The most representative and implicit sentence in Lu Xun's description of the spectator image is that everyone behind him has to stretch his neck desperately, and there is a thin man with his mouth even wide open, like a dead fish. The so-called spectator naturally focuses on the word "look". These people have no appearance in Lu Xun's world. No matter men, women and children, there is only one action-look.

This may be the most prominent image of China people who love to watch the excitement.

In "Kong Yiji", the author wrote many times that the drinkers in the hotel teased Kong, and each time it was based on his embarrassment, humiliation and psychological pain. These spectators are not only unsympathetic, but also cruelly laugh at his "new scar" or laugh at his lack of scholar, and always make fun of his misfortune. The happy air brought by this laughter is really sad.

In "Blessing", people rushed to listen to Sister Xianglin's story of "Amao was eaten by a wolf", not out of sympathy, but to satisfy curiosity. Seeking excitement in a boring life, but when these people are tired of listening, they immediately spit it out, adding a cold and sharp smile to Xianglinsao, showing a kind of cruelty of human nature.

Extended data

Lu Xun is recognized as the founder and representative of modern literature in China. His collection of three thin books, Scream, Hesitation and New Stories, is a monument of China's modern novels.

His exposure of China people's mental numbness is incisive and chilling; Hiding the fire-like passion in the ice-like calm narrative reflects superb artistic skills; The artistic description of "mourning his misfortune and angering him", with tears in laughter, embodies the great compassion, feelings and realm of great artists.

The collection of essays "Flowers in the Morning and Picking Up in the Evening" is humorous and memorable. Weeds, a collection of prose poems, is less than 100 pages, which combines profound thoughts and peculiar images and has become an insurmountable peak in the history of modern prose poetry in China. Lu Xun created essays almost single-handedly, and this unique style has been popular for some time and has been passed down to this day. His prose reaches 15 volumes, "On current affairs, there is no face, and disadvantages are often classified".

His works have been translated into more than 50 languages such as English, Japanese, Russian, Spanish, French, German and Arabic, and have a wide audience in the world.

References:

Baidu encyclopedia-audience culture