. Study on the oil painting portrait of the bust of Qianlong: China Fine Arts Research 2007/04.
84. The paper "Painting Methods of Calligraphy" was published in the second issue of Literature and Art Research. 1 1 2006, sponsored by China Academy of Art.
85. The paper "China Porcelain and the Exchange and Interaction between Chinese and Western Economy, Art and Culture in the18th Century" was published in the 4th issue of Art Research in 2005 and sponsored by the Central Academy of Fine Arts.
86. On the Change of Painting Materials and the Change of Landscape Painting Concept and Technology in Yuan Dynasty, published in Art and Design,No. 1 in 2007, sponsored by Nanjing Art Institute.
87. Paper "Communication and Interaction between China Porcelain and Chinese and Western Economy, Art and Culture", Decoration, 1, 2005, sponsored by Tsinghua University Academy of Fine Arts.
88. The article "Landscape Paintings of Lan Ying and His Wulin School" was published by China Calligraphy and Painting magazine, No.8, 2006.
89. The paper "On the Introduction of Macao and Western Oil Paintings into China during the Ming and Qing Dynasties" was published in the magazine "Macao Culture" (No.56, autumn 2005) and published by the Cultural Affairs Bureau of the Macao Special Administrative Region Government.
90. The paper "The westernization of China exported porcelain paintings in the 8th century/kloc-0" was published in the 6th issue of China Ceramic Industry in 2004.
9 1. Paper "Wang Meng's Landscape and Its Research", published in Art Exploration,No. 1 in 2005, sponsored by Guangxi Art Institute.