To some extent, China's philosophy is a philosophy of life. So, what is the philosophical exploration of the spiritual connotation of architectural life?

1.？ Healthy? The Origin and Significance of Chinese Characters

Chen Changzhi's block-printed Shuo Wen Jie Zi (hereinafter referred to as Shuo Wen Jie Zi) in Qing Dynasty was written by six students. Like a dead wood unearthed. Everything that is born is born. In the Qing Dynasty, Duan Yucai's Notes on Explaining Words was also introduced. Like a dead wood unearthed. Like dirt. Get up and get out. This is similar to going out. Eleven. Everything that is born is born. As a verb? Healthy? What does table 1 mean as a noun? Healthy? The meaning of is shown in Table 2.

2. The spiritual connotation of architecture.

The ancients were good at observing the time phenomenon of things from different angles, thus producing different life sentiments. For example: Zhouyi? Is life easy? . This is a magnificent feeling of life caused by the phenomenon of time cycle change. Another example is: "Zhouyi?" The copula says:? The size of heaven and earth is called life. ? Heaven and earth have the virtue of life. It is the four seasons that turn everything into life, and there is a life order of spring, summer, long autumn harvest and winter storage. Emerge the principle of life? (Zhu Liangzhi, 1995). Especially the natural scenery, it is easier to change the time phenomenon into a leisurely mood with the ups and downs of the four seasons. This is the perception of life process from the time phenomenon of four seasons running. A very important content in China's traditional philosophy is the ancient view of time and space or cosmology. Space is the concept of space, the universe is the concept of time, and the combination of the universe is the comprehensive embodiment of the concept of time and space. Zhuangzi:? Up and down four directions, the universe, past and present. ? The universe? The word "Zhuangzi" is used together. Homology:? It is consistent to hold the universe next to the sun and the moon. It can be seen that for the ancient people in China, although the experience of time is concrete and experienced, it is also a kind of psychological time and space that cannot be qualitative and quantitative. They are good at transforming physical time into emotional life perception, and the key lies in whether the specific time phenomenon in the objective scene can trigger emotions in people's psychology. 2. 1 The concept of architectural time is embodied in the psychological perception of people living in it, thus expressing the time phenomenon abstractly. And this view of time is often the same? The universe? The concept of connection, pointing to? Harmony between man and nature? The philosophical thought of. The ancients sacrificed to heaven? Is it great for the sky? Ancient buildings and even urban planning often? Like heaven and earth? . When was Xianyang recorded in Three Auxiliary Huang Tu built? Believe that the palace is a temple, such as the celestial pole? , the palace of the Han Dynasty, as Ban Gu called it? Its palace is also like heaven and earth. [1]P24-25 is the embodiment of the concept of time in ancient architecture. On the other hand, the ancients' perception of time order rose to regulate people's behavior? A gift? Preface, due to different seasons, the buildings built by sacrificial activities have formed different spaces and atmospheres. Today, there are still temples dedicated to nature in Beijing, such as the Temple of Heaven, Ditan, Ritan and Moon Altar. 2.2 Architectural space view When people are in the courtyard, touching the mottled walls and looking at the sparse branches on the white walls, the sun is fading away, and time has been transmitted in the building. People also realize the passage of time from the transformation of light and shadow. Completed the transformation from time to space. The space formed by traditional building courtyards is particularly prominent in garden houses. If the elements that make up the courtyard are only architectural elements, then a door and a window are only concrete material existence; That wall, a veranda, is only the division of space, but it is these real architectural elements that, under the action of time, formed China's traditional view of architectural space. That is, the interlacing and merging of time and space. As users of the building, people living in it shuttled through the verandah and saw half a banana erected by Ruyi Gate through a leaking window, so many spaces completed the space transformation in human-centered activities. ? Step by step? That's what it means. The vertical depth space sequence formed by multiple courtyards and the horizontal sequence formed by lateral crossing courtyards often complete the transformation or promotion of space through the changes of different walls or doors. Architectural elements exist as nodes of spatial transformation.

3. China's life theory of architectural art.

3. 1 life structure theory Zhang Hao [2] based on the broad background of China culture and China's philosophy, thinks that China's philosophy is a kind of life philosophy to some extent. He thinks this philosophy has an internal structure? Is life noumenon or reality? As its basic program, and through the vertical and horizontal expansion of time and space, it forms a ubiquitous organic life network. So there is? Born for sex? Philosophical proposition. Goodness is benevolence, and beauty on earth is beauty of life. So, the size of heaven and earth is innate, this? Healthy? It is the unity of truth, goodness and beauty. 3.2 Time, Life and Time Theory China culture has formed a unique view of time, which is different from the West. This view of time attaches great importance to life and looks at time from the perspective of life. ? Is it timely? Timely means timely, timely. There are two sides, that is, the timing is wrong and the timing is wrong. Where do we start? Wind Tianshi? Through trials, a glimpse of the arrival of time? Cheshire time? Finally realized? Qi sheng? And then what? Keep pace with the times? . 3.3 On the basis of Qi life, China's philosophy takes Qi as the original category, and China's aesthetics also takes Qi as the basis of artistic life, which is the place where beauty occurs and the vitality of works. What is China's cultural thought? Gas? It is the foundation of all things, the essence of life, the transformation of yin and yang, and the flow of spirit; What is the cultural trend of China? Gas? The idea of unity of spirit and matter, movement and time and space has considerable advantages. Gas? Explaining it has unparalleled advantages such as incisiveness, profundity and detachment. So-called? Three? There are three motivations for Gaizhi's literary creation: the arrival of God, the arrival of emotion and the arrival of spirit. Since Wei Wendi Cao Pi put forward the proposition of "Qi", people have sought the mystery of Qi more from the artistic creation itself, and the category of Qi has been more included in the connotation of aesthetic subject. Cao Pi's Dian Lun Thesis says: Literature is dominated by Qi. ? Is literature based on qi? It is an epoch-making proposition, which marks that literature has moved from being a vassal of Confucian classics to being conscious and self-reliant. China's aesthetics always treats art and aesthetic activities with the spirit of life. In China's aesthetics, charm not only refers to the vivid embodiment of creative personality, but also refers to the wonderful and vivid aesthetic characteristics of artistic works.

4. Conclusion

The spiritual connotation of architecture, especially traditional architecture, is the same from the time of construction. Healthy? Closely related. What is the important point in the traditional architectural concept? Will it be good for people? . People realize the meaning of life from all things in nature, and also realize the importance of sunlight, water and plants to life. Healthy? It is the ancient knowledge of China ancestors about natural things. Life is limited. The life of a building can be very long, until the person who built it, blowing in the wind, it still stands; The life of a building may be short, so short that it may collapse overnight before it is built. Architecture is alive. Architecture is also emotional. Buildings bear the joys and sorrows of users and keep traces of people living in them. Therefore, people can feel worried in ancient buildings, and then they can remember the people and things in the buildings.

References:

[1] Wang Qiheng, ten books of contemporary architectural historians? Wang Qiheng's Selected Works of Architectural History in China, Liaoning Fine Arts Publishing House, September 20 14.

[2] Zhang Hao China Aesthetic Category and Traditional Culture Hubei Education Press 1996 1 1 Edition.

[3] Xiao Mo, Artistic Conception of Architecture, Beijing: Zhonghua Book Company, 20 14 1 first 1 version [4] Hou Youbin, China Architectural Aesthetics, Harbin: Heilongjiang Science and Technology Press,

[5] Liu Dunzhen, History of Ancient Architecture in China, Beijing: Building Industry Press,

[6] Yong Fang, Fifteen Lectures on Traditional Architecture in China, Beijing: Peking University Press, 20 10 [7] Feng Ke, Shuozhai, Shanghai: Tongji University Press, 20 12.

[8] Shi Feng, an astronomical relic of Tomb No.45 in Xishuipo, Puyang, Henan, 1990(03).

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