Fu Lei (1908- 1966) is a famous literary translator and critic in China. He has translated a wealth of works in his life, which is characterized by vivid expressions, fluent writing, rich words and changeable colors. Thirty-four translations, mainly Roman? Roland won Nobel Prize in Literature's novel "John? Biographies of Christopher, Beethoven, Michelangelo and Tolstoy; Voltaire's Jarman and High Ba Long; Dana's artistic philosophy; Balzac's Gao Lao Tou, Eugénie? Grandet, Uncle Bunce, Aunt Bei, Colonel Xia Bei, the woman who stirred the water, Yu Xueer? Milo, Toure's priest, Saicha? Fifteen masterpieces such as The Rise and Fall of Pirodeau and Disillusionment; Translated into about five million words. His posthumous works "Twenty Lectures on World Art" and "Letters from Fu Lei" are also deeply loved by readers and reprinted many times. Mr. Fu Lei is magnanimous and resolute. He was persecuted at the beginning of the "Cultural Revolution". 1In the early morning of September 3, 966, he and his wife Zhu Meifu both died in anger, tragically ending their lives. This book is divided into four parts: impression, image, influence and appendix. The words "impression, image, influence" are homophonic and homophonic, concise and lively, but they can briefly present Fu Lei's world. The first album Impression includes the Memories of Old Friends by famous artists such as Lou Shiyi, Lou Shiyi, Lou Shiyi, Lou Shiyi, and Fu Minkun Zhong's Memories of Ancestors, and articles by Chen Zishan and Ye Yonglie. The second album "Images" explains Fu Lei's contribution to translation achievements, artistic philosophy and musical art view. Letters from home were written by Lou Shiyi, Ye Yonglie, Lin, and Liu Zaifu respectively. The articles about translation collections and complete works were written by Luo and me. Pang Xun, Lin Zhen, Jin Mei and Luo on Fu Lei's artistic realm: He Shi describes the forgotten friendship between Fu Lei and Huang. Liu Jingzhi studied Fu Lei's view of music; Regarding the spiritual friendship between Fu Lei and Balzac, Luo and himself respectively discussed the art of Fu Lei's translation of Balzac and the essence of Fu Lei's translation. In addition to Xiao Fangfang's articles, the third series of Influence has also compiled many brand-new articles, including Huang Zongying's and Wang Shibei's essays, Song Xuezhi's, Xu Jun's, Xiao Hong's and my long articles, Fu Minhe's, and the albums I wrote "China's Childish Heart-Fu Cong, a Piano Poet I Know" and "Why should I collect ashes for Fu Lei's family" are very special, because it is far from Fu. How many people have been inspired by the beauty of his personality and his outlook on translation? What person? How did his translated works affect the laggards in translation? How did his personality and spirit, his love for art, his pursuit of truth, and his seriousness and persistence in dealing with people manifest themselves in Fu Cong and Fu Min? What is the present significance of Fu Lei's spirit? All these are analyzed one by one in each compiled article. The fourth "Appendix", in addition to the newly discovered letters of Fu Lei, mainly lists the chronology of Fu Lei and the chronology of Fu Lei's main translations, which are the most detailed and complete.

Fu Cong was born in a family full of artistic atmosphere and academic spirit on1March, 934 10. His father Fu Lei is a famous scholar, art critic and literary translator. Fu Cong attended primary school intermittently for several years in his childhood, mainly under the supervision of his father at home. At the age of eight and a half, he began to learn piano. At the age of nine, he studied under the Italian conductor and pianist and Liszt's disciple Mei Baiqi. 1946 After Mei Baiqi died, she basically taught herself. 1947, she studied in Shanghai Datong Middle School. 1948, moved to Kunming with his parents. He studied in Yuexiu Middle School in Kunming and Foreign Languages Department of Yunnan University, and stopped learning the piano. 195 1 year, I went back to my parents who went back to Shanghai one year earlier and studied piano with Soviet pianist Mrs. Blancstein for one year. Because my teacher moved to Canada, I had to study hard by myself. 1953 performed Beethoven's Piano Concerto No.5 with Shanghai Symphony Orchestra, which was a great success. In the same year, he won the third place in the 4th World Youth and Student Festival Piano Competition held in Burgass. 1954 went to study in Poland and won the third place in the piano competition under the guidance of famous musicians. 1954 went to Poland to study, and studied under Professor Dewitz Ji, a famous musician and piano educator. 1955 won the third place in the 5th Chopin International Piano Competition and the best prize in Mazzuca in March. 1In the late autumn of 958, he graduated with honors from Huasha National Conservatory of Music. At the end of 1958, due to historical reasons, he was forced to move to London, England. 1April, 1979, he was invited to return to China to attend the parents' rehabilitation meeting and the ashes placement ceremony. In the 1980s, he returned to China to perform and give lectures every year. 1982, he was hired as an adjunct professor in two conservatories in China and Shanghai. 1983, he was awarded an honorary doctorate by the University of Hong Kong. 1959 At the beginning of this year, Fu Cong made her debut at the Royal Festival Concert Hall in London, and successfully cooperated with the famous conductor Julie. Since then, Fu Cong has traveled all over five continents and won the reputation of "Piano Poet" on the international music stage for nearly 50 years. Hermann hesse, the late German writer, poet, musician, critic and Nobel Prize in Literature laureate, wrote an article praising Fu Cong, saying, "From a technical point of view, Fu Cong really performed flawlessly. Not inferior to cortot or Rubinstein. But I suck not only the perfect performance, but the real Chopin. "