It is guaranteed by virtual reality equipment.

In the future, virtual reality equipment will be used in stage performances, large-scale sports and cultural activities, film shooting, TV shooting, entertainment activities and mass square dances.

The director guides the actors to move, and guides the actors to change complex formations and different role arrangements in real time.

The director department uses virtual reality equipment to continuously and dynamically measure a large number of space moving targets in real time.

Conduct real-time, continuous and dynamic command, scheduling, control and stage scheduling for actors, sets, lights, props, stereos and bands, and control them on the computer screen.

The transparent glasses and sunglasses worn by actors include AR glasses, VR glasses and Goole glasses. They hid on the stage floor and in props. They can accept hints and instructions, observe the overall formation from the vertical line and the audience's point of view, and know that they are dancing.

The specific position of the platform space, know the direction and speed of the space you want to go to, and correct your spatial position, posture, posture and mood in time. That is, you can not only know the spatial position changes released by the director, but also master your own position errors, and you can also listen to the guests and

The audience's impromptu instructions can be released through language, gestures, brain waves, body movements, applause, shouting, tones, emotions, inscriptions and so on.

The superb organization, leadership, commander-in-chief, control and management ability of the on-site art director is realized through virtual reality equipment.

In the future, high discipline, strong organizational discipline, order and high order will no longer be used to describe and evaluate the performance level of large-scale sports culture with 1000 or more actors.

The free participation and free introduction of actors is to use virtual reality system to schedule the scene, fill the vacancy again, and do not affect the dynamic effect of complex location arrangement. For every actor, he knows the dynamic spatial position like the back of his hand, and he can command freely and in place, director, actor and concept.

Many people, even the audience who are not at the scene and the astronauts in the near-earth orbit space capsule, can improvise to participate in artistic re-creation, carry out various interactive exchanges including touch, contact shock and touch, and conduct virtual simulation with the spatial position of the live sound source.