Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the bank and sand. The raging waves roll with frost and snow, and the natural hazards are endless. The city is full of jewels, and every household in Luo Qi is competing for beauty. Thick lakes overlap and are clear. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky in Wan Li, night, enjoy the lotus. A thousand riders have high teeth. Drunk to listen to the flute and drum, enjoy the haze. The map of the future will be good. I will go back to Fengchi to boast.

When Liu Yong is mentioned, people will think of the image of the poet "Romantic Poetry and Wine" ("He") and the lingering artistic style of "Yang Liuan, Xiao Feng and Canyue" ("Lin Yuling"). In fact, a poet's experiences, feelings and tastes are varied. He also wrote works reflecting the sufferings of people's livelihood, such as Boiling Haiqu, leaving behind such magnificent masterpieces as Watching the Tide of the Sea. In "Looking at the Tide", the author shows the prosperous beauty of Hangzhou in the early years of the Northern Song Dynasty. The picture is wide, open and closed, straight up and down. Its spirit and style are quite different from many of his poems about parting and homesickness.

However, it may not be appropriate to equate King Chao Hai with an ancient and bold work. Although there are some famous sentences that devour mountains and rivers, such as "wild waves roll frost and snow, and the natural moat is endless", as far as the whole article is concerned, what stands out is not the momentum of vertical and horizontal cooperation, but the meticulous brushwork; Not looking down on the hearts of generations, but enjoying the haze. It is like a landscape scroll, which is not arbitrarily rendered by freehand brushwork, but carefully sketched by meticulous brushwork. This is not unrelated to the theme, but it is also the spirit of the times. The culture of the Chinese nation has experienced thousands of years of development, reaching its peak in the Zhao and Song Dynasties (Chen Yinque), but the climax is the beginning of autumn. In the Song Dynasty, the feudal society in China crossed the glorious peak and began to decline. Accordingly, the spiritual life of the scholar-officials has become more and more divorced from the magnificent wind of Han and Tang dynasties in the past and turned to the "world in the pot", carefree. Ouyang Xiu pointed out in "Poems on June 1st": "Although the poets in the late Tang Dynasty did not return to Du Li's bold and unrestrained style, they still had to be lofty." So did the Song Dynasty. Although the situation of each poet is different, on the whole, intensive research, elegance and vulgarity are the mainstream and universal characteristics of poetry in Song Dynasty, which embodies the efforts of literati to improve (rather than explore) culture at that time. In Wang's novels, Liu Yong still intends to pursue elegance in the face of a wide range of themes, which is the driving force and embodiment of this spirit and style of the times. From this general understanding, let's look at how Liu Yong "works hard" in this poem.

"Looking at the Tide of the Sea", with only 107 words, not only lays out the prosperity of the streets in Hangzhou, but also "calms down the weather and describes the music to the fullest" (Chen's "The Problem of Solving the Fast Food"); It also depicts the beauty of the scenery of the West Lake, making the landscape look like before.

Shang Kun focused on prosperity. "The southeast is invincible, the city of Sanwu, and Qiantang has been prosperous since ancient times." Looking at the southeast, the first three sentences give a general praise to Hangzhou in time and space, with sonorous words and full charm. The words "Xing Sheng" and "Xing" highlight the theme of the whole poem. The following is described in three layers from the urban area to the suburbs. "Liuxiaoqiao flowing water, verdant wind curtain, different thousands of households", this is the panoramic view of Hang Cheng. Picturesque bridges, bridges painted with willows, point out the characteristics of many bridges with willows in Hangzhou, and form a very poetic picture. The "wind curtain and green curtain" points out the exquisiteness of the house from the appearance, and the "uneven one million people" shows the prosperity of the city. These three sentences describe the scenery, city appearance and city scale, which are realistic and vivid. "Cloud tree dike sand. The wild waves roll with frost and snow, and the natural risks are endless. " This is a frame of autumn colors in Qianjiang. There are many trees in the cloud. They are as dense as clouds. Dike sand refers to the Qiantang River revetment dike. Dense trees protect the winding long embankment, extending to the distance. The word "wai" brings static trees and dams to life, which is similar to Wang Anshi's "one water to protect the field will surround the green". The autumn tide in Qianjiang is famous for its stormy waves. The author uses the word "anger" to describe the surging tide, and uses the word "volume" to point out the power of the huge waves, which is vivid and thrilling. Green embankment, angry tide, one static and one moving, have made the Qianjiang scenic spot now. "Pearl in the city, Luo Qi in every household, competing for beauty" is about the prosperity of the city. The author didn't choose the traffic scene, but grabbed precious objects such as Zhu Ji and Luo Qi, and wrote from "city pillar" to "household surplus", which more effectively highlighted the richness of Hang Cheng's life.

Xiatan mainly writes about the scenery of the West Lake. Good sentences are repeated, vivid and colorful, which makes people like painting. The scenery of the West Lake is so diverse that it is "difficult to paint poems in ancient and modern times". The author first summarizes the beauty of lakes and mountains from the perspective of "emphasizing the beauty of lakes and overlapping mountains". The transformation of intonation and sentence pattern and the improvement of word meaning have broken the dullness of continuous narration and created a new scene. "Heavy Lake" refers to Lixi Lake and Waixi Lake separated by Bai Causeway, and "Overlapping Lake" refers to the mountains standing around the lake. The combination of "heavy lake" and "overlapping" ends with the word "Ting Anne", which vividly shows the freshness and beauty of the West Lake, and the lakes and mountains set each other off. Then the author describes the scenery of the four seasons and the scenery of the West Lake respectively. Lotus reflects the sun and cinnamon is fragrant, which is a typical scenery of the West Lake. The author further used "Sanqiu Cinnamon, Shili Lotus" to render lakes and mountains. These two sentences, one is about autumn scenery and the other is about summer scenery; Write on the lake, write on the mountain; Sanqiu talked about Gui Xiang for a long time, and Shili wrote a lot of lotus flowers, with few words and rich meanings. In just a few words, the scenery of the four seasons in the West Lake has become a famous sentence that has spread all over the world and passed down through the ages. According to legend, "Jin heard this song and admired' Sanqiu devil, a lotus flower in ten miles', so he set out to throw a whip to cross the river" (Luo Dajing's "He Lu"). Poets of later generations often borrow, renovate and write new chapters. For example, in the Southern Song Dynasty, Chen wrote "Ten Miles of Lotus, Guizi, and Four Mountains with Green Cuisine" ("The Water Dragon sings the West Lake for nostalgia"); Xie Yi has "Who copied the Hangzhou tune? Lotus in Sanqiu Shili (Chronicle). "Qiang Guanqing, Song Ling stayed up all night, and Lianwa played catch." This is a description of the dynamic scenery on the lake: on a sunny day, the Qiang flute is playing, at night, Song Ling is carefree, and the fisherman and the lotus girl are laughing again and again. With neat sentence patterns and concise brushwork, the author describes the happy scenes on the sunny, cloudy and sunny lakes. Echoing the static landscape of the previous sentence, "There are laurels in Sanqiu and lotus flowers in ten miles", it is colorful and highlights the attractive charm of the West Lake, which is dizzying and confusing.

This word was written for Liu Yong after he learned the news of Hangzhou in order to make an envoy to Hangzhou, in order to expand his reputation. The following five sentences of "a thousand Li Ma Ya Gao" are not only the original intention of turning to writing, but also the summary of the whole article. "Gao Yanei" is the flag before the army, which refers to Sun Mian. "Drunk listening to flutes and drums and enjoying smoke clouds" not only depicts the elegance of a romantic and elegant official, but also echoes the above beautiful scenery. It may be regarded as an integral part of the lake scenery-the picturesque West Lake will always add people's aesthetic taste. "Fengchi" refers to the imperial court. "Good scenery in the future, come back to Fengchi to boast" is not only an excuse to boast about the scenery of the West Lake, but also a code word for Sun Mian to return to the DPRK in a few days. Although these five sentences are flattering to Sun Mian, they are implicit, and their tone and content are integrated with the whole chapter. Explain that the author's skill is extraordinary.

Throughout the poem, it is clear, open and close freely, and there is no lag in narrative; Typical materials, carefully chosen words, and summarized images. With vivid writing, neat antithesis and beautiful melody, a beautiful painting is formed, which is called "fine but high in meaning".

Sun He (Sun Zhenshi) was handsome in Qiantang, and Liu Yiqing wrote the poem "Looking at the Tide of the Sea" as a gift. As soon as this word spread, the gold master listened to this song and was very happy to admire Sanqiu devil and Shili Lotus, so he set out to throw a whip across the river. Recently, Xie Chu said in a thick poem, "Who put the melody of Hangzhou and lotus flowers in Sanqiu?" . I know that flowers and trees are heartless, which affects the Yangtze River and Wan Li. "Although I said this, I touched the sorrow of the Yangtze River, which was not enough to hate the death of the gold master. As for making peace with Gui Xiang, the lakes and mountains make the literati linger in the joy of singing and dancing, and then forget the Central Plains, which is abhorrent. Because of his poem: "It is innocent to kill Hu Kuaijian, and Niuzhu is still in autumn. However, I hate the lotus leaf Hosta and forget the worries of the willow. " (Luo Dajing's "He Lu" Volume 1)