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Huang Tingjian's Poetry Theory
Huang Tingjian's poetic theory is summarized as follows:

1. First of all, Huang Tingjian emphasized the rhythm and rhythm of poetry. He believes that the rhythm of poetry should be natural and natural, not too deliberately flat and rhyming. He advocates grasping the overall aesthetic feeling of melody in his creation, so that poetry works can be read smoothly and naturally, and at the same time have musical aesthetic feeling.

2. Secondly, Huang Tingjian advocates "taking literature as poetry". He advocated the introduction of prose writing techniques into poetry creation, making poetry more abundant and diverse. Huang Tingjian successfully liberated poetry from the traditional metrical mode by using the syntax and rhetoric of prose, which provided important ideas for the innovative development of poetry in Song Dynasty.

In addition, Huang Tingjian put forward the theory of "implication". He believes that poetry should focus on expressing emotions and artistic conception, not just describing superficial phenomena. He advocates the use of symbols, metaphors and other techniques in poetry to make poetry works more profound and implicit, and achieve inexhaustible effects.

4. Finally, Huang Tingjian emphasized the moral function of poetry. He believes that poetry should have the function of educating people, and through the spread of poetry, people are influenced by morality and inspired by thoughts. Therefore, in his creation, he pays attention to excavating themes from daily life and paying attention to social phenomena and life problems, so as to stimulate readers' thinking and perception.

Poems by Huang Tingjian

1. I live in the South China Sea of the North Navy, so I can't send books by goose. Peach and plum spring breeze, a glass of wine, ten years of night rain. Housekeeping, but with four vertical walls, does not cure diseases. I want to study, my head is white, and apes cry over streams.

2. Riding an ox and piccolo blowing through the village thousands of villages away. How many Chang 'an fame and fortune guests, organ failure is not as good as jun.

3, the rivers and lakes have been raining for ten years.

4. Idiot is a public affair, and the fast pavilion is near yat sen villa. Qian Shan has a vast sky, and Chengjiang has a bright moon. Zhu Xian is already a beauty, and her young eyes are chatting with wine. Wan Li returned to the ship to play the flute, which is why we made an alliance with Bai Ou.

I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.